September 7, 1943|
Washington, DC, US
|Died||June 1, 2008
Philadelphia, Pennsylvania, US
Cause of death
|Title||George D. Widener Director and CEO, Philadelphia Museum of Art|
|Predecessor||Jean Sutherland Boggs|
|Parents||René d'Harnoncourt and Sarah Carr|
Anne d'Harnoncourt (September 7, 1943 – June 1, 2008) was an American curator, museum director, and art historian specializing in modern art. She was the Director and CEO of the Philadelphia Museum of Art (PMA), a post she held from 1982 until her sudden and unexpected death in 2008. She was also an expert scholar on the works of French artist Marcel Duchamp.
Early life and career
Anne Julie d’Harnoncourt was born on September 7, 1943 in Washington DC. d'Harnoncourt grew up in New York City as the only child of René d'Harnoncourt, the Director of the Museum of Modern Art from 1949 to 1967, and Sarah (née Carr), a fashion designer. She was a cousin of the conductor Nikolaus Harnoncourt. From 1949-1961 she attended The Brearley School in New York City. She continued her studies at Radcliffe College in Cambridge, Massachusetts, where she majored in History and Literature of Europe and England since 1740, with additional course work in the history of architecture. Her BA thesis compared the poetry of Percy Bysshe Shelley and Friedrich Hölderlin. She graduated magna cum laude from Radcliffe in 1965.
D'Harnoncourt's first museum experience was at the Tate Gallery, London where she worked for six months as part of an MA degree at the Courtauld Institute of Art, University of London, preparing full catalog entries on thirty Pre-Raphaelite paintings and drawings in the collection in 1966-67. She then came to the Philadelphia Museum of Art (PMA) as a Curatorial Assistant in the Department of Painting and Sculpture from 1967 through 1969. During this time she helped oversee the installation of one of Marcel Duchamp's greatest and last major art installations, the Étant donnés (1968) along with the coordination of Duchamp's wife Alexina Duchamp and his step-son Paul Matisse. In 1969 she was hired as Assistant Curator of Twentieth-Century Art by the Art Institute of Chicago, a position she held until 1971. In that year she also married Joseph J. Rishel, who was also an Assistant Curator at the Art Institute of Chicago at the time.
Curatorship at the Philadelphia Museum
In 1972 d'Harnoncourt returned to the Philadelphia Museum of Art as a Curator of Twentieth Century Art. She served in the position from 1972 and 1982. A specialist in the art of Marcel Duchamp, in 1973 she co-organized a major retrospective exhibition of the artist’s work which originated in Philadelphia and traveled to the Museum of Modern Art and the Art Institute of Chicago. Other exhibitions organized or co-organized by Anne included Futurism and the International Avant-Garde (1980), Violet Oakley (1979), Eight Artists (1978) and John Cage: Scores & Prints (1982).
During her tenure as curator, she reinstalled the permanent galleries in the wing of the PMA devoted to 20th-century art, creating rooms specifically dedicated to the work of Marcel Duchamp and the sculptor Constantin Brâncuși. Under her curatorship, the PMA made the commitment to substantially build their contemporary collection, acquiring important works by Jasper Johns, Ellsworth Kelly, Dan Flavin, Sol LeWitt, Brice Marden, Agnes Martin, Elizabeth Murray, Claes Oldenburg, Katherine Anne Porter, Dorothea Rockburne, James Rosenquist, and Frank Stella among others.
Directorship of the Philadelphia Museum
In 1982 d'Harnoncourt was appointed the Director of the Philadelphia Museum of Art, replacing Jean Sutherland Boggs. In 1997 she added the duties of the Chief Executive Officer to her role and served as both Director and Chief Executive Officer. As Director, she fostered the growth and distinction of the PMA professional staff and encouraged a sequence of major exhibitions and publications by PMA curators and scholars. Among these were retrospectives of Brâncuși (1995), Cézanne (1996), Hon’ami Koetsu (2000), Barnett Newman (2002), and Salvador Dalí (2005); and surveys on topics ranging from Pennsylvania Germans: A Celebration of Their Arts (1983) to Japanese Design (1994), The Splendor of Eighteenth-Century Rome (2000) to Tesoros: The Arts in Latin America 1492–1820 (2006).
Each exhibition was accompanied by a illustrated book-length catalog, while other PMA publications under her leadership have included British Paintings in the Philadelphia Museum of Art (1986), Handbook of the Collections (1995), Gifts in Honor of the Museum’s 125th Anniversary (2002), and Italian Paintings 1250–1450 (2004).
Between 1992 and 1995, in a massive building project undertaken to reinstall all of the PMA European collections, over 90 galleries were renovated and relit, while thousands of works of art were examined, conserved and placed in fresh contexts. Twenty galleries for modern and contemporary art were renovated and reopened in the fall of 2000.
As part of the Long Range Plan, and in celebration of the PMA 125th anniversary year, a capital campaign with a goal of $200 million was formally launched in December 2000. Over $246 million was raised by the end of the campaign in 2004. In the same year, the PMA broke ground on a landmark building across the street and embarked on a comprehensive master plan for its use and the additional steps necessary to meet its 25-year requirements for new or renovated space. The renovated structure, now named the Ruth and Raymond G. Perelman Building, opened in September 2007. It houses greatly expanded, state-of-the-art facilities for the PMA collections of prints, drawings, and photographs, costumes and textiles, modern and contemporary design, and Library and Archives.
The Gross Clinic
In 2006, d’Harnoncourt added to her many accomplishments a successful campaign to keep Thomas Eakins's masterpiece, The Gross Clinic, in Philadelphia by capital fundraising. The Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts raised a combined $68 million to ensure that the painting would not move out of state.
D'Harnoncourt passed away on 1 June 2008 in Philadelphia from cardiac arrest. She is survived by her longtime husband, Joseph J. Rishel, who is a Senior Curator of European Painting before 1900 at the Philadelphia Museum of Art. After her death in 2008, Cleveland Museum of Art director Timothy Rub was chosen as her successor.
Service on boards and committees
- Regent of the Smithsonian Institution
- Board of Directors, The Henry Luce Foundation
- Board of Directors, The Japan Society
- Board of Directors, The Fabric Workshop and Museum
- Board of Trustees, Fairmount Park Art Association
- Board of Trustees, The Philadelphia Award
- Board of Directors, The John Cage Trust
- Board of Directors, ARTstor
- Museum Panel, National Endowment for the Arts
- Visual Arts Panel, National Endowment for the Arts
- Board of Trustees, Hirshhorn Museum and Sculpture Garden
- Board of Trustees, Institute for Advanced Study, Princeton
- Indo/U.S. Sub-commission on Education and Culture
- Harvard University Art Museums Visiting Committee
- National Endowment for the Arts Indemnity Panel
- Board of Advisors, Center for Advanced Study in the Visual Arts, National Gallery of Art
- Pennsylvania Council on the Arts
- Visiting Committee, J. Paul Getty Museum
d'Harnoncourt received numerous awards during her life, including:
- Captain Jonathan Fay Prize, Radcliffe College (1965)
- Chevalier dans l’Ordre des Arts et des Lettres, Republic of France (1995)
- Philadelphia Award (1997)
- Founders Award for Exemplary Service to History, The Historical Society of Pennsylvania (2001)
- Honorary Doctorate of Laws, Princeton University, (2005)
- Order of the Aztec Eagle, Republic of Mexico (2007)
- Samuel S. Fleisher Art Memorial Founder's Award (2007)
In addition, the Philadelphia Museum of Art dedicated an outdoor area, called the Anne d'Harnoncourt Sculpture Garden, to the late director in honor of her tenure and love of art and the city. It has exhibited sculptures by Thomas Schutte, Claes Oldenburg, and Isamu Noguchi amongst others.
- "Anne d'Harnoncourt Papers: Historical Notes", Philadelphia Museum of Art, Retrieved 18 June 2014.
- "Anne d'Harnoncourt, 64; Led Philadelphia Art Museum", The Washington Post, Retrieved 18 June 2014.
- "Anne d'Harnoncourt", Dictionary of Art Historians, Retrieved 18 June 2014.
- "Marcel Duchamp: Étant donnés", Philadelphia Museum of Art, Retrieved 25 June 2014.
- Grimes, William. "Anne d'Harnoncourt, Who Led Philadelphia Museum, Dies at 64", The New York Times, Retrieved 18 June 2014.
- "History: Perelman Building", Philadelphia Museum of Art, Retrieved 18 June 2014.
- Vogel, Carol. "Philadelphia Raises Enough Money to Retain 'The Gross Clinic,' an Eakins Masterpiece", The New York Times, Retrieved 25 June 2014.
- Smith, Roberta. "An Appraisal of Anne d'Harnoncourt, Director of the Philadelphia Museum of Art", The New York Times, Retrieved 25 June 2014.
- Vogel, Carol. "Timothy Rub of Cleveland Museum is Named to Lead Philadelphia Museum of Art", The New York Times, Retrieved 18 June 2014.
- "1997 - Anne d'Harnoncourt", Philadelphia Award, Retrieved 18 June 2014.
- Quiñones, Eric. "Princeton awards six honorary degrees", Princeton University, Retrieved 18 June 2014.
- "2007 Founder's Award: Anne d'Harnoncourt", Fleisher Art Memorial, Retrieved 18 June 2014.
- "On View: Sculpture Garden", Philadelphia Museum of Art, Retrieved 25 June 2014.
Jean Sutherland Boggs
|The George D. Widener Director and Chief Executive Officer
of the Philadelphia Museum of Art