Arna Bontemps

From Wikipedia, the free encyclopedia

Please help improve this article by expanding it. Further information might be found on the talk page. (September 2007)

Arna Wendell Bontemps (October 13, 1902 - June 4, 1973) was a well-known American poet and a noted member of the Harlem Renaissance. As the librarian at Fisk University, he established important collections of African-American literature and culture, establishing it as an important goal of scholarly study. In 2002, scholar Molefi Kete Asante listed Arna Bontemps on his list of 100 Greatest African Americans.^[1]

Contents 1 Life and career 2 Works 3 Recorded Works 4 Notes 5 Further reading 6 External links

[edit] Life and career

Bontemps was born in the city of Alexandria in the U.S. state of Louisiana. the son of Paul Bontemps and Marie Pembrooke Bontemps. His birthplace at 1327 Third Street has been recently restored and converted for use as the Bontemps African American Museum. It is included on the Louisiana African American Heritage Trail.

When he was three, his family moved to the Watts district of Los Angeles, California in the Great Migration of blacks out of the South to cities of the North, Midwest and West. He graduated from Pacific Union College in California in 1923. After graduation he went to New York to teach at Harlem Academy. In New York he became an important contributor to the Harlem Renaissance.

He began writing while a student at Pacific Union College and became the author of many children's books. His critically most important work, The Story of the Negro (1948), received the Jane Addams Book Award and was also a Newbery Honor Book. He is best known for the 1931 novel God Sends Sunday. He also wrote the 1946 play St. Louis Woman with Countee Cullen.

In 1943, after graduating from the University of Chicago with a masters degree in library science, Bontemps was appointed librarian at Fisk University in Nashville, TN. He held that position for 22 years and developed important collections and archives of African-American literature and culture. Through his librarianship and bibliographic work, Bontemps became a leading figure in establishing African-American literature as a legitimate object of study and preservation.^[2]

Bontemps died June 4, 1973 from a myocardial infarction (heart attack), while working on his autobiography.

James was here

[edit] Works

(Unless noted otherwise, Bontemps is the main author of the work)

• God Sends Sunday, (New York, Harcourt, Brace and Co., 1931)
• Popo and Fifina, Children of Haiti, by Arna Bontemps and Langston Hughes, (New York: Macmillan, 1932)
• You Can’t Pet a Possum, (New York: W. Morrow, 1934)
• Black Thunder, (New York: Macmillan, 1936)
• Sad-faced Boy, (Boston: Houghton Mifflin, 1937)
• Drums at Dusk: a Novel, (New York: Macmillan, 1939)
• Father of the Blues: an Autobiography, by W.C. Handy: edited by Arna Bontemps, (New York: Macmillan, 1957)
• Golden Slippers: an Anthology of Negro Poetry for Young Readers, compiled by Arna Bontemps, (New York: Harper & Row, 1941)
• The Fast Sooner Hound, by Arna Bontemps and Jack Conroy, (Boston: Houghton Mifflin, 1942)
• They Seek a City, (Garden City, New York: Doubleday, Doran and Co., 1945)
• We Have Tomorrow, (Boston: Houghton Mifflin, 1945)
• Slappy Hooper, the Wonderful Sign Painter, by Arna Bontemps and Jack Conroy, (Boston: Houghton Mifflin, 1946)
• Story of the Negro, (New York: Knopf, 1948)
• The Poetry of the Negro, 1746-1949: an anthology, edited by Langston Hughes and Arna Bontemps, (Garden City, NY: Doubleday, 1949)
• George Washington Carver, (Evanston, IL: Row, Peterson, 1950)
• Chariot in the Sky: a Story of the Jubilee Singers, (Philadelphia: Winston, 1951)
• Sam Patch, the High, Wide & Handsome Jumper, by Arna Bontemps and Jack Conroy, (Boston: Houghton Mifflin, 1951)
• The Story of George Washington Carver, (New York: Grosset & Dunlap, 1954)
• Lonesome Boy, (Boston: Houghton Mifflin, 1955)
• The Book of Negro Folklore, edited by Langston Hughes and Arna Bontemps, (New York: Dodd, Mead, 1958)
• Frederick Douglass: Slave, Fighter, Freeman, (New York: Knopf, 1959)
• 100 Years of Negro Freedom, (New York: Dodd, Mead, 1961)
• American Negro Poetry, edited and with an introduction by Arna Bontemps, (New York: Hill and Wang, 1963)
• Personals, (London: P. Breman, 1963)
• Famous Negro Athletes, (New York: Dodd, Mead, 1964)
• Great Slave Narratives, (Boston: Beacon Press, 1969)
• Hold Fast to Dreams: Poems Old and New Selected by Arna Bontemps, (Chicago: Follett, 1969)
• Mr. Kelso’s Lion, (Philadelphia: Lippincott, 1970)
• Free at Last: the Life of Frederick Douglass, (New York: Dodd, Mead, 1971)
• The Harlem Renaissance Remembered: Essays, Edited, With a Memoir, (New York: Dodd, Mead, 1972)
• Young Booker: Booker T. Washington’s Early Days, (New York, Dodd, Mead, 1972)
• The Old South: "A Summer Tragedy" and Other Stories of the Thirties, (New York: Dodd, Mead, 1973)

[edit] Recorded Works

• In the Beginning: Bible Stories for Children by Sholem Asch, (Folkways Records, 1955)
• Joseph and His Brothers: From In the Beginning by Sholem Asch, (Folkways Records, 1955)
• Anthology of Negro Poets in the U.S.A. - 200 Years, (Folkways Records, 1955)
• An Anthology of African American Poetry for Young People, (Folkways Records, 1990)

[edit] Notes

[edit] Further reading

• Kirkland C. Jones, Renaissance Man from Louisiana: A Biography of Arna Wendell Bontemps, (Westport: Greenwood Press, 1992). ISBN 0313280134
• Charles Harold Nichols, editor, Arna Bontemps-Langston Hughes Letters, 1925-1967, (New York: Dodd, Mead, 1980). ISBN 0396076874
• Bontemps, Arna, "Drums at Dusk: A Novel". Baton Rouge LA. :Louisiana State University Press, 2009 ISBN 978-0-8071-3439-9

[edit] External links

Wikiquote has a collection of quotations related to: Arna Bontemps

• Arna Bontemps Museum
• Academy of American Poets

• Tennessee Authors
• UIUC Modern American Poetry