Aunt Jemima is a brand of pancake mix, syrup, and other breakfast foods currently owned by the Quaker Oats Company of Chicago. The trademark dates to 1893, although Aunt Jemima pancake mix debuted in 1889. The Quaker Oats Company first registered the Aunt Jemima trademark in April 1937. Aunt Jemima originally came from a minstrel show as one of their pantheon of stereotypical African American characters. Aunt Jemima appears to have been a postbellum addition to that cast.
The inspiration for Aunt Jemima was Billy Kersands' American-style minstrelsy/vaudeville song "Old Aunt Jemima", written in 1875. The Aunt Jemima character was prominent in minstrel shows in the late 19th century and was later adopted by commercial interests to represent the Aunt Jemima brand.
St. Joseph Gazette editor Chris L. Rutt of St. Joseph, Missouri, and his friend Charles G. Underwood bought a flour mill in 1888. Rutt and Underwood's Pearl Milling Company faced a glutted flour market, so they sold their excess flour as a ready-made pancake mix in white paper sacks with a trade name (which Arthur F. Marquette dubbed the "last ready-mix").
1889 Formula for Aunt Jemima mix:
- 100 lb Hard Winter Wheat
- 100 lb Corn Flour
- 7½ lb B.W.T. Phosphates from Provident Chem[ical] St L[ouis]
- 2¾ lb Bicarb[onate] Soda
- 3 lb Salt.
Rutt reportedly saw a minstrel show featuring the "Old Aunt Jemima" song in the fall of 1889 presented by blackface performers identified by Marquette as "Baker & Farrell". However, Doris Witt was unable to confirm Marquette's account. Witt suggests that Rutt might have witnessed a performance by the vaudeville performer Pete F. Baker, who played a character described in newspapers of that era as "Aunt Jemima". If this is correct, the original inspiration for the Aunt Jemima character was a white male in blackface, whom some have described as a German immigrant.
Marquette recounts that the actor playing Aunt Jemima wore an apron and kerchief, and Rutt appropriated this Aunt Jemima character to market the Pearl Milling Company pancake mix in late 1889 after viewing a minstrel show. However, Rutt and Underwood were unable to make the project work, so they sold their company to the Randolph Truett Davis Milling Company in St. Joseph, Missouri, in 1890.
The R. T. Davis Milling Company hired former slave Nancy Green as a spokesperson for the Aunt Jemima pancake mix in 1890. Nancy Green was born in Montgomery County, Kentucky, and played the Jemima character from 1890 until her death on September 23, 1923. As Jemima, Green operated a pancake-cooking display at the World's Columbian Exposition in Chicago, Illinois, USA in 1893, appearing beside the "world's largest flour barrel". From this point on, marketing materials for the line of products centered around the stereotypical mammy archetype, including the Aunt Jemima marketing slogan first used at the World Fair: "I's in Town, Honey". Anna Julia Cooper used the World's Columbian Exposition as an opportunity to address how young African American women were being exploited by white men. She predicted the appeal of Aunt Jemima and the southern domestic ideal and went on to describe the north's fascination with southern traditions as part of America’s “unwritten history”. Progressive African American women post emancipation saw Aunt Jemima’s image as a setback that inspired a regression in race relations.
In 1933, Quaker Oats hired Anna Robinson to play Aunt Jemima as part of their promotion at the Chicago World Fair in 1933. She was sent to New York City by Lord and Thomas to have her picture taken. "Never to be forgotten was the day they loaded 350 pounds of Anna Robinson on the Twentieth Century Limited." Other photos showing Robinson making pancakes for celebrities and used in advertising "ranked among the highest read of their time".
Anna Short Harrington, born in 1897 in Marlboro County, South Carolina, began her career as Aunt Jemima in 1935. She had to support her five children, and she moved with her family to Syracuse, New York where she cooked for a living. Quaker Oats discovered her when she was cooking at a fair. An ad in Woman's Home Companion in November 1935 said, "Let ol Auntie sing in yo' kitchen." It was her picture with a bandana used on Quaker Oats products. Harrington continued to play the role for 14 years, and she made enough money to buy a large house and rent rooms. That house came down to make way for Interstate 81. Harrington died in 1955. According to John Troy McQueen, author of The Story of Aunt Jemima, "she really was famous for cooking pancakes."
The company first registered the Aunt Jemima trademark in 1937.
Quaker Oats introduced Aunt Jemima syrup in 1966. This was followed by Aunt Jemima Butter Lite syrup in 1985 and Butter Rich syrup in 1991.
Just as the formula for the mix has changed several times over the years, so has the Aunt Jemima image been modified several times. In her most recent 1989 make-over, as she reached her 100th anniversary, the 1968 image was updated, with her kerchief removed to reveal a natural hairdo and pearl earrings. The logo much more resembled a modern homemaker than previous designs and carried far fewer racial connotations. This new look remains with the products to this day.
Aunt Jemima frozen foods were licensed out to Aurora Foods in 1996, which in 2004 was absorbed into Pinnacle Foods Corporation. Aunt Jemima Frozen Breakfast is sold in the continental United States where it caters to American tastes.
No one portrayed Aunt Jemima for ten years following the death of Nancy Green. In 1933 Anna Robinson made her debut as Aunt Jemima at the Chicago Century of Progress Exposition.
The original version of the current Aunt Jemima logo was drawn by H. Gene Miller, but he was never officially credited. He also drew the original version of the current San Giorgio pasta company logo.
Idealization of plantation life
Aunt Jemima embodied an early twentieth century idealized domesticity that was inspired by old southern hospitality. There were others that capitalized on this theme, such as Uncle Ben's Rice and Cream of Wheat’s Rastus. The backdrop to the trademark image of Aunt Jemima is a romanticized view of antebellum plantation life. The myth surrounding Aunt Jemima's secret recipe, family life, and plantation life as a happy slave contributes to the post civil war idealism of southern life and America's developing consumer culture. Early advertisements used an Aunt Jemima paper doll family as an advertising gimmick to buy the product. Aunt Jemima is represented with her husband, Rastus, whose name was later changed to Uncle Mose to avoid confusion with the Cream of Wheat character, and their four children: Abraham Lincoln, Dilsie, Zeb, and Dinah. The doll family was barefoot and dressed in tattered clothing with the possibility to see them transform from rags to riches by buying another box with "civilized" clothing cut-outs.
The term "Aunt Jemima" is sometimes used colloquially as a female version of the derogatory label "Uncle Tom". In this context, the slang term "Aunt Jemima" falls within the "Mammy archetype" and refers to a friendly black woman who is perceived as obsequiously servile or acting in, or protective of, the interests of whites. The 1950s television show Beulah came under fire for depicting a "mammy"-like black maid and cook who was somewhat reminiscent of Aunt Jemima.
In Popular Culture
The popular 1933 novel Imitation Of Life by Fannie Hurst features an Aunt Jemima-type character, Delilah, a maid struggling in life with her widowed employer, Bea. Their fortunes change dramatically when Bea capitalizes on Delilah's waffle-making skills to open a waffle restaurant that attracts tourists at the Shore. It becomes a great success and eventually becomes a nationwide, and then international, chain of highly successful restaurants. The Academy Award nominated 1934 film version of Imitation of Life starring Claudette Colbert and Louise Beavers retains this part of the plot, which was excised from the 1959 remake of Imitation of Life starring Lana Turner and directed by Douglas Sirk. They did however change her specialty to pancakes, with their later success due to selling the flour with a smiling Delilah on the box dressed in Aunt Jemima fashion.
Frank Zappa includes a song titled Electric Aunt Jemima on his 1969 album Uncle Meat. Electric Aunt Jemima was the nickname for Zappa's Standall guitar amplifier. Zappa's composition "Magdalena" on his 1971 album Just Another Band From L.A. tells the story of a Canadian maple syrup-maker ("...for the pancakes of our land.") who lusts after his teenage daughter. His 1974 album Apostrophe (') continues the pancake and syrup theme on the tracks "St. Alphonzo's Pancake Breakfast" and "Father O'Blivion."
- Aunt Jemima History, Quaker Oats website
- Slave in a Box: The Strange Career of Aunt Jemima, M. M. Manning, University of Virginia Press, Charlottesville, Virginia, 1998, ISBN 0-8139-1811-1 p68
- Brands, Trademarks, and Good Will: The Story of the Quaker Oats Company, Arthur F. Marquette, McGraw-Hill, 1967
- from pages 25-31 of Black Hunger: Soul Food and America, Doris Witt, ebrary, Inc, University of Minnesota Press, 2004, ISBN 0-8166-4551-5, ISBN 978-0-8166-4551-0
- The Advertiser's Holy Trinity: Aunt Jemima, Rastus, and Uncle Ben, Moss H. Kendrix: A retrospective, The Museum of Public Relations
- Mammy: a century of race, gender, and southern memory, Kimberly Wallace-Sanders, University of Michigan Press – Ann Arbor 1962 p65
- A History of Northwest Missouri, edited by Walter Williams, The Lewis Publishing Company, 1915.
- Kern-Foxworth, Marilyn. 1990. "From Plantation Kitchen to American Icon: Aunt Jemima" Public Relations Review 16 (Fall):59.
- Marquette, Arthur F. 1967. Brands, Trademarks and Goodwill: The Story of the Quaker Oats Company. New York: McGraw-Hill, p. 154.
- MacCallum, Tom (2009-04-25). "Aunt Jemima has roots in Richmond County". Richmond County Daily Journal.
- Sloan, Bob (2009-05-07). "Book details history of Wallace's own 'Aunt Jemima'". The Cheraw Chronicle. Retrieved 2013-08-14.
- Case, Dick (2002-11-03). "Book serves up the life of Syracuse's 'Aunt Jemima'". The Post-Standard. Retrieved 2013-08-14.
- The Key To The City, Morning Star, January 7, 2007, pg. 7, Historic Albion Michigan, Albin History/Genealogy Resources, Frank Passic.
- Mammy: a century of race, gender, and southern memory, Kimberly Wallace-Sanders, University of Michigan Press – Ann Arbor 1962 p59
- Mammy: a century of race, gender, and southern memory, Kimberly Wallace-Sanders, University of Michigan Press – Ann Arbor 1962 p68
- "Black ephemera collection is a trove of more than 40,000 items". Antique Trader. 2010-08-02. Retrieved 2012-10-22.
- Cassell's Dictionary of Slang, Jonathon Green, Cassell, March 1999, ISBN 0-304-34435-4, p. 36.
- Mammy and Uncle Mose: Black Collectibles and American Stereotyping, Kenneth Goings, Indiana University Press, Bloomington, Indiana, 1994, ISBN 0-253-32592-7
- Slave in a Box: The Strange Career of Aunt Jemima, M. M. Manning, University of Virginia Press, Charlottesville, Virginia, 1998, ISBN 0-8139-1811-1
|Wikimedia Commons has media related to Aunt Jemima.|
- Quaker Oats Aunt Jemima website
- Pinnacle Foods Aunt Jemima website
- The Progression of Aunt Jemima. American Cultural Icons.
- Gallery of Vintage Graphic Design featuring Aunt Jemima
- Radio Talk Show Host Calls Rice an "Aunt Jemima", Associated Press, MSNBC, November 19, 2004.
- Wallace-Sanders, Kimberly (June 15, 2009). "Southern Memory, Southern Monuments, and the Subversive Black Mammy". Southern Spaces.