Assassins (musical)

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This article is about the 1990 musical. For other uses, see Assassin (disambiguation).
Assassins
original poster art
Music Stephen Sondheim
Lyrics Stephen Sondheim
Book John Weidman
Productions 1990 Off-Broadway
1992 West End
1994 St. Louis, MO
2004 Broadway
Awards Tony Award for Best Revival

Assassins is a musical with music and lyrics by Stephen Sondheim and book by John Weidman, based on an idea by Charles Gilbert, Jr. It uses the premise of a murderous carnival game to produce a revue-style portrayal of men and women who attempted (successfully or not) to assassinate Presidents of the United States. The music varies to reflect the popular music of the eras depicted.

The musical first opened Off-Broadway in 1990, and the 2004 Broadway production won five Tony Awards.

History and productions[edit]

As a panelist at producer Stuart Ostrow's Musical Theater Lab, Sondheim read a script by playwright Charles Gilbert. Sondheim asked Gilbert for permission to use his idea. Gilbert consented and offered to write the book; but Sondheim declined, having already had collaborator John Weidman in mind. Weidman had written the book for Pacific Overtures and would work with Sondheim again on Road Show.[1]

Assassins opened Off-Broadway at Playwrights Horizons on December 18, 1990, and closed on February 16, 1991 after 73 performances. Directed by Jerry Zaks the cast included Victor Garber, Terrence Mann, Patrick Cassidy, Debra Monk, Greg Germann, and Annie Golden. According to the Los Angeles Times, "The show has been sold out since previews began, reflecting the strong appeal of Sondheim's work among the theater crowd."[2] Frank Rich in his New York Times review wrote "Assassins will have to fire with sharper aim and fewer blanks if it is to shoot to kill."[3][4]

On October 29, 1992, Assassins opened in London at the Donmar Warehouse with direction by Sam Mendes and a cast that included Henry Goodman as Charles Guiteau and Louise Gold as Sara Jane Moore. The show ran for 76 performances, closing on January 9, 1993.[5]

The first US regional production was mounted by New Line Theatre in St. Louis, MO in 1994, and it was re-mounted by the company in 1998 and 2008.

Roundabout Theater Company's Broadway production was originally scheduled for 2001 but was postponed to April 22, 2004, because the content was sensitive in light of the events of September 11, 2001.[6][7] After 101 performances at Studio 54, Assassins closed on July 18, 2004. Directed by Joe Mantello, with musical staging by Jonathan Butterell, Neil Patrick Harris starred in the roles of The Balladeer and Lee Harvey Oswald, with Marc Kudisch in an extended role as The Proprietor. Michael Cerveris played John Wilkes Booth, for which he received a Tony Award. The 2004 production was noted for a coup de théâtre: the Zapruder film of the death of John F. Kennedy projected onto Lee Harvey Oswald's t-shirt.[8] On 3 December 2012, the Broadway cast reunited for a special benefit.[9]

Other professional productions have included a 2006 production at Crucible Theatre, Sheffield, a 2008 production which ran from January 23 to February 2, 2008, at the Landor Theatre, London,[10][11][12] The South African premiere opened in December 2008 as the inaugural production of the NewSpace Theatre in Cape Town. This production was directed by Fred Abrahamse with a South African cast including Marcel Meyer as John Wilkes Booth, Riaan Norval as Lee Harvey Oswald, David Dennis as Charles J. Guiteau and Anthea Thompson as Sara Jane Moore.[13][14] The Los Angeles premiere opened in 1994 at the Los Angeles Theatre Center and included Patrick Cassidy (the original Balladeer) playing Booth, and Alan Safier as Guiteau.[15] A 2010 production in Toronto by BirdLand Theatre and Talk is Free Theatre won the Dora Mavor Moore Award for Outstanding Production in the Musical Theatre Division.[16]

The Union Theatre, London, produced Assassins in July 2010, which went on the win Best (overall) Production at The Off West End Awards. It was staged and directed by Michael Strassen. It attained Show of the Week and Critics choice in Time Out.[17][18][19]

Versions[edit]

The three versions (original, London and Broadway) were not identical, as roles were combined, and the song "Something Just Broke" was new to the London production.[20] In 1991, Theatre Communications Group published the libretto, which did not feature "Something Just Broke".

The current licensed version of the musical reflects the 2004 Broadway revival. Although the script does not combine The Balladeer and Oswald into a single role, many productions have followed the revival in doing so.

Characters[edit]

Fictional:

  • The Proprietor: gun salesman who provides the characters with their weapons at the beginning of the show
  • The Balladeer: narrator who provides the stories of the assassins
  • Ensemble: crowd members, chorus, etc.

Historical:

Notable cast and characters[edit]

Casts of Original, Broadway and London productions

Role Original Off-Broadway
Playwrights Horizons
London premiere
Donmar Warehouse
Broadway premiere
Studio 54
The Proprietor William Parry Paul Bentley Marc Kudisch
The Balladeer Patrick Cassidy Anthony Barclay Neil Patrick Harris
John Wilkes Booth Victor Garber David Firth Michael Cerveris
Charles Guiteau Jonathan Hadary Henry Goodman Denis O'Hare
Leon Czolgosz Terrence Mann Jack Ellis James Stacy Barbour
Giuseppe Zangara Eddie Korbich Paul Harrhy Jeffrey Kuhn
Lynette "Squeaky" Fromme Annie Golden Catheryn Bradshaw Mary Catherine Garrison
Sara Jane Moore Debra Monk Louise Gold Becky Ann Baker
John Hinckley, Jr. Greg Germann Michael Cantwell Alexander Gemignani
Samuel Byck Lee Wilkof Ciarán Hinds Mario Cantone
Lee Harvey Oswald Jace Alexander Gareth Snook Neil Patrick Harris
David Herold Marcus Olson Kevin Walton Brandon Wardell
Emma Goldman Lyn Greene Sue Kelvin Anne L. Nathan
A Housewife (Role not in this production) Michelle Fine Kendra Kassebaum

Synopsis[edit]

This synopsis reflects the current licensed version of the show. The published script of the 1992 Off-Broadway production is slightly different.

The play opens in a fairground shooting gallery where, amid flashing lights, human figures trundle past on a conveyor belt. One by one, a collection of misfits enter the stage, where the Proprietor of the game entices them to play, promising that their problems will be solved by killing a President. ("Everybody’s Got the Right"). Leon Czolgosz, John Hinckley, Charles Guiteau, Giuseppe Zangara, Samuel Byck, Lynette "Squeaky" Fromme, and Sara Jane Moore are given their guns one by one. John Wilkes Booth enters last and the Proprietor introduces him to the others as their pioneer before he begins distributing ammunition. The assassins take aim as "Hail to the Chief" heralds Abraham Lincoln's offstage arrival. Booth excuses himself, a shot rings out and Booth shouts, "Sic semper tyrannis!"

The Balladeer, a personification of the American Dream, appears and begins to tell John Wilkes Booth's story ("The Ballad of Booth"). The scene changes to Richard H. Garrett's barn in 1865. Booth, mudstained and with a broken leg, is attempting to write his reasons for killing Lincoln in his diary but cannot hold the pen. He forces his associate David Herold to write for him at gunpoint. As Booth dictates, blaming Lincoln for the Civil War and for destroying the South, the Balladeer interjects that Booth's motives really had more to do with his personal problems. When a Union soldier calls for Booth's surrender, Herold abandons him and surrenders. In desperation, Booth throws the Balladeer his diary so that he can tell his story to the world. The Balladeer reads out Booth’s justifications, and Booth laments that the act for which he has given up his life will not be enough to heal the country. As the Union soldiers set fire to the barn, Booth commits suicide, and the Balladeer concludes that Booth was a madman whose treacherous legacy only served as inspiration for other madmen like him to damage the country. The Balladeer rips Booth's rationale from his diary and burns the pages.

The Assassins gather in a bar. Guiteau toasts to the Presidency of the United States, speaking of his ambition to become Ambassador to France. Zangara complains about his stomach pains, and Booth suggests fixing them by shooting Franklin Roosevelt. Hinckley accidentally breaks a bottle, and Czolgosz flies into a rage, describing the horrors he sees in the bottle factory he works in, and how many men die or are injured just to make a bottle like the one Hinckley has just broken. Guiteau jokingly tells Czolgosz to find another job, and the two begin to argue about the American Dream, with Guiteau defending America and Czolgosz dismissing the "land of opportunity" as a mere lie. Czolgosz becomes enraged and grabs a bottle, barely stopping himself from throwing it across the room. Booth urges Czolgosz to take control of his fate by breaking a bottle himself, but Czolgosz cannot.

A radio broadcast, narrated by the Proprietor, describes Zangara's failed attempt to assassinate Roosevelt. He misses Roosevelt and accidentally kills Chicago Mayor Anton Cermak instead. Five Bystanders are interviewed in turn, telling the audience their personal versions of the event; each is convinced that he or she personally saved the President ("How I Saved Roosevelt"). From an electric chair, Zangara sings his refusal to be afraid and that he hadn't cared who he killed as long as it was one of the men who control the money. Peeved that as an "American Nothing" he has no photographers at his execution, Zangara is electrocuted as the Bystanders preen for the cameras.

American anarchist leader Emma Goldman gives a lecture from offstage as Leon Czolgosz listens, enraptured. He introduces himself to her and declares his love, but she tells him to redirect his passion to the fight for social justice. As she prepares to leave, Czolgosz offers to carry her bag, to which Goldman protests by saying, "They make us servants, Leon. We do not make servants of each other." Czolgosz, however, in his first display of assertiveness, still insists.

Fromme and Moore meet on a park bench and share a joint. Fromme speaks of the apocalyptic preachings of mass murderer Charles Manson, remembering how they met and declaring herself his lover and slave. Juggling her purse, a can of Tab and a bucket of Kentucky Fried Chicken, Moore claims she is an informant for the FBI (or used to be), has been a CPA and had five husbands and three children. They connect over their shared hatred of their fathers, and using Colonel Sanders as a graven image, they give the bucket of chicken the evil eye and then shoot it to pieces while laughing hysterically. Moore realizes that she had known Manson in high school, and the scene ends as the women scream in delight over their memories of the charismatic killer.

Czolgosz reflects on how many men die in the mines, the steel mills and the factories just to make a gun. Booth, Guiteau and Moore enter one by one and join him in a barbershop quartet in which they honor a single gun's power to change the world ("The Gun Song"). Czolgosz decides his gun will claim one more victim: the President.

Czolgosz arrives at the 1901 Pan American Exposition and sees that McKinley is shaking visitors' hands in the Temple of Music Pavilion. The Balladeer sings "The Ballad of Czolgosz" as Czolgosz joins the receiving line, and upon reaching McKinley, he shoots him.

Samuel Byck sits on a park bench in a dirty Santa suit with a picket sign and a shopping bag. He talks into a tape recorder, preparing a message to Leonard Bernstein telling Bernstein he can save the world by writing more love songs, and explaining that he is going to change things by crashing a 747 into the White House and killing Richard Nixon. Then he accuses Bernstein of ignoring him, just like the other celebrities he has recorded tapes for, such as Hank Aaron and Jonas Salk. After flying into an expletive-laden rage, Byck stands up on the bench and angrily sings the chorus to West Side Story's song "America" before storming offstage.

John Hinckley sits in his rumpus room, aimlessly playing a guitar. Lynette Fromme enters and tries to convince him to play her a song (asking for "Helter Skelter"), but he refuses. Fromme notices a picture of Jodie Foster, who Hinckley claims is his girlfriend. When Fromme realizes the picture is a publicity photo from a film, she pulls out of a picture of Charles Manson and mocks Hinckley for being in love with a woman he's never met, which makes him throw her out in a fit of rage. Alone, he swears that he will win Foster's love "with one brave, historic act" and sings a love song to her while Fromme individually does the same to Manson ("Unworthy of Your Love"). An image of Ronald Reagan appears on a wall in the back of the stage, and an enraged Hinckley shoots it over and over again, but the picture keeps reappearing. The Proprietor mocks Hinckley by quoting Reagan's famous quips about the assassination as Hinckley fires and fires, missing each time.

Back at the Proprietor's shooting range, Charles Guiteau flirts with Sara Jane Moore while giving her marksmanship tips before trying to kiss her. When she rebuffs him, he becomes suddenly enraged and proclaims that he is extraordinary and will be the next Ambassador to France. The scene changes to a train station, where Guiteau goes to meet James Garfield. He asks to be made Ambassador to France, but Garfield mockingly refuses, prompting Guiteau to shoot him.

Guiteau is arrested and sent to the gallows, where he recites a poem he wrote that morning titled "I Am Going to the Lordy". When Guiteau finishes, the Balladeer enters and sings about Guiteau's trial and sentencing while Guiteau merrily cakewalks up to the noose, getting more and more desperately optimistic with each verse. Guiteau sings along with the Balladeer about Guiteau's optimism before he is finally hanged ("The Ballad of Guiteau").

Squeaky Fromme and Sara Jane Moore prepare to assassinate Gerald Ford. Moore has brought along her nine-year-old son and her dog (which she accidentally shoots), which causes an argument between the two women, who briefly turn on each other. Moore accidentally spills her gun's bullets just as President Ford enters the stage. Not recognizing him at first, the two women allow him to help them, but upon discovering who he is, Fromme tries to shoot him, but her gun gets jammed. Having no other resource left, Moore and Fromme try to throw their bullets at Ford, shouting "bang" as they do so.

Samuel Byck is on his way to the airport to hijack a plane, which he plans to crash into the White House. He records a message addressed to Richard Nixon, complaining about contemporary American life, how the American public is constantly lied to, and announces that killing him is the only solution.

The assassins congregate in the Proprietor's shooting range once again and enumerate their reasons for taking action. Led by Byck, they lament that they haven't gotten the rewards they were "promised." The Balladeer tells them that their actions didn't solve their problems or the country's and that if they want their prizes they must follow the American Dream. The assassins realize that they will never get their prizes, that no one will ever care if they live or die, and briefly sink into absolute desperation until Byck leads them in "Another National Anthem," a song for all Americans dispossessed by the dream. The Balladeer attempts to convince them to be optimistic and seek other ways to be happy, but the Anthem grows louder and louder until the assassins force the Balladeer offstage (In the 2004 revival and newer productions, the Assassins all surround the Balladeer, blocking the audience's view of him while he performs a quick-change into a different costume for Lee Harvey Oswald).

The scene changes to a storeroom on the sixth floor of the Texas School Book Depository. Lee Harvey Oswald appears (in newer productions, Oswald is played by the Balladeer in a different costume, usually a white T-shirt and jeans), preparing to kill himself, but he is interrupted by Booth. Surprising Oswald with intimate knowledge about his life, Booth slowly and carefully attempts to convince him to not become his own victim and to instead assassinate John F. Kennedy. Summoning the other assassins from the shadows, Booth tells Oswald that by joining them he will finally make a difference, but Oswald refuses. Booth tells him that in the future, when Hinckley’s room is searched, Oswald's biographies will be found. Summoning the voices of Arthur Bremer, Sirhan Sirhan and James Earl Ray, Booth tells Oswald that the key to the future is in his hands. Oswald tries to leave, but Zangara addresses him passionately in Italian, his words translated by the other assassins, imploring him to act so their own acts can come alive again. They tell him that he has the power to cause worldwide grief and inspire global passion about himself, a man the world has never cared or heard about. Calling themselves his family, the assassins sing, imploring Oswald to act as he crouches at the window and shoots ("November 22, 1963").

After the assassinations, a group of citizens recount what they were doing when they heard that the President had been killed and lament that even though only a single man died, the nation has changed forever ("Something Just Broke").

The assassins regroup once more at the shooting range, now with Oswald among their ranks, and they proudly restate their motto, "Everybody's got the right to be happy," before loading their guns and opening fire on the audience ("Everybody's Got the Right (Reprise)").

Musical numbers[edit]

  • "Everybody's Got The Right" – Proprietor and Assassins (save Oswald)
  • "The Ballad of Booth" – Balladeer and Booth
  • "How I Saved Roosevelt" – Proprietor, Zangara and Ensemble
  • "The Gun Song" – Czolgosz, Booth, Guiteau and Moore
  • "The Ballad of Czolgosz" – Balladeer and Ensemble
  • "Unworthy of Your Love" – Hinckley and Fromme
  • "The Ballad of Guiteau" – Guiteau and Balladeer
  • "Another National Anthem" – Balladeer and Assassins (save for Oswald)+
  • "November 22, 1963" – Assassins
  • "Something Just Broke" – Ensemble ++
  • "Everybody's Got The Right" (Reprise) – Assassins

Notes: + In the original production, the lead part among the Assassins for "Another National Anthem" is sung by Byck. However, in the revised 2004 score the lead is sung by the Proprietor.

++Added for the 1992 London production

Cultural impact[edit]

Sondheim has said that he expected backlash from the public due to the content. "There are always people who think that certain subjects are not right for musicals...[w]e're not going to apologize for dealing with such a volatile subject. Nowadays, virtually everything goes," he told The New York Times.[22]

By developing the characters of historic assassins out of the slim biographical information found in the daily news, Assassins prompts us to consider their motivation. "(Sondheim) confronts pain in order to cauterize the decay and heal the sicknesses which lurk at the core of our society". Departing from the humanism of his previous musical Into the Woods, Sondheim suggests that political murderers are a product of the American political culture (Joanne Gordon).[23]

Historian and commentator Sarah Vowell introduced her 2005 analysis of the Lincoln, McKinley, and Garfield murders, Assassination Vacation, with a journey from New York City into New England to attend a performance of Assassins, the musical prompting her writing of the book (Vowell 2005).

Awards and nominations[edit]

Year Award Category Nominee(s) Result
2004 58th Tony Awards Best Revival of a Musical Won
Best Featured Actor in a Musical Michael Cerveris (John Wilkes Booth) Won
Best Lighting Design Peggy Eisenhauer and Jules Fisher Won
Best Direction of a Musical Joe Mantello Won
Best Orchestrations Michael Starobin Won
Best Featured Actor in a Musical Denis O'Hare (Charles Guiteau) Nominated
Best Scenic Design of a Musical Robert Brill Nominated
2004 Drama Desk Awards Outstanding Revival of a Musical Won
Outstanding Lighting Design Peggy Eisenhauer and Jules Fisher Won
Outstanding Sound Design Dan Moses Schreier Won
Outstanding Featured Actor in a Musical Marc Kudisch (Proprieter) Nominated
Outstanding Director of a Musical Joe Mantello Nominated
Outstanding Orchestrations Michael Starobin Nominated
Outstanding Scenic Design of a Musical Robert Brill Nominated

Although Assassins had not run on Broadway prior to 2004, the 1992 West End production and 1991 Off-Broadway production led to a ruling by the Tony Awards Administration Committee that the musical is a revival instead of an original musical.[24]

Recordings[edit]

Recordings of both the Off-Broadway production and the 2004 revival are commercially available.[25] The Off-Broadway version omits 'Something Just Broke', which was added to the show for the subsequent London production.

While the original Off-Broadway production used just three musicians, the original cast recording was fully orchestrated by Michael Starobin, with 33 musicians directed by Paul Gemignani.[26]

References[edit]

  1. ^ Michael Cerveris (2008). "Story of Assassins". Amazing Journey. Archived from the original on 2 August 2008. Retrieved 2008-08-09. 
  2. ^ Fox, David."Critics Say 'Assassins' Will Have to Bite the Bullet : Stage: Some reviewers find Stephen Sondheim's Off Broadway musical fails to hit the target." Los Angeles Times, January 29, 1991
  3. ^ Evans, Greg. "Crix Hang 'Assassins;' B'way Out of Range?" Variety (4 Feb. 1991): 95. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 147. Detroit: Gale Group, 2002
  4. ^ Rich, Frank."Review/Theater; Sondheim and Those Who Would Kill" The New York Times, January 28, 1991
  5. ^ Michael H. Hutchins (2008). "Assassins". The Stephen Sondheim Reference Guide. Retrieved 2008-08-09. 
  6. ^ Ernio Hernandez (22 April 2004). "The Shots Heard Round the World: Musical Assassins Opens on Broadway". Playbill. Retrieved 2008-08-09. 
  7. ^ Sarah Beaumont (14 December 2003). "Something Just Broke". Sondheim.com. Retrieved 2008-08-09. 
  8. ^ Christopher Rawson (23 May 2004). Pittsburgh Post-Gazette. p. G–3. 
  9. ^ Hertzfeld, Laura (3 December 2012). "Neil Patrick Harris returns to 'Assassins', eyes return to Broadway". PopWatch. EW.com. Retrieved 13 December 2012. 
  10. ^ Giorgetti, Sandra."Assassins",The British Theatre Guide, review, 2008
  11. ^ "Assassins – Landor Theatre",Indie London listing, date unk
  12. ^ Union Ticks Leanne Jones, Sondheim Assassins
  13. ^ "Meersman, Brent". Theguide.co.za. Retrieved 2010-07-08. 
  14. ^ "Henry, Zane". Fdcawards.co.za. Retrieved 2010-07-08. 
  15. ^ Daily Bruin (1995-04-05). "The Daily Bruin | Kill a prez". Beta.dailybruin.com. Retrieved 2010-07-08. 
  16. ^ [http://tapa.ca/files /DORA_AWARDS_10_WINNER_PR_FINAL.pdf "31st Annual Dora Mavor Moore Awards"]. www.tapa.ca. 28 June 2010. Retrieved 2011-01-18. 
  17. ^ Attention Finally Must Be Paid blogs.thestage.co.uk
  18. ^ Reviews assassinslondon.co.uk
  19. ^ Official Site, Strassen michaelstrassen.com
  20. ^ "Assassins". Sondheim.com. 2008. Retrieved 2008-08-09. 
  21. ^ Zangara did kill Chicago mayor Anton Cermak who was with President-elect Roosevelt at the time of the shooting.
  22. ^ Rothstein, Mervyn (27 January 1991). "Sondheim's 'Assassins': Insane Realities of History". The New York Times. Retrieved 17 July 2013. 
  23. ^ Gordon, Joanne (1990). Art Isn't Easy: The Theater of Stephen Sondheim (First ed.). New York: DaCapo Press, Inc. pp. 318, 337. ISBN 0-306-80468-9. 
  24. ^ Gans, Andrew. "Tony Rulings: Assassins Deemed a Revival". Playbill.com, May 6, 2004
  25. ^ The Off-Broadway production is audio CD ASIN: B000003F3N and the revival is ASIN: B0002B161Y.
  26. ^ Rothstein, Mervyn (9 August 1991). "On Stage, and Off : 'Assassins' on Disk for the Ages". New York Times. Retrieved 4 July 2010. 

Further reading[edit]

  • Sondheim, Stephen; Weidman, John (1991). Assassins (First ed.). New York: Theatre Communications Group. ISBN 1-55936-039-9. 
  • Vowell, Sarah (2005). Assassination Vacation (First ed.). New York: Simon & Schuster. ISBN 0-7432-6003-1. 
  • Sondheim, Stephen (2011). Look, I Made a Hat: Collected Lyrics (1981-2011) with Attendant Comments, Amplifications, Dogmas, Harangues, Digressions, Anecdotes and Miscellany (1st ed.). Alfred A. Knopf. ISBN 978-0-30759-341-2. 

External links[edit]