Barbara Ess

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Barbara Ess (born 1948) is an American photographer who often uses a pinhole camera. She is also known for her No Wave musical and editorial work.


Ess earned a B.A. at the University of Michigan and attended the London School of Film Technique.


Barbara Ess is known primarily for her large-scale ambient and shadowy photographs that are often made with a pinhole camera. They are usually printed with just one earthy color, such as amber or muted blue-black.[1] They are shown internationally in solo and group exhibitions and reviewed extensively.

Her images are intentionally left vague and unresolved. As such, they initiate a range of emotions from dream anxiety and helplessness, to being captivated by a fantasy and the romantic aesthetic quality of her old-fashioned pinhole method.[2] Her pictures hark back to the nineteenth-century approach to fine-art photography known as Pictorialism and to the well-known amateur photographer Julia Margaret Cameron. The Pictorialists and Cameron often included nature, women, and children as subject matter, creating tableau vivant imagery that evoked moody, open-ended narratives.

Of her intent as a photographer, Ess has said, "In a way I try to photograph what cannot be photographed."[3]

She has received grants from LINE, Creative Artists Public Service Program, and Kitchen Media, and fellowships from Mid Atlantic Arts Foundation and National Endowment for the Arts (photography).

She teaches photography at Bard College since 1997.


Ess has performed and recorded post-punk music with bands since 1978, including The Static, Disband and Y Pants. She often performed at art galleries, at the Mudd Club and at Tier 3. Ess remained musically active throughout the 1980s, contributing tracks to Tellus Audio Cassette Magazine and collaborating with Peggy Ahwesh on 2001's Radio Guitar for the Ecstatic Peace! label.

Editorial work[edit]

Barbara Ess, along with Glenn Branca, organized and edited Just Another Asshole, a short-lived no wave art/music/sound art magazine publication project launched from the Lower East Side of Manhattan in the early 1980s.

Just Another Asshole: The Book[edit]

Just Another Asshole book cover

Anthologies [4] played a major part in defining the various attitudes of downtown no wave work.[5] Just Another Asshole #6 is often cited as one of these seminal writing compilations.[6] Edited with Glenn Branca, the sixth issue of this downtown magazine outlines the variety of styles and aesthetics that were developing in the early 1980s. Included in the issue are works by Kathy Acker, Eric Bogosian, Mitch Corber, Brian Buczak, Jenny Holzer, Cookie Mueller, Richard Prince, Joseph Nechvatal, Judy Rifka, David Rattray, Arleen Schloss, Kiki Smith, Tod Jorgenson, Lynne Tillman, Anne Turyn, Ann Rower, Reese Williams, David Wojnarowicz, and others.

Just Another Asshole: The LP[edit]

Just Another Asshole #5 (1981) was a compilation anthology LP that was released in 1981. A CD reissue was released in 1995 on Atavistic Records.


See also[edit]


  1. ^ no title 1989 Barbara Ess
  2. ^ I am Not This Body: The Pinhole Photographs of Barbara Ess by Guy Armstrong, Michael Cunningham, Thurston Moore and Barbara Ess (Jun 15, 2005)
  3. ^ Andrea Karnes,"Barbara Ess," Camera Austria 27 (October 1988): 17
  4. ^ [1] No Wave anthology books listed in the collection of the NYU Library
  5. ^ David Little, Colab Takes a Piece, History Takes It Back: Collectivity and New York Alternative Spaces, Art Journal Vol.66, No. 1, Spring 2007, College Art Association, New York, pp. 60-74
  6. ^ Carlo McCormick, "The Downtown Book: The New York Art Scene, 1974–1984", Princeton University Press, 2006


  • Andrea Karnes, "Barbara Ess," Camera Austria 27 (October 1988): 17
  • no title 1989 Barbara Ess
  • Carlo McCormick, "The Downtown Book: The New York Art Scene, 1974–1984", Princeton University Press, 2006