|History and lists|
Origin of the term
The term ("anti-roman" in French) was brought into modern literary discourse by the French philosopher and critic Jean-Paul Sartre in his introduction to Nathalie Sarraute's 1948 work Portrait d’un inconnu (Portrait of a Man Unknown). However the term "anti-roman" (anti-novel) had been used by Charles Sorel in 1633 to describe the parodic nature of his prose fiction Le Berger extravagant.
The antinovel usually fragments and distorts the experience of its characters, presenting events outside of chronological order and attempting to disrupt the idea of characters with unified and stable personalities.
Although the term is most commonly applied to the French nouveau roman of the 1940s, 1950s and 1960s, similar traits can be found much further back in literary history. One example is Laurence Sterne's Tristram Shandy, a seemingly autobiographical novel that barely makes it as far as the title character's birth thanks to numerous digressions and a rejection of linear chronology.
Examples of antinovels are:
- Brian Aldiss: Report on Probability A
- Giannina Braschi:Yo-Yo Boing!
- Julio Cortázar: Hopscotch
- Rayner Heppenstall: Connecting Door (1962)
- Uwe Johnson: Mutmassungen über Jakob (Speculations about Jacob)
- Vladimir Nabokov: Pale Fire
- Kenneth Patchen: Sleepers Awake
- "New Novel." Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2012. Web. 31 Aug. 2012.
- Dionne U, Gingras F. L'USURE ORIGINELLE DU ROMAN: ROMAN ET ANTIROMAN DU MOYEN AGE A LA REVOLUTION. (French). Études Françaises. April 2006;42(1):5-12. Accessed August 31, 2012.
- Hodgson R. "The Parody of Traditional Narrative Structures in the French Anti-Novel from Charles Sorel to Diderot". Neophilologus. July 1982;66(3):340-348. Accessed August 31, 2012.
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