Béla Fleck
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| Béla Fleck | |
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Béla Fleck performing on February 9, 2007.
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| Background information | |
| Birth name | Béla Anton Leoš Fleck |
| Born | July 10, 1958 New York City, New York, U.S. |
| Origin | Boston, Massachusetts, U.S. |
| Genre(s) | Bluegrass, jazz, jazz fusion, folk, classical |
| Occupation(s) | Musician, songwriter, composer, |
| Instrument(s) | Banjo, guitar |
| Years active | 1978–present |
| Associated acts | Béla Fleck and the Flecktones, Trio!, Strength in Numbers, New Grass Revival, Sparrow Quartet |
| Website | www.BelaFleck.com |
| Notable instrument(s) | |
| Deering Crossfire electric banjo with custom pickups and synthesizer pickup | |
Béla Fleck (born July 10, 1958 in New York City, New York) is an American banjo player. He is best known for his work with the band Béla Fleck and the Flecktones, with bassist Victor Wooten, saxophonist Jeff Coffin and percussionist Future Man.
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[edit] Life and early career
Béla Anton Leoš Fleck, who is named after famous Hungarian composer Béla Bartók, Bohemian composer Antonín Dvořák, and Czech composer Leoš Janáček,[1] was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973).[2][3] He was a member of the class of 1970 at P.S. 75 (the Emily Dickinson School) in Manhattan. Later, Fleck enrolled in New York City's High School of Music and Art where he studied the French horn. He was a banjo student under Tony Trischka.
Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle, Pat Enright, and Mark Schatz in Tasty Licks. During this period, Fleck released his first solo album (1979): Crossing the Tracks and made his first foray into progressive bluegrass composition.
Fleck played on the streets of Boston with bassist Mark Schatz; and the two, along with guitarist/vocalist Glen Lawson and mandolin great Jimmy Gaudreau, formed Spectrum: the Band in 1981. Fleck toured with Spectrum during 1981. That same year, Sam Bush asked Fleck to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, Drive. It was nominated for a Grammy Award in the then first-time category of "Best Bluegrass Album" (1988).
During the 1980s Fleck and Bush also performed live occasionally with Doc Watson and Merle Watson in various bluegrass festivals, most notably the annual Telluride Bluegrass Festival.
[edit] Béla Fleck and the Flecktones
Béla Fleck and Victor Wooten formed Béla Fleck and the Flecktones in 1988, along with keyboardist and harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who played synthesizer-based percussion. Levy left the group in 1992, making the band a trio until Saxophonist Jeff Coffin joined the group onstage part-time in 1997, eventually becoming a permanent member. His first studio recording with the band was their 1998 album Left of Cool. In 1996, he appeared on the tribute album to Hank Marvin, one of his influences, and The Shadows "Twang" playing a Shadows UK hit from the 1960s, "The Stranger".
With the Flecktones, Fleck has been nominated for and won several Grammy awards. (Cf. Grammy sections below.)
[edit] Other music and recordings
Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician,[1] namely country, pop, jazz, bluegrass, classical, folk, spoken word, composition, and arranging.
In 2001, Fleck collaborated with long-time friend and playing-partner Edgar Meyer to record Perpetual Motion, an album of classical material played on the banjo along with an assortment of accompanists, including John Williams, Evelyn Glennie, Joshua Bell and Gary Hoffman. The album includes selections such as Chopin's Etude Op. 10 No. 4 in C# minor, Debussy's Doctor Gradus ad Parnassum, and Paganini's Moto Perpetuo (from which is derived the name), as well as more lyrical pieces such as the first movement of Beethoven's Moonlight Sonata, two of Chopin's mazurkas, and two Scarlatti keyboard sonatas. Perpetual Motion won two Grammys at the Grammy Awards of 2002 for Best Classical Crossover Album and Best Arrangement for Fleck and Meyer's arrangement of Doctor Gradus ad Parnassum. Fleck and Meyer have also composed a double concerto for banjo and bass, and performed its debut with the Nashville Symphony Orchestra.[1]
Fleck names Chick Corea, Charlie Parker, and the aforementioned Earl Scruggs as influences. [4] He regards Scruggs as "certainly the best" banjo player of the three-finger style.[2]
Solo and with the Flecktones, Fleck has appeared at Telluride Bluegrass Festival, Merlefest, Montreal International Jazz Festival, Toronto Jazz Festival, Newport Folk Festival, Austin City Limits Music Festival, Bonnaroo, and Jazzfest, among others.
He has also appeared as a sideman with artists ranging from Tony Rice to Dave Matthews Band to Ginger Baker and Phish. One notable appearance with the Dave Matthews Band, along with the rest of the Flecktones, resulted in the longest singular live song in DMB history, #41, at 32:03 in length.
In 2005, while the Flecktones were on hiatus, Fleck undertook several new projects: recording with African traditional musicians; cowriting a documentary film called Bring it Home about the Flecktones' first year off in 17 years and their reunion after that time; coproducing Song of the Traveling Daughter, the debut album by Abigail Washburn (a young banjo player who mixes bluegrass and Chinese music); forming the acoustic fusion supergroup Trio! with fellows Jean-Luc Ponty and Stanley Clarke, and recording an album as a member of the Sparrow Quartet (along with Abigail Washburn, Ben Sollee, and Casey Driessen).
In late 2006, Fleck teamed up with Chick Corea to record an album, The Enchantment, released in May 2007 [5]. Fleck and Corea toured together throughout 2007.
In July 2007 at the Winnipeg Folk Festival, he appeared and jammed with Toumani Diabaté, a kora player from Mali. He is also scheduled to play the 2009 Bonnaroo Music and Arts Festival with Toumani Diabaté.
Fleck has also played with Malian ngoni(ancestor of the banjo) player Cheick Hamala Diabate.
In December 2007, he performed charity concerts in Germany to help promote AIDS awareness. His largest concert was held in Grosse Halle Bern on December 1, 2007.
On June 13, 2008, he performed as part of The Bluegrass Allstars, composed of bluegrass heavyweights Sam Bush, Luke Bulla, Edgar Meyer, Bryan Sutton, and Jerry Douglas at the Bonnaroo Music and Arts Festival in Manchester, Tennessee.
The next day Fleck performed with Abigail Washburn and the Sparrow Quartet also at the Bonnaroo Music and Arts Festival.
[edit] Banjos played
- Nechville Meteor Electric Banjo made by Nechville Musical Products
- Nechville Nextar Banjo made by Nechville Musical Products
- Deering Crossfire Banjo made by the Deering Banjo Company
- Deering Tenbrooks Saratoga Star made by the Deering Banjo Company
- Deering John Hartford banjo made by Deering Banjo Company
[edit] Discography
[edit] Solo/with multiple other musicians
- Crossing the Tracks (Rounder Records, 1979)
- Natural Bridge (Rounder Records, 1982)
- Double Time (Rounder Records, 1984)
- Inroads (Rounder Records, 1986)
- Daybreak (Rounder Records, 1987)
- Drive (Rounder Records, 1988; SACD reissue: Mobile Fidelity, 2004)
- Places (Rounder Records, 1988)
- Tales From The Acoustic Planet (Warner Brothers, 1995)
- The Bluegrass Sessions: Tales from the Acoustic Planet, Vol. 2 (Warner Brothers, 1999)
- Perpetual Motion (Sony Classical, 2001)
- Banjo and Harpsichord (Sony Classical, 2004)
- Throw Down Your Heart, Tales From The Acoustic Planet, Vol. 3: Africa Sessions (Rounder Records, 2009)
[edit] As part of a musical group
- Tasty Licks (Rounder Records, 1978)
- Anchored to the Shore (Rounder Records, 1979)
Spectrum
- Opening Roll (Rounder Records, 1981)
- Too Hot For Words (Rounder Records, 1982)
- Live in Japan (Rounder Records, 1983)
- On the Boulevard (Sugar Hill 1984)
- New Grass Revival (EMI 1986)
- Hold to a Dream (Capitol 1987)
- Live, (Sugar Hill 1989)
- Friday Night in America (Capitol 1989)
- Anthology (Capitol 1989)
- Deviation (Rounder Records, 1984) – billed as "Béla Fleck with the New Grass Revival", sometimes considered a solo album
- Best of New Grass Revival (Liberty 1994)
- Grass Roots: The Best of the New Grass Revival (Capitol 2005)
- Béla Fleck And The Flecktones (Warner Brothers, 1990)
- Flight of the Cosmic Hippo (Warner Brothers, 1991)
- UFO Tofu (Warner Brothers, 1992)
- Three Flew Over the Cuckoo's Nest (Warner Brothers, 1993)
- Live Art (Warner Brothers, 1996)
- Left of Cool (Warner Brothers, 1998)
- Greatest Hits of the 20th Century (Warner Brothers, 1999)
- Outbound (Columbia Records, 2000)
- Live at the Quick (Columbia Records, 2002)
- Little Worlds (Columbia Records, 2003)
- Ten From Little Worlds (Selections from Little Worlds, Columbia Records, 2003)
- The Hidden Land (Columbia Records, 2006)
- Jingle All the Way (Rounder Records, 2008)
The Sparrow Quartet with Abigail Washburn, Casey Driessen, and Ben Sollee
- The Sparrow Quartet EP (Nettwerk Records, 2005)
- Abigail Washburn & The Sparrow Quartet (Nettwerk Records, 2008)
[edit] One-off collaborations
- Fiddle Tunes For Banjo with Tony Trischka and Bill Keith (Rounder Records, 1981)
- Snakes Alive! as part of The Dreadful Snakes (Rounder Records, 1983)
- Telluride Sessions as part of Strength in Numbers (MCA Nashville Records, 1989)
- Solo Banjo Works with Tony Trischka (Rounder Records, 1992)
- The Great Dobro Sessions (Sugar Hill, 1994)
- Tabula Rasa with Jie-Bing Chen and Vishwa Mohan Bhatt (Water Lily Acoustics, 1996)
- Uncommon Ritual with Mike Marshall and Edgar Meyer (Sony, 1997)
- Music For Two with Edgar Meyer (Sony, 2004)
- The Enchantment with Chick Corea (Concord Records, 2007)
[edit] As a guest musician
- Sam Bush – Late as Usual (Rounder Records, 1984)
- Øystein Sunde - Kjekt å Ha (Universal Music, 1989)
- Nitty Gritty Dirt Band - Will the Circle Be Unbroken: Volume Two (MCA Records, 1989)
- Shawn Colvin – Fat City (Sony Records, 1992)
- Phish – Hoist (Elektra Records, 1994)
- Bruce Hornsby – Hot House (RCA Records, 1995)
- David Grier - Lone Soldier (Rounder Records, 1995)
- Curandero – Aras (Silver Wave, 1996)
- Dave Matthews Band – Before These Crowded Streets (RCA, 1998)
- Eddie From Ohio – Looking Out the Fishbowl (Vriginia Soul Records, 1999)
- Leftover Salmon - The Nashville Sessions (Hollywood Records, 1999)
- Phish – Farmhouse (Elektra Records, 2000)
- Jorma Kaukonen – Blue Country Heart (2002)
- Rodney Crowell - Fate's Right Hand (2003)
- Bernie Williams - The Journey Within (2003)
- Gov't Mule - The Deepest End: Live in Concert - ATO Records (2003)
- Jimmy Sturr & His Orchestra – Let's Polka 'Round (2003)
- Dave Matthews Band – Live Trax Vol. 1: 12.8.98 Centrum Centre, Worcester, MA (2004)
- Charlie Peacock – Full Circle (2004)
- Jerry Douglas - The Best Kept Secret (Koch Records, 2005)
- Dave Matthews Band – Live Trax Vol. 7: 12.31.96 Hamptom Coliseum, Hampton, VA (2006)
- Keller Williams – Dream (2007)
- McCoy Tyner - Guitars (McCoy Tyner album) (Half Note Records, 2008)
[edit] Grammy awards
- 1995
- Best Country Instrumental Performance, Hightower by Asleep at the Wheel with Béla Fleck and Johnny Gimble
- 1996
- Best Pop Instrumental Performance, The Sinister Minister by Béla Fleck And The Flecktones (with Sam Bush & Paul McCandless)
- 1998
- Best Instrumental Composition, Almost 12 by Béla Fleck And The Flecktones
- 2000
- Best Contemporary Jazz Album, Outbound by Béla Fleck And The Flecktones
- Best Country Instrumental Performance, Leaving Cottondale by Alison Brown and Béla Fleck
- 2001
- Best Instrumental Arrangement, Doctor Gradus Ad Parnassum from Children's Corner Suite (Debussy) by Béla Fleck and Edgar Meyer
- Best Classical Crossover Album, Perpetual Motion by Béla Fleck with Edgar Meyer, Joshua Bell, and others
- 2006
- Best Contemporary Jazz Album, The Hidden Land by Béla Fleck And The Flecktones
- 2008
- Best Pop Instrumental Album, Jingle All The Way by Béla Fleck And The Flecktones
[edit] Grammy nominations
Béla Fleck has been nominated in more categories than any other musician in Grammy history.[7][8]
- 2008
- Pop Instrumental Album Jingle All The Way
- Country Instrumental Performance Sleigh Ride (from Jingle All The Way)
- 2006
- Pop Instrumental Subterfuge (from The Hidden Land)
- 2005
- Country Instrumental Who's Your Uncle (from Best Kept Secret by Jerry Douglas)
- Contemporary Jazz Album Soulgrass by Bill Evans
- 2002
- Country Instrumental Performance Bear Mountain Hop (from The Country Bears Soundtrack)
- 2000
- Pop Instrumental Zona Mona (from Outbound)
- 1999
- Bluegrass Bluegrass Sessions
- 1998
- Pop Instrumental Big Country (from Left Of Cool)
- Country Instrumental The Ride (from Restless On the Farm by Jerry Douglas)
- 1996
- World Music Tabula Rasa
- 1995
- Country Instrumental Cheeseballs In Cowtown (from The Bluegrass Sessions: Tales from the Acoustic Planet, Vol. 2)
- 1994
- Spoken Word For Children The Creation by Amy Grant
- 1992
- Jazz Instrumental Magic Fingers (from UFO Tofu)
- 1991
- Jazz Album Flight of the Cosmic Hippo
- Jazz Instrumental Blu-Bop
- 1990
- Jazz Album Bela Fleck & The Flecktones
- Jazz Instrumental
- 1989
- Country Instrumental Bigfoot (from Friday Night In America by New Grass Revival
- 1988
- Bluegrass album Drive
- 1987
- Country Instrumental Metric Lips (from Hold to a Dream by New Grass Revival)
- 1986
- Country Instrumental Seven By Seven (from New Grass Revival by New Grass Revival)
[edit] Notes
- ^ a b c Béla Fleck, Official Biography
- ^ a b PBS Interview with Béla Fleck
- ^ Interview with Béla, 21 April 1996
- ^ Interview on Béla Fleck & the Flecktones 2000 DVD, “Live at the Quick”
- ^ Levine, Doug (24 April 2007). "Chick Corea, Bela Fleck Collaborate On New CD". VOA News (Voice of America). http://www.voanews.com/english/archive/2007-04/2007-04-24-voa68.cfm. Retrieved on 1 January 2009.
- ^ http://www.grammy.com/GRAMMY_Awards/Winners/Results.aspx?title=&winner=Bela+Fleck&year=0&genreID=0&hp=1 Grammy Award Winners Béla Fleck
- ^ http://en.wikipedia.org/wiki/Grammy_Award_records#Nominations
- ^ The Flecktone Zoo: by Wendell Norman
[edit] References
- Béla Fleck: Biography
- The Flecktone Zoo: by Wendell Norman
- Gray, Michael (1998). "Béla Fleck". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 174-5.
[edit] External links
| Wikimedia Commons has media related to: Béla Fleck |
- BelaFleck.com - Official website
- Flecktones.com - Official Website
- Interview with Béla Fleck on Aural States (July 2008)
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