The Associates (band)

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The Associates
Origin Dundee, Scotland
Genres Post-punk, new wave, art pop, synthpop, new romantic
Years active 1979–1990, 1993 (reunion)
Labels Fiction (1980–1981)
WEA (1982–1988)
Circa Records (1989–1990)
Virgin (reissues)
Past members Billy Mackenzie
Michael Dempsey
Steve Goulding
Martha Ladly
John Murphy
Alan Rankine
Moritz Von Oswald

The Associates were a Scottish post-punk and new wave band, formed in Dundee in 1976. They were known for the distinctive voice of singer Billy Mackenzie. Their biggest success was in 1982 with the UK Top 10 album Sulk and UK Top 20 singles "Party Fears Two" and "Club Country".

History[edit]

1979–1982: Formation and success[edit]

Billy Mackenzie and guitarist Alan Rankine met in Dundee, Scotland in 1976 and formed the cabaret duo The Ascorbic Ones.[1] In 1979, they recorded songs as Mental Torture before changing the name again to Associates. Their debut single, a cover of David Bowie's "Boys Keep Swinging", was released June 1979, just six weeks after Bowie's version hit the UK Top 10 in April. This was followed by their debut album, The Affectionate Punch in 1980.

A string of 1981 non-album singles were compiled as Fourth Drawer Down that year.[2] Also in 1981, Rankine and MacKenzie released a version of "Kites" under the name 39 Lyon Street, with Christine Beveridge on lead vocals. The B-side, "A Girl Named Property", was credited to The Associates.

The band's breakthrough came in 1982 with the release of the single "Party Fears Two". Buoyed along by the popularity of synthpop at the time, the song reached No. 9 on the UK Singles Chart.[1] Two other hits followed, "Club Country" and "18 Carat Love Affair". That year the band released their most commercially successful album, Sulk. Martha Ladly, of Martha and the Muffins, contributed backing vocals and keyboards to this album.

1983–1990: Commercial decline[edit]

Rankine left the band in 1982 just before the Sulk tour. This proved disastrous for the band's career; the band was being courted by Seymour Stein of Sire Records, but without Mackenzie's willingness to tour, Stein lost interest.[citation needed] Mackenzie continued to write and record music under the name Associates until 1990. The albums Perhaps, The Glamour Chase (which the record company refused to release, considering it not commercially viable) and Wild and Lonely were made during this period. However, recordings were sporadic and subsequent Associates records failed to reach the charts in the UK and sold far fewer than their early albums.

1991–present: Split and aftermath[edit]

The Associates name was eventually put to rest, and Mackenzie released an electronica-influenced solo album Outernational in 1992 with limited success.

In 1993, Mackenzie and Rankine began working on new material together. News of an Associates revival generated hype and speculation of a tour, and the demos recorded by the two were promising. However, Mackenzie was not fully committed to the reunion and especially touring with it, so Associates split for a final time.[citation needed] Mackenzie went back to his solo work, signing a deal with Nude Records and finding a new collaborative partner in Steve Aungle.[citation needed] Between 1987 and 1992, Billy worked with Swiss avant-garde outfit Yello.[citation needed] Mackenzie wrote the lyrics of the song "The Rhythm Divine" performed by Shirley Bassey on the album One Second, with Mackenzie singing backing vocals. Mackenzie contributed to three Yello albums: One Second (1987), Flag (1988) and Baby (1991). Some tracks for The Glamour Chase and Outernational were recorded with Boris Blank at Yello's recording studio.

Mackenzie committed suicide in 1997 at age 39, shortly after the death of his mother. He had been suffering from clinical depression. He was contemplating a comeback at the time with material co-written with Aungle.[citation needed] The albums Beyond the Sun (1997) and Eurocentric (2000) were released posthumously and, in 2004, reconstructed and expanded with new unreleased songs into the two albums Auchtermatic and Transmission Impossible.

Rankine is now a lecturer in music at Stow College in Glasgow, and worked with Belle and Sebastian on their 1996 debut album, Tigermilk.

The book The Glamour Chase by Tom Doyle documented the band's career and Mackenzie's subsequent life.

Legacy[edit]

Before Mackenzie's death, almost all Associates records had been deleted. Former band member Michael Dempsey and the Mackenzie estate began a reissue programme to make sure the band's legacy continued. Almost every Associates album has been reissued so far, including a 25th anniversary edition of The Affectionate Punch in 2005. In addition to the original albums, two compilation albums have been released: Double Hipness (2000), a collection of early tracks with the 1993 reunion demos; and Singles (2004), an extended version of Popera – The Singles Collection which caught up with post-1990 material and included the cover of David Bowie's "Boys Keep Swinging". In 2002, The Glamour Chase (recorded in the years 1985-87) was eventually released. Finally, Wild & Lonely and Mackenzie's solo album Outernational were repackaged with bonus tracks in 2006.

Chris Tighe wrote in the book The Rough Guide to Rock that The Associates have "been belated acknowledged as one of the '80s' most inspired pop groups".[3] Simon Reynolds, in his book Rip It Up and Start Again: Postpunk 1978–1984, called the group "great should-have-beens of British pop".[4]

Artists who have covered "Party Fears Two" include The Divine Comedy, Dan Bryk, King Creosote and Heaven 17. An instrumental section of "Party Fears Two" was used as the theme music for the BBC Radio 4 satirical current affairs series Week Ending. The instrumental piano passage from the "Nocturne VII" track (which appeared on the posthumous Beyond the Sun album) was used in the BBC series MasterChef in November 2009.[citation needed] An edited version of "Club Country" appeared in the second series finale of the BBC drama Ashes to Ashes, set in 1982.

Band members[edit]

  • Billy Mackenzie – vocals
  • Alan Rankine – guitars, keyboards and other instruments (1977–1982, 1993 for reunion)
  • John Sweeney – original drummer
  • Michael Dempsey – bass guitar (1980–82)
  • John Murphy – drums (1980–81)
  • Steve Goulding – drums (1982–83)
  • Howard Hughes – live keyboards (1984–1990)
  • Steve Reid – guitar (1982–1984)
  • Roberto Soave – bass (1983–1985)
  • Moritz Von Oswald – drums, percussion (1985 onwards)
  • Martha Ladly – keyboards and vocals (1982)
  • Jim Russell – drums (1984)
  • Ian McIntosh – guitars, live and radio sessions after Rankine left (1982–1985)
  • Martin Lowe – live guitars (1982)

Discography[edit]

Studio albums
Compilation albums
  • Popera (1990)
  • The Radio 1 Sessions (1994)
  • Double Hipness (2000)
  • Radio 1 Sessions Volume 1; 1981–83 (2003)
  • Radio 1 Sessions Volume 2; 1984–85 (2003)
  • Singles (2004)
Singles
  • "Boys Keep Swinging" (1979)
  • "The Affectionate Punch" (1980)
  • "Tell Me Easter's on Friday" (1981)
  • "Kites" (1981) (as 38 Lyon Street)
  • "Q Quarters" (1981)
  • "Kitchen Person" (1981)
  • "A" (Fiction, 1981)
  • "Message Oblique Speech" (1981)
  • "White Car in Germany" (1981)
  • "Party Fears Two" (1982) UK No.  9
  • "Club Country" (WEA, 1982) UK No.  13
  • "18 Carat Love Affair"/"Love Hangover" (1982) UK No.  21
  • "Even Dogs in the Wild" (1982)
  • "Matter of Gender" (1982)
  • "Those First Impressions" (1984) UK No.  43
  • "Waiting for the Love Boat" (1984) UK No.  53
  • "Breakfast" (1984) UK No.  49, NL No.  36
  • "Take Me to the Girl" (1985)
  • "Heart of Glass" (1988) UK No.  56
  • "Country Boy" (1989 – withdrawn)
  • "Fever" (1990)
  • "Fire to Ice" (1990)
  • "Just Can't Say Goodbye" (1990)

References[edit]

  1. ^ a b Strong, Martin C. (1998). The Great Rock Discography. Times Books. ISBN 0812931114. 
  2. ^ http://www.allmusic.com/album/fourth-drawer-down-mw0000463301
  3. ^ Buckley, Peter, ed. (2003). "The Associates". The Rough Guide to Rock. Rough Guides. p. 44. Retrieved 15 December 2014. 
  4. ^ Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984. Faber and Faber. Retrieved 15 December 2014. 

External links[edit]