As Young as You Feel
|As Young as You Feel|
|Directed by||Harmon Jones|
|Produced by||Lamar Trotti|
|Written by||Paddy Chayefsky (story)|
|Screenplay by||Lamar Trotti|
|Music by||Cyril J. Mockridge|
|Edited by||Robert L. Simpson|
|Distributed by||20th Century Fox|
|Release dates||2 August 1951|
|Running time||77 minutes|
When printer John R. Hodges (Monty Woolley) is forced to retire at age 65 because of a company policy, he decides to do something about it. Dyeing his hair black, he poses as Harold P. Cleveland, the president of his former employer's parent company and goes on an inspection tour of his old workplace, with the firm's nervous, mystified executives in tow. While walking around the plant, Hodges runs into Joe Elliott (David Wayne), the boyfriend of his granddaughter Alice (Jean Peters), and winks at him to let him in on the joke. Afterward, Hodges complains about the lack of experienced older employees, causing company president Louis McKinley (Albert Dekker) to promise to rescind the retirement policy and rehire all those affected by it within the past year.
However, before he can depart, Hodges finds that McKinley has arranged for him to address the local Chamber of Commerce. Hodges is up to the challenge, delivering a rousing speech about the virtues of the older worker. He receives a standing ovation, the newspapers praise him, and even the stock market rises on the optimism generated.
Hodges is taken to dinner by McKinley and his neglected wife Lucille (Constance Bennett). McKinley, it turns out, is more interested in his curvaceous private secretary Harriet (Marilyn Monroe). Hodges has a wonderful time, dancing the night away with Lucille. Swept away by his compliments and attention, she fancies herself in love with him. Later that night, she tells her dumbfounded husband that she wants a divorce.
Meanwhile, Joe is unable to convince anybody that Cleveland is actually an impostor. Frank Erickson (Clinton Sundberg), his rival for a promotion, and the entire Hodges family - son George (Allyn Joslyn), daughter-in-law Della (Thelma Ritter), and Alice - all think Joe is crazy. However, when Hodges returns home with his dyed hair, Joe is vindicated. Since Hodges will be exposed anyway, Della proposes that Joe turn him in so that he can get the promotion, but Joe refuses to do it. The next day, Erickson finally believes Joe and tries to warn their mutual boss Horace Gallagher (Wally Brown), but Gallagher thinks Erickson is mentally unstable and gives the promotion to Joe. This enables Joe to finally propose to Alice.
Meanwhile, the real Harold Cleveland (Minor Watson) is in an awkward position. The speech has done wonders for his and his company's image and even raised the price of the company's stock, but he is unsure of his impostor's motives. When McKinley discovers Hodges' identity and informs Cleveland, he decides to pay him a visit.
Lucille gets there first, but Hodges tells her he will not come between a man and his wife, and that he suspects she is still in love with her husband. McKinley barges in and apologizes to his wife; the happy couple kiss and make up.
When Cleveland meets Hodges, he is reassured that the old man has no sinister intentions. Cleveland is so impressed that he offers Hodges a job advising him on public relations, but gets turned down.
- Monty Woolley as John R. Hodges
- Thelma Ritter as Della Hodges
- David Wayne as Joe Elliott
- Jean Peters as Alice Hodges
- Constance Bennett as Lucille McKinley
- Marilyn Monroe as Harriet
- Allyn Joslyn as George Hodges
- Albert Dekker as Louis McKinley
- Clinton Sundberg as Frank Erickson
- Minor Watson as Harold P. Cleveland
- Wally Brown as Horace Gallagher
- Russ Tamblyn as Willie McKinley (as Rusty Tamblyn), the McKinleys' son
|"You Make Me Feel So Young"||Sung by a chorus during the opening credits and played occasionally in the score||Music by Josef Myrow
Lyrics by Mack Gordon
|"Born to Be Kissed"||Sung by Thelma Ritter||Music by Arthur Schwartz
Lyrics by Howard Dietz
Written for The Girl from Missouri (1934)
|"Consolidated March"||-||Music by Alfred Newman and Cyril J. Mockridge|
|"Mama Inez"||Played as dance music at the country club||Music by Eliseo Grenet|
|"Russian Dance"||Played by the orchestra at the beginning||Music by Pyotr Ilyich Tchaikovsky
From The Nutcracker Suite, Op. 71a
|"The Waltz of the Flowers"||Played by the orchestra at the beginning||Music by Pyotr Ilyich Tchaikovsky
From The Nutcracker Suite, Op. 71a
|"The Cedars Waltz"||Played as dance music at the country club||Music by Alfred Newman|
|"Maria, My Own (Maria La O)"||Played as dance music at the country club after McKinley leaves and occasionally in the score||Music by Ernesto Lecuona|