Armand Gatti

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Armand Gatti (born on January 26, 1924) is a French playwright, poet, journalist, screenwriter, filmmaker and former WW II resistance fighter.[1] His debut film Enclosure was entered into the 2nd Moscow International Film Festival where he won the Silver Prize for Best Director.[2] Two years later, his film El Otro Cristóbal was entered into the 1963 Cannes Film Festival.[3]

Biography[edit]

One of the most acclaimed theater writer/directors of the 20th century, Gatti was originally a member of the informal Left Bank group of filmmakers that included Alain Resnais, Chris Marker, Agnès Varda, Henri Colpi and Jean Cayrol, but because none of his films have been released on video in the US, he remains an elusive figure for many cinephiles. He appears in Resnais’ Toute la mémoire du monde (1956) and in Marker’s Immemory CD-Rom; he wrote China (1956) for Marker’s Petite Planète collection and traveled with Marker in the making of Letter from Siberia (1957), which inspired his book Siberia — Zero + Infinity the following year.

According to his 1989 biographer, Dorothy Knowles, Gatti was born in 1924 in a shantytown in Monaco (his Italian anarchist father, who escaped murder in a Chicago slaughterhouse because of his political activities, fled Benito Mussolini’s regime); during World War II, Gatti joined a small French resistance maquis. Captured, tortured, and sentenced to a concentration camp in Hamburg where he was forced to work in a diving bell at the bottom of the Baltic Sea, Gatti eventually escaped and joined a British Special Air Service special forces team. After the war, he worked as an award-winning journalist for many years until he traveled with Marker, published his first plays, and directed his first film, Enclosure (L’Enclos, 1961).

L’Enclos was screened out of competition at the Cannes Film Festival but it was hailed by Truffaut, Resnais, Cocteau and others.

Filmography[edit]

  • 1960 Moranbong, une aventure coréenne (writer only)
  • 1961 Enclosure
  • 1963 El Otro Cristóbal
  • 1968 Das imaginäre Leben des Straßenkehrers Auguste G. (writer only)
  • 1970 Der Übergang über den Ebro
  • 1983 Nous étions tous des noms d'arbres

References[edit]

  1. ^ Banham (1998, 413).
  2. ^ "2nd Moscow International Film Festival (1961)". MIFF. Retrieved 2012-11-11. 
  3. ^ "Festival de Cannes: El Otro Cristóbal". festival-cannes.com. Retrieved 2009-02-27. 

Sources[edit]

  • Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: Cambridge UP. ISBN 0-521-43437-8.

External links[edit]