Apse from La Seu d'Urgell
|Year||First half of the 12th century|
In the apse there was a large representation of the Theophany, or manifestation of the Lord, inspired in the Gospel and the Book of Revelation. Christ appeared in all his splendour, upright and imposing in the mandorla of his glory, with the Earth as his footstool, in keeping with the Biblical interpretation. He was surrounded by the Tetramorph, or symbols of the Evangelists, of which John's eagle and Luke's bull are preserved almost whole.
The vision evoked in this image is both the Ascent of Christ and his triumphant return at the end of time. An attractive Greek fret in the classical tradition separates this register from the one below, in which are the Virgin and the Apostles, centred in the figures of St Peter, with the keys, and Mary, with a crown in her hand, a curious iconographic detail referring to the Kingdom of Heaven.
Also portrayed are Andrew, with the cross, a beardless John the Evangelist and Paul, the Apostle of the Gentiles, who represent the Church militant attending the manifestation of God. Attractive floral borders decorated the windows. Stylistically, these paintings show a synthesis of different influences from Lombardy, Occitania and Peitieu.
- Guia del Museu Nacional d'Art de Catalunya.p. 25. MNAC, 2004. ISBN 84-8043-136-9
- The artwork at MNAC's Website
- Guia del Museu Nacional d'Art de Catalunya.p. 23. MNAC, 2004. ISBN 84-8043-136-9
- Castiñeiras, Manuel; Camps, Jordi (2008). Romanesque art in the MNAC collections. MNAC. ISBN 978-84-8043-196-5. Retrieved 3 September 2012.
- Museu Nacional D'Art de Catalunya. MNAC. 1 March 2009. ISBN 978-84-8043-200-9. Retrieved 3 September 2012.
- Carbonell, Eduard; Pagès, Montserrat; Camps, Jordi; Marot, Teresa (1998). Romanesque Art Guide: Museu Nacional D'Art de Catalunya. Museu Nacional d'Art de Catalunya. Retrieved 3 September 2012.
- Carbonell, Eduard; Sureda i Pons, Joan (1997). The Medieval Treasures of the Museu Nacional D'Art de Catalunya. Lunwerg. Retrieved 3 September 2012.