B minor

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B minor
Relative key D major
Parallel key B major
enharmonic: C major
Component pitches
B, C, D, E, F, G, A, B
Qualities
B natural minor scale ascending and descending. About this sound Play 
B harmonic minor scale ascending and descending. About this sound Play 
B melodic minor scale ascending and descending. About this sound Play 

B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. The harmonic minor raises the A to A. Its key signature has two sharps (see below: Scales and keys).

Its relative major is D major, and its parallel major is B major.

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary.

In Baroque times, B minor was regarded as the key of utter despair.[citation needed] The theorist Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in the St John Passion.[1] By Beethoven's time, however, the perception of B minor had changed considerably: Francesco Galeazzi wrote that B minor was not suitable for music in good taste, and Beethoven labelled a B minor melodic idea in one of his sketchbooks as a "black key".[2]

It is a common key used in rock, folk, country and other guitarist-based styles because the standard tuning of a guitar causes all the open strings to be scale degrees of B minor.

Well-known classical pieces in B minor [edit]

References [edit]

  1. ^ Michael C. Tusa, "Beethoven's 'C-Minor Mood': Some Thoughts on the Structural Implications of Key Choice" in Beethoven Forum 2, Christoph Reynolds, ed. Lincoln: University of Nebraska Press (1993): 2–3, n. 5
  2. ^ Michael C. Tusa, "Beethoven's "C-Minor Mood": Some Thoughts on the Structural Implications of Key Choice" in Beethoven Forum 2, Christoph Reynolds, ed. Lincoln: University of Nebraska Press (1993): 2, n. 3