B. W. Powe
B.W. Powe. September 2010
23 March 1955 |
Ottawa, Ontario, Canada
|Occupation||Writer--poet, novelist, essayist, philosopher; Associate Professor of Literature|
Early life and background
He attended York University for English studies where in 1977 graduated with a Bachelor of Arts degree. Powe received a Master of Arts degree from the University of Toronto in 1981; he studied there with Marshall McLuhan and Northrop Frye. He received his PhD from York University in October 2009. His PhD is on Marshall McLuhan and Northrop Frye, their crossings in history, their agon and complementarity (their conflicts and harmonies), and the stirring alchemy of their thought. The thesis was also concerned with the role and position of these visionaries in Canada, and the role and position of guides and mentors.
His uncle is Joe Schlesinger, senior correspondent for the CBC news.
He was tenured and promoted to Associate Professor of Literature at York in July 2010. Powe currently teaches in the Department of English at York University. He lectures on visionary literature, teaching writers from Hildegard von Bingen and Dante to Bob Dylan and Joni Mitchell, and conducts honour seminars on Modernism and Post Modernism, and on Marshall McLuhan and Northrop Frye. In 2013-2014 Powe taught an introduction to Creative Writing in the English Department. Powe taught first year introduction to literature courses for many years.
In 1997 he moved to Stouffville, Ontario, where he still lives. His two children, Kate and Thomas (twins), enrolled at York University in 2010. Since 2012 Powe has been travelling back and forth between Spain (Barcelona, Cordoba), and Canada (Stouffvile, Toronto).
Powe was most recently featured in The New York Times in an article reflecting on Marshall McLuhan on the centennial of his birth.
The website for Ottawa'a Writer's Festival recently published an article on Powe's contribution to the festival in 2011.
Powe has written books of thoughts, poetry, essays, and fiction (long and short). He has also written nationally-seen columns for The Globe and Mail and "The Toronto Star". This is what the press has said over the years: He has been called "way cool" by the Globe and Mail, "one of our finest cultural commentators" by the Toronto Star, a poet who can write "hair-raising lines" that seem to come "fully formed from the cosmos" by The Globe and Mail and who takes "considerable, unfashionable risks" by The Malahat Review, "a visionary--a modern day Magellan" by The Montreal Gazette, "an intellectual terrorist" by Barbara Amiel in MacLean's, and "enigmatic...and necessary..." by The Edmonton Journal. Kenneth J. Harvey said Powe's "Heart beats against the current... [and in his work] at its ultimate core invents something original--and oftentimes breathtaking... To say brilliant would be an understatement..." (Ottawa Citizen) About Outage, the Calgary Herald said, "Powe has created something remarkable...a sort of video novel, a hybrid of genres and media that transcends the ordinary and offers a new vision in a enw way of a society dancing to electronically generated signals..." Pico Iyer said his writings represented "a soaring alchemical vision." R. Murray Schafer called Outage "a fully realized work of art." Canadian Literature said of his poetry that "[his] subtly textured themes...affirm the importance of the romantic voice in these troubled times." The Montreal Gazette, in 2007, said that his essay prose style is "like well-chosen brush-strokes on a canvas." At IdeaCity in 2001 Moses Znaimer called B.W. Powe's stances, public lectures and writings "a combination of poetry and rock'n'roll." In 2014 poet-critic Patricia Keeney called Powe´s work "an original combination of poetry and scholarship."
Elana Wolff, poet and critic, in her book Implicate Me: Short Essays on Reading Contemporary Poems (Guernica, 2010), has this to say about Powe's writings: "...a prescient writer on the cyber-age and codes and patterns...there is actually no neat genre-division in Powe's writing. ...His prose frequently reads like poetry... The Unsaid Passing is...[an] emotionally unshielded selection of pieces that range in length from five words to several sections. ...Powe wants both transpersonal and transcendent connection from poetry. ...unabashedly spiritual, and passionate...uncommon for our age. He wants us to acknowledge our capacity for deep feeling, our vulnerability and authentic need for each other, and for the sacred. ...In the poems of The Unsaid Passing, B.W. Powe goes where he has not gone in any of his previous work... and written luminous, numinous pieces of mystical and humanistic sensibility." (Pages 119-121)
His work has been profiled on CBC-TV, TVO, CITY-TV, Bravo-TV, ACCESS and CTV.
His novel, Outage, was listed as one of the best ten novels of the year by Philip Marchand in The Toronto Star, in 1995/96. It was also an editor's choice novel in the Globe & Mail in 1995. His book, A Tremendous Canada of Light was selected as a notable book of the year by the Globe and Mail in 1993. His book of poems, The Unsaid Passing, was shortlisted for The ReLit Prize in 2006. His novella, These Shadows Remain, was longlisted for The ReLit Prize in 2012.
Towards a Canada of Light (2006; the third revision of the Canada of Light theme) and Mystic Trudeau: The Fire and the Rose (2007) were conceived as companion pieces, part of his contemplation of the visionary possibilities of Canada and its cultural legacy. In Charles Forans's October 2007 review of Mystic Trudeau in The Walrus, he said of the book: "[it] likely makes of its subject only what Trudeau privately made of himself. Powe knew him in his final years and kept records of their conversations. Expanding on Trudeau's pithy remarks, Powe offers a reading of his character and legacy that is as challenging as many of Trudeau's own public assertions. The book is determined to credit Canada with a mystical tradition and to deliberate in that tradition's arguments, employing language that is poetic, emphatic... Wait for the book's kicker: a call for the establishment of a republic in a twenty-first Canada that has...pirouetted away from 'the last vestiges of colonialism and empire.'"
His writings have been translated into French by Derrick de Kerckhove and Michelle Tisseyre. His writings have also been translated into Czech. He has been the program director or co-director for three significant events at York University in Toronto: Marshall McLuhan: What if He Was Right? (1997), The Trudeau Era (1998) and Living Literacies (2002). He is scheduled to become the Creative Writing Program Coordinator at York University in the summer 0f 2013.
He is currently at work founding the McLuhan Initiative for the Study of Literacies at York University.
He read from this work at The Northrop Frye International Festival in Moncton in April 2011, and in Barcelona, Spain, at the McLuhan 100 conference, in May 2011. He spoke on Vico, Bruno, Joyce and McLuhan in Naples in June 2011. In the autumn of 2012 he was scholar/writer in residence at IN3, the University of Catalonya in Barcelona. He spoke at the University of Basque Country in Bilbao, Spain, in October 2012.
His non-fiction study, "Marshall McLuhan and Northrop Frye--Apocalypse and Alchemy", was published by the University of Toronto Press in May of 2014.
He returned as Scholar/Researcher in Residence at IN3 at the University of Catalunya in Barcelona, Spain, in the spring and summer of 2013, and will be returning there in the spring-summer of 2014. There he will be collaborating with Cristina de Miranda (artist and professor) and Matteo Ciastellardi (technologist and professor) on the development and production of the g-book, "Opening Time: On the Energy Threshold."
He was the Creative Writing Program Coordinator in the Department of English from July 2013 until June 2014.
He has other works in progress—new poems, a collection of essays and thoughts (tentatively called "Facing Eternity, Each Day"),and a gathering of fragments and aphorisms and parables and lines.
These Shadows Remain
These Shadows Remain: A Fable is a novella published by Guernica in April 2011. It has garnered praise for its original concept and visionary story. Guernica Editions has summated the story, "Images overrun the world. Toons filled with rage and hate hunger for life. A war between simulations and humans. People besieged in a castle of dreams. A mysterious knight shifts between worlds, holding the secret that could save all. Orphaned children lead him to the whirlwind, the terrible faceless source."
These Shadows Remain is a work of vision. Powe says the story came intact in a recurring dream. When he first had the dream, he wrote down and outline. The more the story appeared in his dreams, the more he added.
Author Charles Foran has said, "...(I) am quite haunted by the book. It is, to say the least, intriguing, and its resonances are only settling in. The form itself is fascinating: a parable? A fable? A story for children, via their parents, or for parents, via their children? As per the Powe aesthetic, it is resolutely NOT of our time and our, ahem, literary culture, and belongs somewhere deep in a European literary tradition, where Carroll and Grimm sit alongside Musil and Amis. But I am also aware of the strong visual component to the tale, its cross of children's cartoon with anime... Likewise, its themes, or preoccupations, with how we've been so altered, chemically, spiritually, by those toons, those simulations. THAT is North American, of course, Canadian-McLuhan-Gibson, if also, I suspect, Eastern, Japanese. An enigmatic, striking piece of writing, one I shall return to."
Critic Marshall Soules acclaimed, "You've captured something important about our culture in These Shadows Remain... It's a compelling allegory about the mutual influence of the parallel worlds we live in, how we don't pay attention to important matters, how children are being sacrificed to a realm of fantasy. As a fable, it's of-a-piece with (Powe's) other work, coming at familiar themes in a different mode and register. Its poetry comes from fairy tale, romance, and pop culture."
"There are mysteries remaining, such as the migration between the screen and human world. The knight's confrontation with the wizard seems inconclusive and lacking in confrontation and resolution, but I appreciate this outcome. The wizard is also confused, and his power is limited. I like that. Reminds me of the Wizard of Oz - all smoke and mirrors and bluster. And recalls Edwin Abbot's satirical Flatland. I also enjoyed the role and character you gave the children. It's a caring and inspiring story that reflects directly on our confusion over fantasy and reality. On Hollywood Blvd., it's clear that fantasy is winning the battle for mindshare!"
Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy (University of Toronto Press)
“An entirely fresh view of McLuhan and Frye, the great Orator and the great Theorist, as exuberant visionaries who breached the future in tandem during their years teaching at the University of Toronto. Powe’s scholarship is marked by a distinctive ease and clarity of style rooted in a rigorous reading of all the pertinent texts.” Barry Callaghan, editor-in-chief, Exile: The Literary Quarterly
“Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy is a powerful study in literary theory and philosophy, written by a scholar with intimate knowledge and understanding of these twin giants of the 20th century intellectual landscape. This highly original work provides us with a dialectic between systems of thought that leads to a synthesis of unequivocal significance, or perhaps more properly, a portrait of polar oppositions that is mediated in a manner that is not only balanced and harmonious, but altogether magical.” Lance Strate, Department of Communication and Media Studies, Fordham University, and author of Echoes and Reflections, On the Binding Biases of Time, and Amazing Ourselves to Death
“Marshall McLuhan and Northrop Frye is the first book to thoroughly address the uncanny relation between these two great Canadian thinkers in a systematic way. B.W. Powe shows a deep knowledge of both McLuhan’s and Frye’s works, as well as of their critics.” Elena Lamberti, Department of Foreign Languages and Literature, University of Bologna
- 1984: A Climate Charged (Mosaic) hardcopy ISBN 0-88962-259-0, paperback ISBN 0-88962-258-2
- 1987: The Solitary Outlaw (Lester & Orpen Dennys) ISBN 0-88619-141-6
- 1989: Noise of Time in The Glenn Gould Profile, in Collections Canada, National Library Archives
- 1993: A Tremendous Canada of Light (Coach House) ISBN 0-88910-415-8
- 1995: Outage: A Journey into Electric City (Random House) ISBN 0-394-22124-9
- 1997: The Solitary Outlaw revised, expanded (Somerville House)ISBN 1-895897-79-3
- 1997: A Canada of Light revised, expanded (Somerville House) ISBN 1-895897-89-0
- 2004: The Living Literacies Print Record, editor (Coach House) ISBN 0-9736828-0-9
- 2005: The Unsaid Passing (Guernica) ISBN 1-55071-209-8
- 2006: Towards a Canada of Light (Thomas Allen) ISBN 0-88762-228-3
- 2007: Mystic Trudeau: The Fire and The Rose (Thomas Allen) ISBN 0-88762-281-X
- 2011: "These Shadows Remain: A Fable" (Guernica) ISBN 978-1-55071-314-5
- 2014: "Marshall McLuhan and Northrop Frye, Apocalypse and Alchemy" (The University of Toronto Press ISBN 978-1-4426-4811-1 (cloth); ISBN 978-1-4426-1616-5 (paper)
- 2014-2015: "Opening Time: On the Energy Threshold." (IN3, University of Catalunya/York University)
- 2015: "Where Seas and Fables Meet: Aphorisms and Parables" (Guernica)
- 2015: "Invisible Streams: Poems and Lines" (in discussion with Exile Press)
|Wikiquote has a collection of quotations related to: B. W. Powe|
- Interview with B.W. Powe by Adebe D.A for Openbook Toronto, 27 January 2011.
- B.W. Powe official website (inactive as of 17 September 2008)
- Soules, Marshall: Bruce Powe & The Solitary Outlaws
- The Glenn Gould Archive (Library and Archives Canada): Noise of Time
- 15 Years in Exile, Volume 16, Number 4 (Winter 1992)
- Spiritbookword: "An Interview with B.W. Powe"
- York University: B.W. Powe fonds, accessed 17 July 2006
- York University: B.W. Powe, accessed 17 July 2006
- , accessed 26 July 2011