Aṣṭāvakra as depicted in an early 19th century painting from Patna.
|Literary works||Ashtavakra Gita|
|Prominent Disciple(s)||Janaka, Yajnavalkya|
Ashtavakra (Sanskrit: अष्टावक्रः, IAST Aṣṭāvakra) is a sage mentioned in Hindu scriptures. He is described as one born with eight different deformities of the body (two feet, two knees, two hands, the chest and the head). In Sanskrit, Aṣṭāvakra means "one having eight bends". Ashta (IAST Aṣṭa) means eight, while Vakra means bend or deformity. Aṣṭāvakra is the author of the work Aṣṭāvakra Gītā, also known as Aṣṭāvakra Saṃhitā, a treatise on the instruction by Aṣṭāvakra to Janaka about the Self. Aṣṭāvakra is the Guru of the king Janaka and the sage Yājñavalkya.But Tripura rahasya sage Haritayana's treatise on Secrets of the Universe and existence which was unfolded to Vishnu Avatara The Great Parshurama says the opposite.It clearly mentions that after defeating all the wise in the court Sage Astawakra 's ego was inflated.The Goddess Saraswati or Force of the universe the Tripura herself came in form of a lady sage deflating his ego and appealing him to be complete after learning more from the Ghrihastha-householder King Janaka who was a true jeevan Muktaa-one who has all revealed to him her in true form.All the literature of Duttatreya sampradaya mentions the relation betyween the sanyasi sage Astawakra nd the householder King janaka in this way.It seems both versions may be true as it must be a dialogue between two Wise symbolically at two extreme ends of the pendulum of the Life-one a sanyasi and the other a householder.All those who achieve wisdom even after being caretaker of the family always have reives more accolades than those who leave all for selfish Moksha or awareness.
“ O son! I have been conveyed across (redeemed) by you, who are a deserving son and a great being; like the virtuous Brahmin Kahoḍa [was redeemed] by [his son] Aṣṭāvakra. ॥ 6.119.17 ॥ ”
In the Vana Parva of the Mahābhārata, the legend of Aṣṭāvakra is described in greater detail. On losing the game of dice with the Kauravas, the five Pāṇḍava princes and Draupadi are exiled for twelve years. On their pilgrimage, they meet the sage Lomaśa, who shows the river Samanga to Yudhiṣṭhira. Lomaśa says that this is the same river, on bathing in which the deformed Aṣṭāvakra was cured of his eight deformities. On being asked by Yudhishthira, Lomaśa narrates to the Pāṇḍava princes the legend of Aṣṭāvakra, which forms three chapters of the Mahābhārata.
The sage Uddalaka, the seer mentioned in the Chāndogya Upaniṣad, ran a school (Āśrama) teaching the Vedas. Kahola (also spelled Kahoḍa) was one of his best disciples. Uddalaka was so pleased with him that he had his daughter Sujata married to him. When Sujātā got pregnant, she had the desire of wanting her child to imbibe spirituality and intelligence. She began to sit in the classes taught by Uddalaka and Kahola, listening to their chanting of the Vedic Mantras. In India, there is a belief that when expectant mothers expose themselves to spiritual teachings, the child in the womb hears it and gathers that knowledge and become a genius in that spiritual area after its birth.
One day, as Kahola was reciting the Vedas within the hearing distance of the child growing in the womb. The embryo was aware of the correct pronunciation of every syllable since its mother used to attend classes with rapt attention. The embryo heard the recitation of Kahola, but whenever Kahola pronounced a syllable wrong, it squirmed in distress. The embryo informed Kahola that he had pronounced the syllable wrongly as indicated by the child in the womb. This happened on eight occasions. Kahola perceived this as arrogance on the part of something, yet to manifest itself in the world. He cursed the fetus with eight deformities of the body. When the baby was born, it was crooked in eight places - the two feet, the two knees, the two hands, the chest and the head). He was named Aṣṭāvakra, which means "one having eight bends".
Around the time Aṣṭāvakra was born, Kahola was persuaded by Sujātā to go to the court of Janaka to earn some money. In Janaka's court, Kahola was challenged to a scriptural debate (Śastrārtha) by the philosopher, Vandin (also spelled Bandin). In that time, the best philosophers were invited to argue in the presence of the monarch Janaka. Vandin easily defeated Kahola and immersed the vanquished Kahola in under water. Aṣṭāvakra was now raised by Uddalaka. Uddalaka too had a son named Śvetaketu when Aṣṭāvakra was born. Aṣṭāvakra and Shvetaketu grew up together. Uddalaka, Sujata and the disciples ensured that Aṣṭāvakra was never informed of his real father, Aṣṭāvakra thought that Uddalaka was his father and Shvetaketu|Śvetaketu his brother. When he was twelve years old, Aṣṭāvakra was seated on Uddalaka's lap. Śvetaketu pulled him down and informed him that it was not the lap of his father. Aṣṭāvakra came to know the truth about his father Kahola from Sujāatā, He decided to confront Vandin and defeat him in an argument.
Aṣṭāvakra and Śvetaketu made his way to Janaka's palace. Aṣṭāvakra first faced the gatekeeper who tried to keep the young boy out. On convincing the gatekeeper that he was well versed in the scriptures and hence old, he was let in. Then Janaka tested Aṣṭāvakra with cryptic questions which Aṣṭāvakra answered with ease. Janaka decided to let Aṣṭāvakra face Vandin. Vandin and Aṣṭāvakra began the debate, with Vandin starting. They alternately composed six extempore verses on the numbers one to twelve. Then Vandin could only compose the first half of a verse on the number thirteen. Aṣṭāvakra completed the verse by composing the second half and thus won the argument against Vandin. This unique debate is full of enigmas and latent meanings which lie under the simple counts of the numbers one to thirteen.
The condition of the contest was that if Vandin were to lose he would grant any wish of his vanquisher. Aṣṭāvakra demanded that Vandin be drowned in water just as he forced his vanquished opponents to do. Vandin then revealed that he was the son of Varuṇa (the Lord of all water bodies), and was sent incognito to land to get Ṛṣis to conduct a ritual that Varuṇa wanted to perform. By this time, Varuṇa's ritual was also complete. On Vandin's request, Varuṇa bade the sages and Brahmaṇas farewell and brought them to surface. Aṣṭāvakra worshipped his father and was in turn praised by all the freed sages. Kahola was extremely pleased with his son. Kahola returned to his aśrama with Aṣṭāvakra and Śvetaketu. In the presence of Sujātā, Kahola asked Aṣṭāvakra to bathe in the river Samanga. When Aṣṭāvakra entered the river, all his crooked limbs became straight.
Aṣṭāvakra Gītā 
Later Aṣṭāvakra grew into a spiritually advanced rishi and self-realised atman. He went again to Mithila and instructed King Janaka about the Self. These teachings form the content of the Aṣṭāvakra Gītā or Aṣṭāvakra Saṃhitā as it is sometimes called.But Sages from Guru Dattareya's teachings and path quote this as a dialogue where the Non householder wise sanyasi gains his completion from the family man who performs his duty with sakshee bhawa as king Janaka!Avadhoot Geeta and tripura rahasyam from these sources confirm the opposite relationship between two Wise men.see ref 1 and 2.
Popular culture 
- Aṣṭāvakra is one of the characters in the First Act of the Sanskrit play Uttara-Rāmacaritam composed by Bhavabhuti in the 8th century.
- The 571st volume of the Amar Chitra Katha, published in 2005, is titled Dhruva and Ashtavakra. The second half of the volume presents the narrative of Ashtavakra.
- The fourteenth and last track of the 2009 album Brahmavidya: Transcendental I by the Singaporean Death Metal band Rudra is named Majestic Ashtavakra after Ashtavakra. The song has the first verse of the sixth chapter of Ashtavakra Gita in the end.
- Ashtavakra is the protagonist of the eponymous Hindi epic Ashtavakra composed by Jagadguru Rambhadracharya in 2010.
- A puppet play on Ashtavakra was staged by the Dhaatu Artist group in Ranga Shankara in Bangalore in 2010.
- The fourth episode of TV series Upanishad Ganga is based on the dramatisation of the story of Aṣṭāvakra.
- The Wisdom of Sri Dattatreya as expounded in Tripura Rahasyam by K.N. Subramanian.Sura books Chennai.ISBN 81-7478-390-3.
- Haritayan Rishi pranit Tripura rahasya arthat Datta Bhargav samvad -Marathi translation from original sanskrit Gyana kandam.By R.P.Paranjpe-Joshi Brothers Appa Balwant chowk Pune 2.
- Murthy, K. M. K. (September 2009), Valmiki Ramayana - Book VI:Yuddha Kanda - Book Of War - Chapter 119, retrieved April 7, 2011, "tārito'haṃ tvayā putra suputreṇa mahātmanā । aṣṭāvakreṇa dharmātmā kaholo brāhmaṇo yathā ॥ (तारितोऽहं त्वया पुत्र सुपुत्रेण महात्मना । अष्टावक्रेण धर्मात्मा कहोलो ब्राह्मणो यथा ॥)"
- Ganguli, Kisari Mohan (February 26, 2006), The Mahābhārata, Book 3: Vana Parva: Tirtha-yatra Parva:Section CXXXII, retrieved April 7, 2011
- Ganguli, Kisari Mohan (February 26, 2006), The Mahābhārata, Book 3: Vana Parva: Tirtha-yatra Parva:Section CXXXIII, retrieved April 7, 2011
- Ganguli, Kisari Mohan (February 26, 2006), The Mahābhārata, Book 3: Vana Parva: Tirtha-yatra Parva:Section CXXXIV, retrieved April 7, 2011
- Ganguli, Kisari Mohan (February 26, 2006), The Mahābhārata, Book 3: Vana Parva: Tīrtha-yātrā Parva:Section CXXXIV, pp. Footnotes on pages 277–279, retrieved March 8, 2011
- Pai, Anant (December 31, 2005), Dhruva and Ashtavakra 571, Amar Chitra Katha, ISBN 978-81-7508-068-3
- Dhruva and Ashtavakra (571), retrieved April 7, 2011
- Rudra - Majestic Ashtavakra Lyrics, retrieved April 7, 2011
- News Service, Deccan Herald (March 12, 2010), Storytelling through puppet play, retrieved April 7, 2011
- Upanishad Ganga : A series exploring vedic culture
See also