Antonio Piedade da Cruz

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Antonio Piedade da Cruz, also known as "A.P. d'Cruz" or simply “Cruzo”, (22 August 1895 -1982) was a twentieth-century painter and sculptor from Goa, Portuguese India.[1]

Early life and background[edit]

He was born on 22 August 1895 in the village of Velim in Salcete and joined Bombay’s Sir Jamsetjee Jeejebhoy School of Art in 1916. Cruzo studied under Gladstone Salomon, M. V. Dhurandhar and Agoskar, and graduated in 1920. He went on to study in Europe, applied to the Berlin University of the Arts and won a scholarship and the status of “Master Student” (Meisterschüler). He studied there from 1922 under Arthur Kampf, Ferdinand Spiegel and Paul Plontke.

Career[edit]

Cruzo caught the attention of the Portuguese Ambassador in Berlin when he, after a German newspaper described him as "Portuguese from India", asked the paper to rectify, insisting that he was "pure Indian". With the support of the Ambassador, Cruzo held his first solo exhibition in Lisbon in October 1925. He returned to India following a request by the Maharaja of Travancore.

Cruzo settled in Bombay and became well known as a sculptor and portrait painter both among Indian royalty and the expatriate elite. Among the people who sat for his portraits were Philip Chetwode, Louis Mountbatton, Lallubhai Samaldas and Purshottamdas Thakurdas.

His "Cruzo Studio" in Brabourne Stadium became an important meeting place, including for members of the Goa liberation movement. Despite Cruzo's entries with the rich and famous, his main work focused on poverty and social injustice as well as hard-working farmers and fishermen. He also painted colourful allegories and nudes.

Following the death of his nephew his work became darker and more spiritual.

A meeting with Mahatma Gandhi gave Cruzo fresh inspiration and from then onwards, political themes dominated his work, first the struggle for independence, partition and later the Bangladesh Liberation War and the Vietnam War. Cruzo died in 1982 but remains one of Goa's most notable artists.[2][3][4]

References[edit]

  1. ^ J. Clement Vaz, "Profiles of Eminent Goans Past and Present", Concept Publishing Company, 1997, ISBN 9788170226192
  2. ^ Vamona A.S. Navelkar, The Flowering of Goan Art The Navhind Times, 7 September 2008,
  3. ^ The Flowering of Goan Art, Asian Art Newspaper, April 2012, http://www.asianartnewspaper.com/article/flowering-goan-art
  4. ^ Needing "no special introduction to art lovers" according to Naguesh Rao Sardessai, p.22, Viva Goa Magazine, May 2011, http://issuu.com/vivagoaonline/docs/may_2011