Anne Brigman

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Anne Brigman
MrsAnnieWBrigman SanFranciscoCall 1908-03-06.jpg
Self-portrait of Anne Brigman published in The San Francisco Call in 1908
Birth name Anne Wardrope Nott
Born (1869-12-03) 3 December 1869 (age 144)
Honolulu, Hawaii
Died 8 February 1950(1950-02-08) (aged 80)
El Monte, California.
Field photography

Anne Wardrope (Nott) Brigman (1869–1950) was an American photographer and one of the original members of the Photo-Secession movement in America. Her most famous images were taken between 1900 and 1920, and depict nude women in primordial, naturalistic contexts.

Life[edit]

Brigman was born in the Nu‘uanu Pali above Honolulu, Hawaii, on 3 December 1869. She was the oldest of eight children born to Mary Ellen Andrews Nott, whose parents moved to Hawaii as missionaries in 1828. Her father, Samuel Nott, was from Gloucester, England. When she was sixteen her family moved to Los Gatos, California, and nothing is known about why they moved or what they did after arriving in California. In 1894 she married a sea captain, Martin Brigman. She accompanied her husband on several voyages to the South Seas, returning to Hawaii at least once.

Imogen Cunningham recounts a story supposedly told to her firsthand that on one of the voyages Brigman fell and injured herself so badly that one breast was removed.[1] This story was never confirmed by Brigman or anyone else, but after 1900 Brigman stopped traveling with her husband and remained closer to home. She became active in the growing bohemian community of the San Francisco Bay area and become close friends with the writer Jack London and the poet and naturalist Charles Keeler. Perhaps seeking her own artistic outlet, she began photographing in 1901. Soon she was exhibiting in local photographic salons, and within two years she had developed a reputation as a master of pictorial photography.[2]

In late 1902, she came across a copy of Camera Work and was captivated by the images and the writings of Alfred Stieglitz. She wrote Stieglitz praising him for the journal, and Stieglitz in turn soon became captivated with Brigman's photography. In 1902 he listed her as an official member of the Photo-Secession, which, because of Stieglitz's notoriously high standards and because of her distance from the other members in New York, is a significant indicator of her artistic status. In 1906 she was listed as a Fellow of the Photo-Secession, the only photographer west of the Mississippi to be so honored.[3] In 1908 the Secession Club held a special exhibit for her photographs in New York,[4] and in 1909 she won a gold medal in the Alaska-Yukon Exposition as well as awards in Europe.[5]

From 1903 to 1908, Stieglitz exhibited Brigman's photos many times, and her photos were printed in three issues of Stieglitz's journal Camera Work. During this same period she often exhibited and corresponded under the name "Annie Brigman", but in 1911 she dropped the "i" and was known from then on as "Anne". Although she was well known for her artistic work, she did not do any commercial or portrait work like some of her contemporaries. In early 1910 she and her husband travelled to New York.[6] Later that year they separated, and she moved into a house with her mother. By 1913 she was living alone "in a tiny cabin...with a red dog...and 12 tame birds".[1] She continued to exhibit for many years and was included in the landmark International Exhibition at the Albright–Knox Art Gallery in New York in 1911 and the International Exhibition of Pictorial Photography in San Francisco in 1922.

In California, she became revered by West Coast photographers, and her photography influenced many of her contemporaries. Here, she was also known as an actress in local plays,[7] and as a poet performing both her own work and more popular pieces such as "Enoch Arden".[5][8] An admirer of the work of George Wharton James, she photographed him on at least one occasion.[9]

Declining vision lead her to abandon professional freelance photography in 1930[10] although she continued photography through the 1940s, and her work evolved from a pure pictorial style to more of a straight photography approach, although she never really abandoned her original vision. Her later close-up photos of sandy beaches and vegetation are fascinating abstractions in black-and-white. In the mid-1930s she also began taking creative writing classes, and soon she was writing poetry. Encouraged by her writing instructor, she put together a book of her poems and photographs call Songs of a Pagan. She found a publisher for the book in 1941, but because of World War II the book was not printed until 1949, one year before she died. Brigman died on 8 February 1950 at her sister's home in El Monte, California.

Photography[edit]

"Soul of the Blasted Pine," a self-portrait of Anne Brigman taken in 1908

Brigman's photographs frequently focused on the female nude, dramatically situated in natural landscapes or trees. Many of her photos were taken in the Sierra Nevada in carefully selected locations and featuring elaborately staged poses. Brigman often featured herself as the subject of her images, such as "Soul of the Blasted Pine", for which she received the Birghmingham Society's first silver medal.[11] Many of her other photos used her sister as the nude model.[10] After shooting the photographs, she would extensively touch up the negatives with paints, pencil, or superimposition.

Brigman's deliberately counter-cultural images suggested bohemianism and female liberation. Her work challenged the establishment's cultural norms and defied convention, instead embracing pagan antiquity. The raw emotional intensity and barbaric strength of her photos contrasted with the carefully calculated and composed images of Stieglitz and other modern photographers.

See also[edit]

Notes[edit]

  1. ^ a b Therese Thau Heyman (1974). Anne Brigman: Pictorial Photographer/Pagan/Member of the Photo-Secession. Oakland Museum of Art. p. 2. 
  2. ^ "Society Views Works of Art -- Photographer's Second Salon Proves Success - Sepias in Platinum Mingle With Bromides and Bichromates". The San Francisco Call. 1902-01-10. Retrieved 2011-12-04. 
  3. ^ Susan Ehrens (1995). Original A Poetic Vision: The Photographs of Anne Brigman. Santa Barbara Museum of Art. p. 23. 
  4. ^ "Photo Men Ask Woman to Exhibit: Mrs. Annie W. Brigman Honored by Secession Club of New York City -- Medal Winner Accorded Special Gallery for Studies of Artistic Merit". The San Francisco Call. 1908-03-06. Retrieved 2011-12-04. 
  5. ^ a b "Work of Oakland Artist Captures Coveted Honor - Wins Gold Medal for Lens Studies - Annie W. Brigman Given Honors for Exhibit at Alaska-Yukon Exposition". The San Francisco Call. 1909-11-11. Retrieved 2011-12-04. 
  6. ^ "Camera Artist to Visit in new York: Mrs. Annie W. Brigman Plans an Extended Visit to the Atlantic Coast". The San Francisco Call. 1910-02-04. Retrieved 2011-12-04. 
  7. ^ The San Francisco Call. 1908-03-31 http://www.loc.gov/chroniclingamerica/lccn/sn85066387/1908-03-31/ed-1/seq-4 |url= missing title (help). Retrieved 2011-12-04. 
  8. ^ The San Francisco Call. 1908-10-26 http://www.loc.gov/chroniclingamerica/lccn/sn85066387/1908-10-26/ed-1/seq-4 |url= missing title (help). Retrieved 2011-12-04. 
  9. ^ The San Francisco Call. 1909-05-29 http://www.loc.gov/chroniclingamerica/lccn/sn85066387/1909-05-29/ed-1/seq-13 |url= missing title (help). Retrieved 2011-12-04. 
  10. ^ a b Trainer, Laureen; edited by Amy Scott (2006). Yosemite: Art of an American Icon. University of California Press. p. 195. 
  11. ^ Emily J. Hamilton (1907-07-14). "Lens Studies of a Photo-Secessionist". The San Francisco Sunday Call. Retrieved 2011-12-04. 

References[edit]

  • Getty Museum. Anne W. Brigman
  • Alexander Nemerov. "Anne Brigman." Lecture: Yale University, New Haven, CT. 5 October 2006.
  • Brigman, Anne. Songs of a Pagan. (Caldwell, ID: Caxton Printers, 1949)
  • Carole Glauber, Songs of a Pagan: A Study of Anne Brigman’s Poetry, Photo Review, Spring 2000.


External links[edit]