Born in Swansea, Hicks read mathematics at King's College London during the mid-1960s and worked for roughly a quarter of century as a computer systems analyst at the University of London (retired 1993). Although he was educated in the field of mathematics and computer science, his own personal obsession with baroque music led him to pursue scholarly music research in his spare time. What began as more or less a hobby developed into a highly distinguished para-career as a historian and writer. He became one of the leading 20th century scholars on George Frideric Handel.
As a music critic, Hicks wrote for Early Music Review and The Musical Times. For the 2001 edition of The New Grove Dictionary of Music and Musicians he penned Handel's biography and several other Handel related entries. He also authored most of the Handel related articles in the New Grove Dictionary of Opera. He became an important advocate for historically informed performances just as the renewed enthusiasm for baroque music began to take off in the 1960s and 1970s. His research has been used widely in preparing baroque works for recordings and performance; most notably with the Academy of Ancient Music with whom he worled closely for several decades. Musicians with whom Hicks collaborated on recordings were Christopher Hogwood, Paul McCreesh, Robert King, Trevor Pinnock, Emma Kirkby, John Eliot Gardiner, and Alan Curtis among many other distinguished baroque performers. He died at the age of 66 in London in 2010 of pulmonary fibrosis.