An ansible is a fictitious machine capable of instantaneous or superluminal communication. Typically it is depicted as a lunch-box sized object with some combination of microphone, speaker, keyboard and display. It can send and receive messages to and from a corresponding device over any distance whatsoever with no delay. Ansibles occur as plot devices in science fiction literature.
The word ansible was coined by Ursula K. Le Guin in her 1966 novel Rocannon's World. Le Guin states that she derived the name from "answerable," as the device would allow its users to receive answers to their messages in a reasonable amount of time, even over interstellar distances. Her award-winning 1974 novel The Dispossessed, a book in the Hainish Cycle, tells of the invention of the ansible.
The name of the device has since been borrowed by authors such as Orson Scott Card, Vernor Vinge, Elizabeth Moon, Jason Jones, L.A. Graf, and Dan Simmons. Similar devices are present in the works of numerous others, such as Frank Herbert and Philip Pullman, who called his a lodestone resonator.
Anne McCaffrey's Crystal Singer series posited an instantaneous communication device powered by rare, "Black Crystal" from the planet Ballybran. Black Crystals cut from the same mineral deposit could be "tuned" to sympathetically vibrate with each other instantly, even when separated by interstellar distances, allowing instantaneous telephone-like voice and data communication. Similarly, in Gregory Keyes' series The Age of Unreason, "aetherschriebers" use two halves of a single "chime" to communicate, aided by scientific alchemy. The series is set on an alternate 18th-century Earth. While the speed of communication is important, so is the fact that the messages cannot be overheard except by listeners with a piece of the original crystal.
Stephen R. Donaldson, in his Gap cycle, proposed a similar system, Symbiotic Crystalline Resonance Transmission, clearly ansible-type technology, but was very difficult to produce and limited to text messages.
Some hard science fiction stories use small (possibly nano-sized) paired wormholes dedicated to communication by means of a laser which traverses the wormhole. In Robert L. Forward's novel Timemaster, the wormhole is a living organism resembling a fourth-dimensional sea anemone, "stretched" to cover the distance between a spaceship and a satellite on the home planet.
Charles Stross's books Singularity Sky and Iron Sunrise make use of "causal channels" which use entangled particles for instantaneous two-way communication. The technique has drawbacks in that the entangled particles are expendable and the use of faster-than-light travel destroys the entanglement, so that one end of the channel must be transported below light speed. This makes them expensive and limits their usefulness somewhat.
In Richard K. Morgan's Takeshi Kovacs novels human colonies on distant planets maintain contact with earth and each other via hyperspatial needlecast, a technology which moves information "...so close to instantaneously that scientists are still arguing about the terminology...".
One ansible-like device which predates Le Guin's is the Dirac communicator in James Blish's 1954 short story "Beep". As the title implies, any active device received the sum of all transmitted messages in universal space-time, in a single pulse, so that demultiplexing yielded information about the past, present, and future.
Isaac Asimov solved the same communication problem with the hyper-wave relay in the Foundation series. Larry Niven later used the same term for the plot device used within his Known Space series of novels and short stories, notably in the Ringworld and associated Fleet of Worlds series.
In Ivan Yefremov novel Andromeda from 1957, a device for instant transfer of information and matter is made real by using "bipolar mathematics" to explore use of anti-gravitational shadow vectors through a zero field and the antispace, which enables them to make contact with the planet of Epsilon Tucanae.
Le Guin's ansible was said to communicate "instantaneously", but other authors have adopted the name for devices only capable of finite-speed communication, although still faster than light.
The subspace radio, best known today from Star Trek and named for the method used in the series for achieving faster-than-light travel, was the most commonly used name for such a faster-than-light communicator in the science fiction of the 1930s to the 1950s.
In all the Stargate television series, characters are able to communicate instantaneously over long distances by transferring their consciousness into another person or being anywhere in the universe using "Ancient communication stones". It is not known how these stones operate, but the technology explained in the show usually revolves around wormholes for instant teleportation, faster-than-light, space-warping travel, and sometimes around quantum multiverses.
In Avatar continuity superluminal communication via a subtle control over the state of entangled particles is possible but for practical purposes extremely slow and expensive at a rate of three bits of information per hour and costing $7,500 per bit, rendering it a limited use form of communication for only the highest priority messages.
In Le Guin's work 
In The Word for World Is Forest, Le Guin explains that in order for communication to work with any pair of ansibles, at least one "must be on a large-mass body, the other can be anywhere in the cosmos."
In The Left Hand of Darkness, the ansible
Unlike McCaffrey's black crystal transceivers, Le Guin's ansibles are not mated pairs: it is possible for an ansible's coordinates to be set to any known location of a receiving ansible. Moreover, the ansibles Le Guin uses in her stories apparently have a very limited bandwidth which only allows for at most a few hundred characters of text to be communicated in any transaction of a dialog session. Instead of a microphone and speaker, Le Guin's ansibles are attached to a keyboard and small display to perform text messaging.
In Card's work 
Orson Scott Card's Ender's Game series uses the ansible as a plot device. "The official name is Philotic Parallax Instantaneous Communicator," explains Colonel Graff in Ender's Game, "but somebody dredged the name ansible out of an old book somewhere."
Card's description of the ansible's functions in Xenocide involve a fictional subatomic particle, the philote. In the "Enderverse", the two quarks inside a pi meson can be separated by an arbitrary distance while remaining connected by "philotic rays". This concept is similar to quantum teleportation due to entanglement, although even that does not imply a possibility of faster-than-light communication. Also, in the real world, quark confinement prevents quarks from being separated by more than microscopic distances.
The ansible is also featured in the video game Advent Rising, for which Card helped write the story.
In Moon's Work 
There is a brief reference to the ansible in Winning Colors. The ansible itself is a major plot element, nearly a MacGuffin in Moon's Vatta's War series. Much of the story line revolves around various parties attacking or repairing ansibles, and around the internal politics of ISC (InterStellar Communications), which holds a monopoly on the ansible technology.
In reality 
There is no currently known way to build an ansible. The theory of special relativity predicts that any such device would allow communication from the future to the past, which raises problems of causality, unless the device used general relativistic curved spacetimes as an integral part.
Quantum nonlocality is often proposed as a mechanism for superluminal communication. A 2008 quantum physics experiment performed in Geneva, Switzerland has determined that in any hypothetical nonlocal hidden-variables theory the speed of the quantum non-local connection would have to be at least 10,000 times the speed of light. Practical applications are made impossible due to the no-cloning theorem, and the fact that quantum field theories preserve causality, so that quantum correlations cannot be used to transfer information.
See also 
- Bernardo, Susan M. & Murphy, Graham J. Ursula K. Le Guin: A Critical Companion, (Westport, CT: Greenwood Press, 2006), page 18.
- Quinion, Michael. "Ansible". World Wide Words.
- Le Guin, Ursula K. (August 2001) . The Dispossessed (mass ppb. ed.). New York: Eos/HarperCollins. p. 276. ISBN 0-06-105488-7. "'They print Reumere's plans for the ansible.' 'What is the ansible?' 'It's what he's calling an instantaneous communication device.'" Unknown parameter
- Card, Orson Scott (July 1994) . Ender's Game (mass ppb. ed.). New York: Tor Books. p. 249. ISBN 0-8125-5070-6. "What matters is we built the ansible. The official name is Philotic Parallax Instantaneous Communicator, but somebody dredged the name ansible out of an old book somewhere and it caught on." Unknown parameter
- Vinge, Vernor (1988-11-01). "The Blabber". Threats & Other Promises. Riverdale, NY: Baen. p. 254. ISBN 0-671-69790-0. "'It's an ansible.' 'Surely they don't call it that!' 'No. But that's what it is.'"
- Moon, Elizabeth (1995-08-01). Winning Colors (mass ppb. ed.). Riverdale, NY: Baen. p. 89. ISBN 0-671-87677-5. "...when I was commissioned, we didn't have FTL communications except from planetary platforms. I was on Boarhound when they mounted the first shipboard ansible, and at first it was only one-way, from the planet to us."
- Jones, Jason (with Greg Kirkpatrick) (1995-11-24) Marathon 2: Durandal, computer game, Chicago, IL: Bungie Software. "A connection [?ansible] was left; awaiting the next quiet [?peace]; and though destroyed by the threes, it will scream over the void one time."
- Graf, L.A. [Julia Ecklar] (August 1996). Time's Enemy (Star Trek Deep Space 9TM : Invasion, 3. mass pbk. ed.). New York: Pocket Books. p. 203. ISBN 0-671-54150-1. "'...The two Dax symbionts can communicate with each other across space, instantaneously, because they're composed of identical quantum particles. I've become a living ansible, Benjamin.'"
- Simmons, Dan (2003-07-01). Ilium (hbk. ed.). New York: Eos/HarperCollins. p. 98. ISBN 0-380-97893-8. "I can see Nightenhelser madly taking notes on his recorder ansible."
- Herbert, Frank (1970-April) . The Whipping Star. Worlds of If magazine.
- Pullman, Philip (2001-10-02) . The Amber Spyglass (His Dark Materials, 3. mass pbk. ed.). New York: Del Rey. p. 156. ISBN 0-345-41337-7. "'Well, in our world there is a way of taking a common lodestone and entangling all its particles, and then splitting it in two so that both parts resonate together.'"
- Rosenberg, Jonathan (June 25, 2012). "Scenes from a Multiverse: The Ansible".
- James Cameron's Avatar: An Activist Survival Guide - pg 156-157
- Moon, Elizabeth (2004-09). Trading in Danger (mass ppb. ed.). Del Rey. p. 111. ISBN 0-345-44761-1. "Attack on instersystem ansibles is just...just unthinkable"
- Testing Spooky Action at a Distance Preprint: Testing Spooky Action at a Distance Nature Article
- Bernardo, Susan M.; Murphy, Graham J. (2006). Ursula K. Le Guin: A Critical Companion (1st ed.). Westport, CT: Greenwood Press. ISBN 0-313-33225-8.
- Bloom, Harold, ed. (1986). Ursula K. Le Guin (1st ed.). New York, NY: Chelsea House. ISBN 0-87754-659-2.