Annette Arkeketa is an enrolled member of the Otoe-Missouria Tribe of Oklahoma. She is also Muscogee Creek. She conducts professional workshops in poetry, playwriting, the creative process, script consultant, and documentary film making.
Arkeketa's play Hokti has been produced by the Tulsa Indian Actors' Workshop, Tulsa Oklahoma (1997) and The Thunderbird Theatre, Haskell Indian Nations University, Lawrence Kansas (1998). Hokti is published in Stories of Our Way: An Anthology of American Indian Plays, UCLA American Indian Studies Center 1999.
Her play Ghost Dance has been performed at public readings at the Gilcrease Museum, Tulsa, Okahoma (2001); Tulsa University, Tulsa, Oklahoma (2002); American Indian Community House, New York, New York (2003). In spring 2004 the full-length drama was produced by the Institute of American Indian Arts, Drama Department. Ghost Dance is published in Keepers of the Morning Star: An Anthology of Native Women's Theater, UCLA American Indian Studies Center 2003.
These days Arkeketa is devoted to her work as a documentary producer and has formed her production company Hokte Productions. Hokte means woman in the Muscogee language.
Her first documentary production is about Corpus Christi native visual artist Jimmy Pena, titled Intrinsic Spirit: The Artway of Jimmy Pena (2002, approximately 24 minutes). Pena's work reveals the natural talent he has developed as a successful visual artist and muralist.
Her most recent project is Put Them Back, a documentary that follows Comanche Nation NAGPRA coordinator, Jimmy Arterberry, through the consultation process with Colorado state and federal institutions to repatriate the remains of his people. This documentary expresses the views of graves protection/repatriation advocate Arterberry with biting opinions regarding the NAGPRA process, archaeologists, policies, and solutions to one of the most controversial human rights issues Native Americans face today (2004, approximately 1 hour).
She was looking for a producer for her family feature film screenplay A Good Day to Dance. This a story of dance, family love, and what it takes to win.
Arkeketa's essay, Repatriation: Religious Freedom, Equal Protection, Institutional Racism, was published in a philosophical reader anthology, edited by Anne Water, titled American Indian Thought (2004).
"My personal feelings about writing is that it is necessary for our Indian people to write and produce great works about ourselves. It is important to challenge ourselves to write in the genres that we are unfamiliar with. The more we write the better we become as fiction writers, non-fiction writers, playwrights, screenplay writers, journalists, poets, research and essay writers."
The importance of our visibility in these areas writing and the media is for our children. They deserve to perform our work on stage and film. Always they seek us on the shelves of libraries, magazine racks, and newspaper stands. They seek us as mentors and role models, let's not disappoint them.
My more recent work has been concentrated in the area of media production for feature films and television documentaries. I believe television and the big screen is the most powerful media available to us today.
- In 2000, Arkeketa was named Mentor of the Year by the Wordcraft Circle of Native Writers and Storytellers.
- She was awarded the Writer of the Year for Playwriting in 1998 for her play Hokti by the Wordcraft Circle of Native Writers and Storytellers.
- Pahdopony: See How Deep the Water Is
- Ghost Dance, in Keepers of the Morning Star: An Anthology of Native Women's Theater, UCLA American Indian Studies Center.
- Publisher's page for the book
- Hokti, in Stories of Our Way: An Anthology of American Indian Plays, Hanay Geiogamah and Jaye T. Darby (Editors), UCLA American Indian Studies Center, 1999.
- The Terms of a Sister, self published.
- American Indian Thought: Philosophical Essays, Anne Waters (editor), Blackwell Pub.
- Gatherings, Volume X, A Retrospective of the First Decade, Greg Young-Ing & Florene Belmore (editors), Penticton: Theytus Books
- Windward Review, edited by Patricia Wimberly, Texas A & M University, 1998.
- Gatherings, Volume VIII: Shaking the Belly, Releasing the Sacred Clown, Edited by Joyce B. Joe and Susan M. Beaver, Penticton: Theytus Books
- the Indian Summer issue of phati'tude
- Gatherings, Volume VII, Standing Ground: Strength and Solidarity Amidst Dissolving Boundaries, co-edited by Kateri Akiwenzie Damm and Jeannette Armstrong, Penticton: Theytus Books
- Returning the Gift: Poetry and Prose from the First North American Native Writers' Festival, Sun Tracks Books, No 29), University of Arizona Press.
- Indian Market Magazine, Santa Fe, NM, 1994.
- Durable Breath: Contemporary Native American Poetry, John E. Smelcer, D. L. Birchfield (editors), Salmon Run Pub.
- Plains Native American Literature, Simon and Schuster, 1993.
- That's What She Said: Contemporary Poetry and Fiction by Native American Women, Rayna Green (editor), Indiana University Press.
- Oklahoma Indian Markings, edited by Francine Ringold, Nimrod, Arts and Humanities Council of Tulsa, 1989.
Writing available online
- Too Much For The Average Indian IX.
- Too Much For The Average Indian XI.
- Too Much For The Average Indian XII.
- The terms of a sister
- HOKTE Productions
- projectHOOP, Honoring Our Origins and People
- Native American Women Playwrights Archive
- Terry Gomez directs "Ghost dance"
- Student works to preserve, protect historic graves
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