|Directed by||Reinhold Schunzel|
|Produced by||Lawrence Weingarten|
|Written by||Leo Gordon
|Music by||George Posford
|Edited by||George Boemler|
|Running time||102 minutes|
Balalaika is a 1939 American musical romance film based on the 1936 London stage musical of the same name. Produced by Lawrence Weingarten and directed by Reinhold Schunzel, it starred Nelson Eddy and Ilona Massey.
The film follows the romance of Prince Peter Karagin, captain of the Tsar's Cossack Guards, and Lydia Pavlovna Marakova, cabaret-cum-opera singer and secret revolutionary, who fall in love on the eve of World War I, are separated by war and ideology, and meet again in 1920s Paris.
In 1914 Czarist Russia Prince Peter Karagin (Nelson Eddy) is a captain of the Cossack Guards, riding home from maneuvers to an evening of wine, women and song at St. Petersburg's Cafe' Balalaika. The Balalaika's new headliner Lydia Pavlovna Marakova (Ilona Massey), blackmailed into attending the officers' party and expected to choose a “favored one,” intrigues Karagin when she makes good her escape instead.
Masquerading as a poor music student, Karagin insinuating himself into Lydia's family and circle of musician friends, unaware that they are revolutionaries - or that his own orderly Nikki Poppov (Charles Ruggles) is courting the Marakov's maid Masha (Joyce Compton) (comic relief). Karagin secretly jump-starts Lydia's career at the St. Petersburg Opera as a prelude to seducing her, but falls in love instead. She recognizes his dishonorable intentions, but admits she loves him too.
Their happiness ends when Lydia's brother Dimitri (Dalies Frantz) is killed by Cossacks led by Peter, whom Lydia recognizes; she agrees to use her opera debut as an opportunity to assassinate Peter and his father the general (C. Aubrey Smith). But when Peter confides he is giving up his army career to marry her, Lydia makes him promise not to come or let his father come to the performance.
Lydia's debut coincides with the outbreak of World War I: General Karagin, who came anyway, announces that Germany has declared war on Russia. In a dispute between the assassins General Karagin is shot and wounded. Peter finally learns of Lydia's political affiliations when police arrest her as her father's accomplice. Later, Peter has Lydia released from prison.
Separated by WWI and the Russian and Bolshevik Revolutions, Peter winds up in 1920s Paris employed by his former orderly as a cabaret entertainer at the “Balalaika”. Desperately poor White Russians, wearing court dress and paste jewels, gather to celebrate the Russian Orthodox New Year as the Poppov's guests. Here Lydia finds Peter, and emerges behind him as he stands before a mirror, candle in hand, to make the traditional New Year's wish to see his "true love."
- Nelson Eddy as Prince Peter Karagin, aka Peter Illyich Teranda
- Ilona Massey as Lydia Pavlovna Marakova
- Charlie Ruggles as Corporal Nicki Popoff, Peter's orderly
- Frank Morgan as Ivan Danchenoff, Director of the Imperial Opera
- Lionel Atwill as Prof. Pavel Marakov, Lydia's father
- C. Aubrey Smith as Gen. Karagin, Peter's father
- Joyce Compton as Masha, Marakov family maid
- Dalies Frantz as Dimitri Marakov, Lydia's brother
- Walter Woolf King as Capt. Michael Sibirsky, Peter's friend
- Abner Biberman as Leo Proplinski
- Arthur W. Cernitz as Capt. Sergei Pavloff
- Roland Varno as Lt. Nikitin
- George Tobias as Slaski (bartender)
- Phillip Terry as Lt. Smirnoff
- Frederick Worlock as Ramensky
- Roland Varno as Lt. Nikitin
- Paul Sutton as Anton (waiter)
- Willy Castello as Capt. Testoff
- Paul Irving as Prince Morodin
- Mildred Shay as Jeanette Sibirsky
- Alma Kruger as Mrs. Danchenoff
- Zeffie Tilbury as Princess Natalya Petrovna
Among the uncredited cast were:
- Maurice Cass
- Feodor Chaliapin, Jr. as Soldier, son of the famous Russian operatic bass
- Al Ferguson as Soldier
- Jack George as Violinist
- Eddie Hart
- John Holland
- Charles Judels as Batoff
- Michael Mark
- Irra Petina
- Lee Phelps as Doorman
- Frank Puglia as Ivan (Troika Inn owner)
- Hector Sarno
- Harry Semels
- Florence Shirley as Lily Allison (Paris tourist)
- Ellinor Vanderveer
- Harry Worth
Only the musical's title song “At the Balalaika,” with altered lyrics, was used in the film. Instead, MGM had music director Herbert Stothart adapt materials it already owned or were otherwise available, or write original material as needed.
List of musical numbers in order of appearance:
|Overture||At the Balalaika (verse), Tanya, At the Balalaika (chorus)||orchestra|
|Russian religious chant||copyrighted as “After Service;” arranged by Herbert Stothart||chorus|
|Life for the Czar||fragment, Mikhail Glinka, A Life for the Czar, Act III||male chorus|
|Ride, Cossacks, Ride||music Herbert Stothart; lyrics Bob Wright, Chet Forrest||male chorus, Eddy, Walter Woolf King, male soloists, whistling by Sergei Protzenko|
|Life for the Czar||reprise||Eddy and male chorus|
|Tanya||music Herbert Stothart, lyrics Bob Wright and Chet Forrest||Massey, male chorus|
|"Gorko"||Russian drinking song adapted by Herbert Stothart||male chorus, Massey|
|At the Balalaika||from the original London production: music George Posford, lyrics Eric Maschwitz; new lyrics Wright and Forrest||Massey, male chorus|
|Polonaise in A Flat, Opus 53||Frédéric Chopin||Dalies Frantz, piano|
|"El Ukhnem"||traditional, arranged Feodor Chaliapin and Feodor Feodorovich Koenemann||Eddy, male chorus|
|"Chanson Boheme"||Opera Carmen: Act II. music Georges Bizet, libretto Henri Meilhac, Ludovic Halevy||Massey|
|"Chanson du Toreador"
(“The Toreador Song”)
|"Si Tu M’Aime"||Carmen: Act IV. see above||Eddy and Massey|
|Tanya||see above||orchestral reprise|
|Music from Scheherazade
Shadows on the Sand
|Nikolai Rimsky-Korsakov, arranged as an opera by Bob Wright and Chet Forrest.
MGM copyrighted Miss Massey’s solo as Shadows on the Sand.
|Massey, Sigurd Nilssen, Irra Petina, Douglas Beattie, David Laughlin|
|"'Bozhe, Tsarya khrani"
(God Save the Tsar)
|Imperial Russian Anthem. Music Alexei Fedorovich Lvov, lyrics Vasili Andreevitch Zhukovsky||chorus, Eddy, C. Aubrey Smith, and Massey|
|At the Balalaika||reprise||King|
|"Stille Nacht"||music Franz Gruber, lyrics Joseph Mohr||Eddy and male chorus|
|"Otchi Chornia"||lyrics Yevhen Hrebinka, set to Florian Hermann's “Valse Hommage” arrangement by S. Gerdel')||Massey|
|At the Balalaika||reprise||Eddy|
|Land of Dreams||not given||Frank Morgan, male trio|
|Flow, Flow, White Wine
[lyric: “Bubbles in the Wine”]
|King, Frank Morgan, arranged Stothart, lyrics Kahn||Eddy|
[lyric: “Mirror, Mirror”]
|arranged Stothart, lyrics Wright and Forrest||Alma Kruger, Mildred Shay, Eddy|
|Magic of Your Love||music Franz Lehár; new lyrics Gus Kahn, Clifford Grey.
Originally “The Melody of Love” from Lehar’s Gypsy Love. (Sung with new lyrics as “The White Dove” in The Rogue Song with Lawrence Tibbett, MGM, 1930.
|chorus, Eddy and Massey|
|Finale: Song of the Volga Boatman||see above||orchestral reprise|
A number of additional songs were copyrighted for the film but apparently not used.
Various sources agree that MGM was planning to make this film two years before production actually began. Filming started in June 1939, although Eddy and Massey spent the four weeks prior to shooting pre-recording their musical numbers.
Miliza Korjus was offered the role of Lydia but “thought it was a joke.” She turned it down on the assumption Eddy would again be teamed with Jeanette MacDonald, apparently unaware that both Eddy and MacDonald were demanding solo star roles from the studio, or that the studio had agreed. She was devastated to learned that Ilona Massey had accepted the role, losing the opportunity to work with “that gorgeous hunk of baritone”.
Like all films of the era, Balalaika was subject to censorship by the Production Code Administration. Beginning with a December 1937 letter to Louis B. Mayer, Joseph Breen opened with a suggestion that the film not offend "...the citizens or government of any country..." before detailing what could not appear in the film: a prostitute, sale or discussion of pornography, all risque dialog, and reference to a male secretary as a "pansy". In addition "... mob violence... must avoid... details of brutality and gruesomeness." Notwithstanding, the audience had plenty of clues to fill in the blanks.
Previewed on December 15, 1938, most critics agreed: the stars and production were excellent even if the script and plot were not. Many went on to prophesy a glowing career for Massey – here in her first starring role – which never took off. Frank S. Nugent's review in The New York Times praised Massey's blond good looks and Eddy's competence: "She looks like Dietrich, talks like Garbo... while leaving the bulk of (the score) safely to Mr. Eddy..."
Despite enjoying the romantic escapism and musical artistry, Nugent foresaw international repercussions. "In these propaganda-searching days, we know the comrades are going to howl bloody Metro-Goldwyn-Mayer. The notion of peasant girls tossing their locks and eyes at the Imperial Guard and the film's gusty sighing over the dear dead days... are bound to be tantamount to waving a papal bull before the Red flag of The Daily Worker."
Nor did he overlook the film's shortcomings, "...the picture is long on formula and short on originality... nine out of ten sequences have been blue-printed before," but nonetheless gave director Reinhold Schunzel credit for a job well done.
- "Balalaika". Turner Classic Movies.
- "Turner Classic Movies".
- "Jeanette and Nelson".
- "Balalaika (1939): Notes". Turner Classic Movies, UK. Retrieved December 11, 2009.
- "Baritone Corner". Arabella and Co. Retrieved December 11, 2009.
- Hollywood Songsters: Allyson to Funicello by James Robert Parish, Michael R. Pitts - page 282. Google Books.
- "The 12th Academy Awards (1940) Nominees and Winners". oscars.org. Retrieved 2011-08-11.
- Russians in Hollywood, Hollywood's Russians: biography of an image by Harlow Robinson. Google Books.
- Nugent, Frank S. (December 15, 1939). "THE SCREEN IN REVIEW By FRANK S. NUGENT, December 15, 1939". New York Times.[dead link]
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