Ashlar is finely dressed (cut, worked) masonry, either an individual stone that has been worked until squared or the masonry built of such stone. Ashlar is the finest stone masonry unit, generally cuboid or less frequently trapezoidal. Precisely cut “on all faces adjacent to those of other stones”, ashlar is capable of very thin joints between blocks, and the visible face of the stone may feature a variety of decorative treatments from quarry faced to tooled to smoothly polished.
One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as mason's drag.
Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, although sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is finely dressed but not quadrilateral, such as curvilinear (Lesbian) masonry and polygonal masonry.
Ashlar may be coursed, which involves lengthy horizontal courses of stone blocks laid in parallel, and therefore with continuous horizontal joints. Ashlar may also be random, which involves stone blocks laid with deliberately discontinuous courses and therefore discontinuous joints both vertically and horizontally. In either case, it generally uses a joining material such as mortar to bind the blocks together, although dry ashlar construction, metal ties, and other methods of assembly have been used in the past.
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The term is frequently used to describe the dressed stone work of prehistoric Greece and Crete, although the dressed blocks are usually much larger than modern ashlar. For example, the tholos tombs of Bronze Age Mycenae use ashlar masonry in the construction of the so-called "beehive" dome. This dome consists of finely cut ashlar blocks that decrease in size and terminate in a central capstone. These domes are not true domes, but are constructed using the corbel arch.
In modern European masonry the blocks are generally about 35 centimetres (14 in) in height. When shorter than 30 centimetres (12 in), they are usually called small ashlar.
In some Masonic jurisdictions, ashlars are used as a symbolic metaphor for progress. A rough ashlar is a stone as taken directly from the quarry, and allegorically represents the Freemason prior to his initiation; a smooth ashlar (or "perfect ashlar") is a stone that has been smoothed and dressed by the experienced stonemason, and allegorically represents the Freemason who, through education and diligence, has learned the lessons of Freemasonry and who lives an upstanding life.
- Ching, Francis D.K.; Jarzombek, Mark M.; Prakash, Vikramaditya (2007). A Global History of Architecture. Hoboken, New Jersey: John Wiley & Sons. p. 759. ISBN 978-0-471-26892-5.
- Sharon, Ilan (August 1987). "Phoenician and Greek Ashlar Construction Techniques at Tel Dor, Israel". Bulletin of the American Schools of Oriental Research (Boston: The American Schools of Oriental Research) (267): 32–33.
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- Preziosi, D.; Hitchcock, L.A. (1999). Aegean Art and Architecture. Oxford History of Art. pp. 175–6. ISBN 0-19-284208-0.
See also 
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