Balzac and the Little Chinese Seamstress

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Balzac and the Little Chinese Seamstress
Balzac and the Little Chinese Seamstress.jpg
One version of the front cover of the novel
Author Dai Sijie
Original title Balzac et la petite tailleuse chinoise
Translator Ina Rilke
Genre Historical, Semi-autobiographical novel
Publisher Anchor Books
Publication date
2000
Published in English
2001
Media type Print (Hardback & Paperback)
Pages 184
ISBN ISBN 0-375-41309-X
OCLC 46884190
843/.92 21
LC Class PQ2664.A437 B3513 2001

Balzac and the Little Chinese Seamstress is a semi-autobiographical novel written by Dai Sijie, and published in 2000 in French and in English in 2001. It is the author's first published novel. Its original French title is similar, "Balzac et la petite tailleuse chinoise". A film based on his novel was released in 2002, directed by Dai himself.

Plot summary[edit]

The novel, written by Dai Sijie, is about two teenagers. Luo, "a genius for storytelling",[1] and an unnamed narrator, "a fine musician"[2] are sent to be re-educated during the Chinese Cultural Revolution. They are sent to a mountain called "Phoenix of the Sky" near Tibet, because their doctor parents have been declared enemies of the state and "reactionaries of the bourgeoisie" by the Communist state. There, while forced to work in the coal mines and with the rice crop, they are captivated by and fall in love with the daughter of the local tailor, the Little Seamstress. Throughout the novel, the small farming village of Phoenix of the Sky delights in the storytelling of the two teenagers. They even are excused from work for a few days to see films at Yong Jing, a nearby town, and later relate the story to the townspeople, through an activity known as "oral cinema", where the story is retold [3] At the same time, they meet Four-Eyes, the son of a prominent poet, who also is being re-educated. Although he is succeeding in re-education, he is also hiding French, Russian, and English novels that are forbidden by Chinese law. The boys convince Four-Eyes to lend them the book, Ursule Mirouët by Honoré de Balzac. After Luo stays up all night reading the book, he gives the book to the narrator and leaves the village in order to tell it to the Little Seamstress, "the region's reigning beauty"[4] that both characters are attracted to, and the narrator becomes "completely wrapped up in the French story".[5] When Luo returns, he is carrying leaves from the tree that he and the former virgin, the Little Seamstress, had sex under.

The character of Luo is then motivated to educate the Little Seamstress and "make her more refined, more cultured".[6] This motivation spurs the narrator and Luo to steal the rest of the books from Four-Eyes’ home, "knowing that [Four-Eyes] will be afraid to call the authorities".[7] Particularly inspirational to the narrator is the translation by Fu Lei of Romain Rolland's Jean-Christophe, which the narrator credits as giving him a newfound sense of individualism. Luo and the Seamstress's romantic relationship grows as the narrator silently and jealously watches. After their successful robbery, the narrator recites the tale of The Count of Monte Cristo in his cabin to Luo and the visiting tailor. The village headman, described as a passionate Communist who has just returned from an unsuccessful dental surgery, threatens to turn in Luo and the narrator for spreading the counter-revolutionary ideas found in The Count of Monte Cristo if they don’t agree to fix the headman’s teeth. Faced with the threat of prison, the pair fix the village headmans teeth, but they operate the drill “slowly. . . to punish him.”[8] Later, when the headman is calmer and thankful to the two for repairing his teeth, he allows Luo to leave the village for a month to look after Luo’s ailing mother. During Luo’s absence, the Little Seamstress concludes that she is pregnant. Her character confides this in the narrator, for “when [Luo] had left the previous month she was not yet worried”[9] about missing her period. However, since it is illegal to have children out of wedlock in the revolutionary society, and she and Luo are too young to marry, the narrator must set up a secret abortion.

Three months after the abortion is performed and Luo returns, the pair's mission of educating the Little Seamstress backfires. At first, however, it seems as if their plan is working perfectly – she adopts the city accent and begins making modern clothing. Yet, one day, she "comes to understand her own sexual power",[10] and leaves without saying farewell. In his grief, Luo becomes inebriated and burns all of the foreign books “in [a] frenzy,”[11] ending the novel.

  • The Little Seamstress, the daughter of a famous local tailor, the Little Seamstress is a rare beauty. She has had no formal education and cannot read, so Luo and the narrator read to her. She is impregnated by Luo, and subsequently gets an abortion. As the novel progresses, the Little Seamstress learns about the outside world by reading the foreign books with Luo’s help. She eventually leaves the mountain and everything that she has known to start a new life in the city.
  • The Village Headman,the leader of the village to which the narrator and Luo are sent for reeducation, is a fifty-year-old “ex-opium farmer turned Communist cadre.”[12] One day, he even blackmails Luo to fix his teeth in return for not sending the narrator to jail.
  • Four-Eyes,the son of a writer and a poet, must wear thick glasses to compensate for his nearsightedness. He possesses a suitcase full of forbidden "reactionary" Western novels that the Narrator and Luo covet, and eventually steal. He is referred to as a character who is used to humiliation. He ends up leaving the mountain when his mother convinces the government to end his re-education early and gets Four-Eyes a job at a newspaper.
  • The Miller is an old man who lives alone and is a repository of local "folk" songs. The Miller narrates one part of the novel and provides songs to the boys, who then relate them to Four-Eyes. He is one of the characters who chooses not to be involved with the revolution.
  • The Tailor, the father of the Little Seamstress and the only tailor on the mountain, is a rich and popular man. He is old but energetic and widely travelled. At one point in the story, the narrator recounts "The Count of Monte Cristo" to him while he spends the night with the narrator and Luo. Through this experience, he gains a slight air of sophistication, and the story begins to influence the clothes that he makes.

Major themes[edit]

Power of education and literature[edit]

Critics have noted that Balzac and the Little Chinese Seamstress deals with the strength of education and literature. Jeff Zaleski of Publishers Weekly said that the novel “emphasize[s] the power of literature to free the mind.”[7] Additionally, a New York Times book review by Brooke Allen addresses the themes, such as the “potency of imaginative literature and why it is hated and feared by those who wish to control others.”[10] This reviewer addresses the evil and ultimate failure of “any system that fears knowledge and education . . . and closes the mind to moral and intellectual truth”as well.

Friendship and lost innocence[edit]

The major themes of Balzac and the Little Chinese Seamstress include friendship and lost innocence.[14]

Double edges[edit]

Balzac and the Little Chinese Seamstress addresses issues such as how everything appears to have a double-edge.[15]

Cultural superiority[edit]

It has been noted that Balzac and the Little Chinese Seamstress deals with cultural superiority and balance between varying cultural influences.[10]

Style[edit]

Balzac and the Little Chinese Seamstress is notable for its size. Publishers Weekly stated that Balzac was a "slim first novel",[7] and Brooke Allen at the New York Times Book Review called the narrative "streamlined".[10]

Balzac and the Little Chinese Seamstress is written in a characteristic style. The novel focuses and "accents on a soft center rather than . . . hard edges", according to Josh Greenfield of Time Europe. A vast majority of the characters in the narrative have "epithets rather than names",[12] adding to the relaxed writing style of the novel.

Background[edit]

Cultural Revolution[edit]

Balzac and the Little Chinese Seamstress is set during the time known as the Asian invasion in China[citation needed]. This historical invasion helped to supply the framework for many of the trouble on my mind[citation needed]. The Revolution of Chairman Mao Zedong "began in 1966 and continued until the dictator's death ten years later". The Cultural Revolution in China was "intended to stamp out the educated class and . . . old ideas, old culture, old customs, and old habits".[10] In order to do this, "hundreds of thousands of Chinese intellectuals [were sent] to peasant villages for re-education",[7] and within the years of "1968-1975, some twelve million youths were ‘rusticated’."[10]

Dai Sijie's Past[edit]

Dai Sijie's own experiences during this time period helped to produce the novel. Sijie himself was re-educated, and "spent the years between 1971 and 1974 in the mountains of Sichuan Province",[10] and emigrated to France in 1984.[15]

Publication history[edit]

Balzac and the Little Chinese Seamstress has been translated from the original French. The novel was first published in France in the French language"[4] in 2000, and since then, rights of the book have been sold in nineteen countries.[7] However, the novel has not been translated to Chinese because of statements that Sijie has "blackened the characters of the peasants and treated them like idiots", and that the changes that the characters go through should be "the result of reading a Chinese book".[16] The English translation of Balzac and the Little Chinese Seamstress by Ina Rilke is published by the company Knopf[12] and has been praised for its clarity.”[7]

Reception[edit]

Balzac and the Little Chinese Seamstress received reviews related to “warmth and humor."[7] It has been stated as well that the novel “abound[s] in gentle humor, warm bonhomie and appealing charm”[12] in Time Europe.

The novel has likewise been seen as an emotional tale. Jeff Zaleski has reviewed Balzac as a "moving, [and] often wrenching short novel".[7] Dai Sijie has been praised as a "captivating, amazing, storyteller" whose writing in Balzac and the Little Chinese Seamstress is "seductive and unaffected".[14] In a San Jose Mercury News article, the novel is described as one that will resonate with you.[15]

Topics in Balzac and the Little Chinese Seamstress having to do with the Cultural Revolution have been elaborated on and reviewed. Dai Sijie, as "an entertaining recorder of China's ‘ten lost years’," addresses the Cultural Revolution. Balzac is seen by some as "a wonderfully human tale" and relatable.[7] The ending of the novel has received some positive attention. The ending has a "smart surprising bite" says a Library Journal article.[4] In Publishers Weekly, the conclusion is described as "unexpected, droll, and poignant".[7] Balzac and the Little Chinese Seamstress is seen as an unprecedented story, “not another grim . . . tale of forced labor."[12] Balzac is a popular novel as well. It has been described as “a cult novel."[16] and was a bestseller in France in the year 2000.”[7] However, Balzac and the Little Chinese Seamstress has received negative reviews. Brooke Allen of The New York Times Book Review states that the novel is “worthwhile, but unsatisfactory” and that the epithets for most of the characters “work against the material's power.”[10] In addition, the novel has received complaints from government officials in its portrayal of the Cultural Revolution.[16]

Awards and nominations[edit]

Balzac and the Little Chinese Seamstress is the winner of several literary awards. The novel is “the winner of five French literary prizes."[4] Among consumers, the novel was a best seller in 2000.”[7]

Adaptations[edit]

Sijie Dai directed and adapted his novel into a film, released in 2003, starring Zhou Xun, Liu Ye and Chen Kun.[17]

Interviews and reading guides[edit]

Articles and Book Reviews[edit]

  • Bloom, Michelle E. "Contemporary Franco-Chinese Cinema: Translation, Citation and Imitation in Dai Sijie’s Balzac and the Little Chinese Seamstress and Tsai Ming-Liang’s What Time is it There?" Quarterly Review of Film and Video, 22:311–325, 2005. doi:10.1080/10509200590475797
  • Chevaillier, Flore. "Commercialism and Cultural Misreading in Dai Sijie's Balzac et la petite tailleuse chinoise." Forum for Modern Language Studies, 2011 Jan; 47 (1): 60-74. doi:10.1093/fmls/cqq074
  • McCall, Ian. "French Literature And Film In The USSR And Mao's China: Intertexts In Makine's Au Temps Du Fleuve Amour And Dai Sijie's Balzac Et La Petite Tailleuse Chinoise." Romance Studies, Vol. 24 (2), July 2006. doi:10.1179/174581506x120118
  • Schwartz, Lynne Sharon. "In the Beginning Was the Book." New Leader, Sep/October 2001, Vol. 84 Issue 5, p. 23.
  • Silvester, Rosalind. "Genre and Image in Francophone Chinese Works". Contemporary French and Francophone Studies, Vol. 10, No. 4, December 2006, pp. 367–375. doi:10.1080/17409290601040346
  • Watts, Andrew. "Mao's China in the Mirror: Reversing the Exotic in Dai Sijie's Balzac et la Petite Tailleuse chinoise." Romance Studies, 2011 Jan; 29 (1): 27-39. doi:10.1179/174581511X12899934053284

References[edit]

  1. ^ Sijie, p. 19
  2. ^ Sijie, p. 5
  3. ^ Balzac and the Little Chinese Seamstress translated by Ina Rilke Page 19
  4. ^ a b c d Pearl, Nancy. "Balzac and the Little Chinese Seamstress (book)". Library Journal (Media Source, Inc.) 127 (2): 164. Retrieved 15 March 2012. (subscription required)
  5. ^ Sijie, p. 57
  6. ^ Sijie, p.61
  7. ^ a b c d e f g h i j k l Zaleski, Jeff (27 August 2001). "Balzac and the Little Chinese Seamstress (book review)". Publishers Weekly (PWxyz LLC) 248 (35): 51. Retrieved 23 November 2013. 
  8. ^ Sijie, p.134
  9. ^ Sijie p. 159
  10. ^ a b c d e f g h Allen, Brooke (16 September 2001). "A Suitcase Education". New York Times Book Review (New York Times): 24. Retrieved 23 November 2013. 
  11. ^ Sijie, p. 178
  12. ^ a b c d e Greenfeld, Josh (11 March 2002). "A Twist on Balzac". Time Europe 159 (10): 55. Retrieved 15 March 2012. 
  13. ^ Sijie, p. 164
  14. ^ a b Allardice, Lisa (15 April 2002). "Balzac and the Little Chinese Seamstress (Book)". New Statesman (New Statesman Ltd.) 131 (4583): 56. Retrieved 23 November 2013. 
  15. ^ a b c "'Balzac and the Little Chinese Seamstress' by Dai Sijie". San Jose Mercury News (San Jose, Calif.). 24 October 2001. Retrieved 15 March 2012. (subscription required)
  16. ^ a b c Sorensen, Rosemary (29 May 2003). "Delightfully Delicate". The Daily Telegraph (Sydney). Retrieved 15 March 2012. (subscription required)
  17. ^ "Balzac and the Little Chinese Seamstress (2002)". IMDB. Amazon.