Bap-Tizum is a 1972 live album by the Art Ensemble of Chicago recorded at the Ann Arbor Blues and Jazz Festival held at the Otis Spann Memorial Field and first released on the Atlantic label in 1972. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye.
[edit] Reception
The Allmusic review by Richard S. Ginell awarded the album 5 stars noting that "the Art Ensemble holds back nothing in a chaotic, meandering, exasperating, outrageous -- and, thus, always fascinating -- performance".[1]
Critic Michael G. Nastos calls the album "essential".[2] Author Rafi Zabor describes the album as a "riotous" real-life analogue to his depiction of a fictional, tumultuous Art Ensemble performance in The Bear Comes Home.[3]
[edit] Track listing
- "Nfamoudou-Boudougou" (Moye) - 4:16
- "Immm" (Favors) - 5:31
- "Unanka" (Mitchell) - 10:44
- "Oouffnoon" (Mitchell) - 3:25
- "Ohnedaruth" (Art Ensemble of Chicago) - 15:00
- "Odwalla" (Mitchell) - 5:42
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- Recorded September 9, 1972 at the Ann Arbor Blues and Jazz Festival, Michigan
[edit] Personnel
[edit] References
- ^ a b Ginell, R. G. Allmusic Review accessed July 27, 2011.
- ^ Nastos, Michael (1994). Wynn, Ron. ed. All Music Guide to Jazz. San Francisco: Miller Freeman. p. 48. ISBN 0879303085
- ^ Zabor, Rafi (1997). "A Listener's Guide". The Bear Comes Home. New York: W. W. Norton. p. 481. ISBN 039331863X. "For the best analogue - including specific compositions, flying obscenities, and perhaps even pistol shots - of the Art Ensemble's own appearance in these pages, I'd recommend the riotous Bap-tizum on Atlantic."
