|from Illustrations of the Three Powers (1609)|
11 April 999|
Hefei, Song Empire (in today's Feidong County near Hefei, Anhui)
|Died||20 May 1062
Kaifeng, Song Empire (in today's Kaifeng, Henan)
|Resting place||today's Luyang District, Hefei, Anhui|
|Full name||Surname: Bāo (包)
Given name: Zhěng (拯)
Courtesy name: Xīrén (希仁)
Posthumous name: Xiàosù (孝肅)
Bao Zheng (包拯; 11 April 999 – 20 May 1062), commonly known as Bao Gong (包公, "Lord Bao"), was a government officer during the reign of Emperor Renzong in ancient China's Song Dynasty. During his twenty five years in civil service, Bao consistently demonstrated extreme honesty and uprightness, with actions such as sentencing his own uncle, impeaching an uncle of Emperor Renzong's favourite concubine and punishing powerful families. His appointment from 1057 to 1058 as the prefect of Song's capital Kaifeng, where he initiated a number of changes to better hear the grievances of the people, made him a legendary figure.
Nicknamed "Justice Bao" (包青天), Bao Zheng today is respected as the cultural symbol of justice in Greater China. His largely fictionalized gong'an and wuxia stories have appeared in a variety of different literary and dramatic mediums, and have enjoyed sustained popularity.
Bao' family was in the middle class. Though Bao's parents could afford to send him to school, his mother had to climb up mountains to collect firewood just before she gave birth to him. As Bao grew up among low working class, he well understood people's hardships, hated corruption and strongly desired for justice.
At the age of 29, Bao passed the highest-level imperial examination and became qualified as a Jinshi. Bao was appointed as Magistrate of Jianchang County, but he deferred embarking on his official career for a decade in order to care for his elderly parents and faithfully observe proper mourning rites after their deaths.
During the time Bao looked after his parents at home, Liu Yun (刘赟), Magistrate of Luzhou who was renowned as an excellent poetic and fair-minded officer, usually visited Bao. Because the two got along well, Bao obtained great influence from Liu Yun in respect of the love for people.
While at the post in Duanzhou, famous for its inkstones, Bao discovered that previous magistrates always collected more inkstones than allowed. Bao stopped the practice and left without a single inkstone in his possession once his tenure was over.
During his years in the government service, Bao had thirty high officials demoted or dismissed for corruption, bribery, or dereliction of duty. He also had Zhang Yaozhuo (张耀洲), uncle of a high-ranked imperial concubine, impeached for six times. In addition, as the imperial censor, Bao avoided punishment despite having many other contemporary imperial censors punished for minor statements.
In 1057, Bao was appointed the magistrate of the capital city of Bian (now Kaifeng). Bao held the position for a mere period of one year, but he initiated several material administrative reforms, including allowing the citizens to directly lodge complaints with the city administrators, thereby bypassing the city clerks who were believed to be corrupt and in the pay of local powerful families.
Although Bao gained much fame and popularity from his reforms, his service after the tenure as Magistrate of Bian was controversial. For example, when Bao dismissed Zhang Fangping (張方平), who concurrently held three important offices, Bao was appointed to these offices as Zhang's successor. Ouyang Xiu (欧阳修) then filed a rebuke against Bao.
Apart from his intolerance of injustice and corruption, Bao was well known for his filial piety and his stern demeanor. In his lifetime, Bao gained the name "Iron-Faced Judge" (鐵面判官) and it was also said among the public that his smile was "rarer than clear waters in the Yellow River".
Due to his fame and the strength of his reputation, Bao's name became synonymous with the idealized "honest and upright official" (清官), and quickly became a popular subject of early vernacular drama and literature. Bao was also associated with the god Yanluo (Yama) and the "Infernal Bureaucracy" of the Eastern Marchmount, on account of his supposed ability to judge affairs in the afterlife as well as he judged them in the realm of the living.
|“||Any of my descendants who commits bribery as an official shall not be allowed back home nor buried in the family burial site. He who shares not my values is not my descendant.
— Bao Zheng's instruction to his family
Bao died in the Capital City of Bian. It was recorded that he left the following warning for his family: "Any of my descendants who commits bribery as an official shall not be allowed back home nor buried in the family burial site. He who shares not my values is not my descendant." Built in 1066, his burial site in Hefei contains his tomb along with the tombs of family members and a memorial temple.
Bao Zheng had two wives: Lady Zhang and Lady Dong. Bao had only one son, Bao Yi, who died at a relatively young age while being a government officer. Bao then adopted a new son, Bao Shuo, who also died prematurely. However, when a young maid in Bao Zheng's family became pregnant and Bao dismissed her, Bao Yi's wife, knowing that the maid was pregnant with her husband, secretly saved the maid and her son, enabling the continuation of Bao's family line.
Bao Yi's wife was greatly praised in the official sources for her devotion to the protection of family line. And the story was very influential to the formation of the legend that Bao Zheng was raised by his elder sister-in-law, whom he called "sister-in-law mother" (嫂娘).
Bao Zheng's stories were retold and preserved particularly in the form of performance arts such as Chinese opera and pingshu. Written forms of his legend appeared in the Yuan Dynasty in the form of Qu. Vernacular fiction of Judge Bao was popular in the Ming and Qing Dynasties. A common protagonist of gong'an fiction, Judge Bao stories revolve around Bao, a magistrate, investigating and solving criminal cases.
- Rescriptor Bao Cleverly Investigates the Circle of Chalk (包待制智勘灰闌記) by Li Qianfu
- Rescriptor Bao Thrice Investigates the Butterfly Dream (包待制三勘蝴蝶夢) by Guan Hanqing, English translation can be found in Yang & Yang 1958
- Rescriptor Bao Cleverly Executes Court Official Lu (包待制智斬魯齋郎) by Guan Hanqing, English translation can be found in Yang & Yang 1958 (as The Wife-Snatcher)
- Rescriptor Bao Sells Rice at Chenzhou (包待制陳州糶米), English translation can be found in Hayden 1978
- Ding-ding Dong-dong: The Ghost of the Pot (玎玎當當盆兒鬼), English translation can be found in Hayden 1978
- Rescriptor Bao Cleverly Investigates the Flower of the Back Courtyard (包待制智勘後庭花) by Zheng Tingyu, English translation can be found in Hayden 1978
The 19th-century novel The Seven Heroes and Five Gallants by the storyteller Shi Yukun (石玉昆) (partially translated by Song Shouquan in 1997 as well as Susan Blader in 1997) added a wuxia twist to his stories.
In Pavilion of Ten Thousand Flowers (萬花樓), Five Tigers Conquer the West (五虎平西), Five Tigers Conquer the South (五虎平南) and Five Tigers Conquer the North (五虎平北), four serial wuxia novels composed by Li Yutang (李雨堂) during Qing Dynasty, Bao Zheng, Di Qing and Yang Zongbao appear as main characters.
In What the Master Would Not Discuss (子不語), a Qing Dynasty horror novel by Yuan Mei (袁枚), Bao Zheng as well as the belief that he was able to judge affairs of both human beings and supernatural beings are featured.
In legends, because he was born dark-skinned and extremely ugly, Bao Zheng was considered cursed and thrown away by his father right after birth. However, his virtuous elder sister-in-law, who just had an infant named Bao Mian (包勉), picked Bao Zheng up and raised him like an own son. As a result, Bao Zheng would refer to Bao Mian's mother as "sister-in-law mother".
In most dramatization of his stories, he used a set of guillotines (鍘刀, "lever-knife"), given to him by the emperor, to execute criminals:
- The one decorated with a dog's head (狗頭鍘 or 犬頭鍘) was used on commoners.
- The one decorated with a tiger's head (虎頭鍘) was used on government officials.
- The one decorated with a dragon's head (龍頭鍘 or 火龍鍘) was used on royal personages.
He was granted a golden rod (金黄夏楚) by the previous emperor, with which he was authorised to chastise the current emperor. He was also granted an imperial sword (尚方寶劍) from the previous emperor; whenever it was exhibited the persons surrounding, irrespective of their social classes, must pay respect and compliance to the person exhibiting as if he were the emperor. All guillotines of Bao Zheng were authorised to execute any persons without first obtaining approval from the emperor, whilst some accounts stating the imperial sword was a license to execute any royals before so reporting.
He is famous for his uncompromising stance against corruption among the government officials at the time. He upheld justice and refused to yield to higher powers including the Emperor's Father-in-Law (國丈), who was also appointed as the Grand Tutor (太師) and was known as Grand Tutor Pang (龐太師). He treated Bao as an enemy. Although Grand Tutor Pang is often depicted in myth as an archetypical villain (arrogant, selfish, and cruel), the historical reasons for his bitter rivalry with Bao remain unclear.
In many stories Bao is usually accompanied by his skilled bodyguard Zhan Zhao and personal secretary Gongsun Ce (公孙策). Zhan is a skilled martial artist while Gongsun is an intelligent adviser. There are also four enforcers named Wang Zhao (王朝), Ma Han (馬漢), Zhang Long (張龍), and Zhao Hu (趙虎). All of these characters are presented as righteous and incorruptible.
Due to his strong sense of justice, he is very popular in China, especially among the peasants and the poor. He became the subject of literature and modern Chinese TV series in which his adventures and cases are featured.
All of these cases have been favorites in Chinese opera.
- The Case of Executing Chen Shimei (鍘美案): Chen Shimei had two children with wife Qin Xianglian, when he left them behind in his hometown for the Imperial examination in the capital. After placing first, he lied about his marriage and became the emperor’s new son-in-law. Years later, a famine forced Qin and her children to move to the capital, where they learned what happened to Chen. Qin finally found a way to meet Chen and begged him to help at least his own children. Not only did Chen refuse, he sent his servant Han Qi to kill them to hide his secret, but Han helped the family escape and killed himself. Desperate, Qin brought her case to Bao Zheng, who tricked Chen to the court to have him arrested. The imperial family intervened with threats, but Bao executed him nonetheless.
- Executing Bao Mian (鍘包勉): When Bao Zheng was an infant, he was raised by his elder sister-in-law, Wu, like a son. Years later, Wu's only son Bao Mian became a magistrate, and was convicted of bribery and malfeasance. Finding it impossible to fulfill both Confucian concepts of loyalty and filial piety, an emotional Bao Zheng executed his nephew according to the law and later tearfully apologized to Wu, his motherly figure.
- Wild Cat Exchanged for Crown Prince (狸貓換太子): Bao Zheng met a woman claiming to be the mother of the current Emperor Renzong. Dozens of years ago, she had been Consort Li, an imperial concubine of Emperor Zhenzong's, before falling out of favour for supposedly giving birth to a bloody dead wild cat. What really happened was a jealous Consort Liu plotting with eunuch Guo Huai (郭槐) to secretly swap Li's infant with a skinned wild cat minutes after birth and order palace maid Kou Zhu (寇珠) to kill the baby. But Kou gave the baby to chief eunuch Chen Lin (陳琳) who secretly brought the child to the Eighth Prince, a younger brother of Emperor Zhenzong. Kou was later tortured to death by Guo when Consort Liu began to suspect about the fate of the baby child. The child was raised by the Eighth Prince as his own son and was subsequently selected to ascend to the throne as Emperor Renzong after Emperor Zhenzong died without an heir. Due to the passage of time, getting evidence presented a challenge. With the help of a woman dressed as Kou's ghost, Bao dressed himself as the hell overlord Yama and used Guo's fear of the supernatural and guilt to extract his confession. When the verdict was out, the emperor was reluctant to accept Consort Li. Bao then admonished the emperor and ordered a set of beatings for him for lack of filial piety. The emperor's Dragon Robe was beaten instead. Emperor Renzong eventually accepted his mother and elevated her as the new empress dowager.
- The Case of Two Nails (雙釘記): Bao Zheng investigated a husband's suspicious death whose cause had been ruled natural. After an autopsy, his coroner confirmed the earlier report that there was no injury throughout the body. At home, the coroner discussed the case with his wife, who mentioned that someone could force long steel nails into the brain, leaving no other traces on the body. The next day, the coroner found a long nail indeed, and the widow was arrested and confessed to adultery and mariticide. Afterwards, Bao Zheng began to question the coroner's wife and learned that the coroner is her second husband, as her first husband had died. Bao ordered his guards to go to the cemetery and unearth her first husband's coffin. Sure enough, there was also a nail in the skull.
- The Case of the Black Basin (烏盆記): A silk merchant by the name of Liu Shichang was on a trip home when he decided to ask for food and overnight lodging at the place of Zhao Da, the owner of a pottery kiln. Greedy over the riches carried by Liu, Zhao killed him by poisoning his dinner, and burned Liu's remains with clay in his kiln to make a black basin, in order to destroy the evidence. An old man named Zhang Biegu, whom Zhao owed a debt to, soon took the basin from Zhao as an alternate of cash payment. Zhang eventually encountered the ghost of Liu, who had been possessing the basin ever since his demise, and was told the story of the latter's cruel death at Zhao's hands. Determined to put the suspect to justice, Zhang soon brought the black basin to Bao Zheng's court in Kaifeng and after several attempts, finally persuaded Liu's ghost to tell the judge everything. As a result, Zhao was finally arrested and executed for murder.
In modern Chinese, "Bao Gong" or "Bao Qingtian" is invoked as a metaphor or symbol of justice. There is a chain of cafes selling baozi in Singapore called Bao Today (Bao Jin Tian), which is a pun on Bao Qingtian (Justice Bao).
In Thai language, Than Pao (ท่านเปา; "Lord Bao") has become a colloquial term for a judge. The Royal Institute of Thailand recorded the term in the Dictionary of New Words, Volume 2, published in 2009.
- Redressing a Grievance (乌盆记), a 1927 Chinese silent film featuring Ling Wusi as Bao Zheng.
- Inside the Forbidden City (宋宮秘史), a 1965 Shaw Brothers musical film stars Cheng Miu as Bao Zheng, and tells the story of the "Wild Cat for Crown Prince conspiracy" case.
- King Cat (七俠五義), a 1967 Shaw Brothers film features Cheng Miu as Bao Zheng.
- The Wrongly Killed Girl (南俠展昭大破地獄門), a 1976 Hong Kong film stars Jen Hao as Bao Zheng and tells the Liu Jinchan murder.
- Cat and Mouse (老鼠愛上貓), a 2003 Media Asia romantic comedy stars Anthony Wong as Bao Zheng.
- Game of a Cat and Mouse (包青天之五鼠鬥御貓), a 2005 film stars Jin Chao-chun as Bao Zheng.
- Hua Gu Di Wang (包青天之化骨帝王), a Mainland China film planned for 2013 release.
Stephen Chow also made a spin-off movie based on Bao Zheng called Hail the Judge and titled "Pale Face Bao Zheng Ting" in Chinese. In the movie Stephen plays a descendant of Bao Zheng called "Bao Sing" living in Qing Dynasty, whose family lost its once glorious prestige due to generations of incompetence and corruption.
Some of the more prominent TV series include:
- Justice Bao (包青天), a 1974-1975 series produced by CTS totaling 350 episodes. Yi Ming portrayed Bao Zheng.
- Justice Bao (包青天), a 1993-1994 series produced by CTS with 41 cases totaling 236 episodes produced in one season. This would be the first series where Jin Chao-chun portrayed Bao Zheng.
- Young Justice Bao (侠义包公), a 1994 series produced by SBC and starring Zhou Chuming as young Bao Zheng.
- Justice Bao (包青天), a 1995 series produced by TVB and starring Ti Lung as Bao Zheng, with 16 cases totaling 80 episodes.
- Justice Bao (新包青天), a 1995-1996 series produced by ATV and starring Jin Chao-chun as Bao Zheng, with 25 cases totaling 160 episodes.
- Justice Bao (包青天), a 2008 Mainland series starring Jin Chao-chun as Bao Zheng, with 5 cases totaling 61 episodes.
- Justice Bao (包青天), an ongoing Mainland series starring Jin Chao-chun as Bao Zheng. The first season airing in 2010, three seasons totaling 120 episodes have been shown as of 2012.
In March 2012, Frederic Lenormand, author of 18 Judge Dee's New Cases (Fayard 2004-2011), published at Editions Philippe Picquier Un Thé chez Confucius (A Tea with Confucius), first novel of his new series, The Judge Bao Cases.
Comics and manga
In the Marvel comic series New Universal, Young Judge Bao is one of the characters in an in-universe comic book.
"Les éditions Fei" also publishes a series of French-language comics about Bao Zheng. As of August 2010, two volumes have been printed.
|Wikimedia Commons has media related to Bao Zheng.|
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- "Bao Zheng". China Culture. 2012. Retrieved 2013-05-29.
- 孔繁敏 (Kong Fan-Min) (1986). 包拯年谱 [Annals of Bao Zheng] (in Chinese). Anhui: Huangshan Publishing House. Retrieved 2012-02-19.
- (Chinese) Toqto'a et al., History of Song, vol. 316 (Bao Zheng)
- Wilt L Idema (2010). Judge Bao and the Rule of Law. Singapore: World Scientific Publishing. p. xi–xii.
- "Bao Zheng Shi Die Shou Kai Zuo Ji". China State Finance (1): 22–24. 1960.
- Susan Blader (1998). Tales of Magistrate Bao and His Valiant Lieutenants. Hong Kong: Chinese University of Hong Kong. ISBN 962-201-775-4.
- Wilt L. Idema. “The Pilgrimage to Taishan in the Dramatic Literature of the Thirteenth and Fourteenth Centuries.” Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 19 (Dec., 1997), pp. 23-57, p. 34
- Idema, Wilt L. (2010). Judge Bao and the Rule of Law: Eight Ballad-Stories from the Period 1250-1450. Singapore: World Scientific Publishing.
- West, Stephen H.; Idema, Wilt L. (2010). Monks, Bandits, Lovers, and Immortals: Eleven Early Chinese Plays. Indianapolis: Hackett Publishing Company.
- Yang Hsien-yi; Yang, Gladys (1958). Selected Plays of Kuan Han-Ching. Foreign Languages Press. OCLC 459980671.
- Hayden, George Allen (1978). Crime and Punishment in Medieval Chinese Drama: Three Judge Pao Plays. Cambridge University Press. ISBN 0674176081.
- Idema, Wilt L. (2010). Judge Bao and the Rule of Law: Eight Ballad-Stories from the Period 1250-1450. Singapore: World Scientific Publishing Company. ISBN 9814277010.
- Comber, Leon (1964). The Strange Cases of Magistrate Pao: Chinese Tales of Crime and Detection. Clarendon, Vermont: Charles E. Tuttle Company. ISBN 9810845677.
- Shi, Yukun; Yu, Yue; Song Shouquan (trans.) (2005). The Seven Heroes and Five Gallants. Esther Samson (ed.), Lance Samson (ed.). Beijing: Foreign Languages Press. ISBN 7507103587.
- Blader, Susan (1997). Tales of Magistrate Bao and His Valiant Lieutenants: Selections from Sanxia Wuyi. Hong Kong: The Chinese University Press. ISBN 9622017754.
- Li Yutang (1859). 萬花樓楊包狄演義 [Pavilion of Ten Thousand Flowers: The Romance of Yang, Bao and Di] (in Chinese). Beijing: Gold and Jade Publication House.
- Yuan Mei (2013). Zibuyu, What the Master Would Not Discuss. Paolo Santangelo and Yan Beiwen. Netherlands: BRILL.
- Royal Institute of Thailand (2009). พจนานุกรมคำใหม่ เล่ม 2 ฉบับราชบัณฑิตยสถาน [Royal Institute Dictionary of New Words, Volume 2] (pdf) (in Thai). Bangkok: Royal Institute of Thailand. p. 60. Retrieved 2014-06-19.
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- Chang Fu-jui (1976). "Pao Cheng". In Franke, Herbert. Sung Biographies. Franz Steiner Verlag. pp. 823–832. ISBN 3515024123.
- Another biography
- Chang Fu-jui (1976). "Pao Cheng". In Franke, Herbert. Sung Biographies. Franz Steiner Verlag. pp. 823–832. ISBN 3515024123.