Born Louis Armand Aristide Bruand in the village of Courtenay, Loiret in France, Bruant left his home in 1866 at age fifteen, following his father's death, to find employment. Making his way to the Montmartre Quarter of Paris, he hung out in the working-class bistros, where he finally was given an opportunity to show his musical talents. Although bourgeois by birth, he soon adopted the earthy language of his haunts, turning it into songs that told of the struggles of the poor.
Bruant began performing at cafe-concerts and developed a singing and comedy act that led to his being signed to appear at the Le Chat Noir club. Dressed in a red shirt, black velvet jacket, high boots, and a long red scarf, and using the stage name Aristide Bruant, he soon became a star of Montmartre, and when Henri de Toulouse-Lautrec began showing up at the cabarets and clubs, Bruant became one of the artist's first friends.
In 1885, Bruant opened his own Montmartre club, a place he called "Le Mirliton". Although he hired other acts, Bruant put on a singing performance of his own. As the master of ceremonies for the various acts, he used the comedy of the insult to poke fun at the club's upper-crust guests who were out "slumming" in Montmartre. His vaudeville-inspired mix of song, satire and entertainment developed into the musical genre called chanson réaliste (realist song).
Some of Bruant's better known songs include:
- Nini Peau d'Chien
- A la Bastille
- A la Villette
- Meunier tu es cocu
- A Batignolles
- Serrez Vos Rangs
- A la Roquette
- La chanson des Michetons
- A Poissy
- A la Place Maubert
- Les petits joyeux
- La Greviste
- Le Chat Noir
- Les Mômes de la Cloche
- On Doctor Who, Tom Baker's trademark look as the Fourth Doctor unconsciously echoed Lautrec's paintings of Bruant.
- On Yakuza 3, Tokyo Kamurocho's Bantam Irish pub is decorated with Toulouse-Lautrec's paintings of Bruant.
- Conway, Kelly (2004). Chanteuse in the City: The Realist Singer in French Film. University of California Press. p. 6. ISBN 0-520-24407-9
- Moore Whiting, Steven (1999). Satie the Bohemian: From Cabaret to Concert Hall, Oxford University Press. p. 20. ISBN 0-19-816458-0
- Robb, David (2007). Protest Song in East and West Germany Since the 1960s, Boydell & Brewer. p. 36. ISBN 1-57113-281-3.
- Schechter, Joel (2003). Popular Theatre: A Sourcebook, Routledge. pp. 181-183. ISBN 0-415-25830-8
- Wilson, Elizabeth (2003). Bohemians: The Glamorous Outcasts, Tauris Parke Paperbacks. p 224. ISBN 1-86064-782-0.
- A Brief History Of Time (Travel): Robot
- Toulouse-Lautrec in the Metropolitan Museum of Art, a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Aristide Bruant