Barbara Wright (translator)
|This article does not cite any references or sources. (July 2012)|
Wright, born in Worthing, orphaned in 1930, went to the Godolphin School in Salisbury and studied music at the Conservatoire with Alfred Cortot and art in Paris in the years before World War II. She began her career as a pianist specialising in the accompaniment of Lieder, supporting herself by working as an art and literary critic, often needing to translate the works that she was writing about herself. This soon led to the discovery that translating literature employed the same faculties that she utilised as a pianist — the ability to present artistic works to an audience in a manner acceptable and satisfying to the composer or writer and honest in their interpretation. She then devoted her time to translation.
She specialised in "poetic prose" and drama, especially French surrealist and existential writing, but she translated works in several genres including women's literature, historical fiction, and fantasy. In 1986 she was made a Commandeur in L'Ordre des Arts et des Lettres. In April 2001 she was made a member of the College of Pataphysics, as Régente de Zozologie Shakespearienne, with Fernando Arrabal and Umberto Eco (cacopédiste) as company. She was vibrant and lucid to the very end.
Her literary translation papers are held by the Lilly Library at Indiana University (Bloomington). The files are arranged alphabetically with publisher correspondence and French author–translation queries and notes all in a single alphabet. The authors she has translated and who are represented in the collection include Jean Hamburger (Le Journal de William Harvey), Eugène Ionesco, Alfred Jarry, Pierre Lauer, Robert Pinget, Raymond Queneau, Nathalie Sarraute and Stefan Themerson. The publishers of Wright's works, with whom there are extensive correspondence files, include the Gaberbocchus Press, John Calder, Doubleday, Faber & Faber, New Directions, the Atlas Press and Red Dust. Also present is a large file of correspondence between Wright and Russell Fitzgerald, an aspiring author and devoted fan of her work from San Francisco, California.
from Renouard & Kelly below.
Raymond Queneau: The Trojan Horse; At the Edge of the forest. 1954.
Christian Dietrich Grabbe: Comedy, Satire. Irony and Deeper Meaning. 1955.
Pol-Dives: The Song of Bright Misery. 1955.
Monique Lange: The Catfish in New Writers 1. 1960.
Fernando Arrabal: Orison; The Two Executioners; Fernando and Lis; The Car Cemetery in Plays. vol. 1 1962.
Andrée Martinerie: Second Spring. 1962.
Alain Robbe-Grillet: Snapshots and Towards a New Novel. 1965.
Marguerite Duras: The Long Absence. 1966.
Raymond Queneau: Between Blue and Blue. 1967.
Fernando Arrabal: Guernica; The Labyrinth; The Tricycle; Picnic on the Battlefield; The Condemned Man's Tricycle in Plays. vol. 2. 1967.
Raymond Queneau: A Blue Funk and Dino in French Writing Today. 1968.
Alain Robbe-Grillet: In the Corridors of the Underground in French Writing Today. 1968.
Raymond Queneau: The Bark Tree. 1968.
Alain Robbe-Grillet: The Secret Room in The Penguin Book of French Short Stories. 1968.
André Couteaux: Portrait of the Boy as a Young Wolf/My Father's Keeper. 1968.
Roland Dubillard: The Swallows. 1969
Roland Dubillard: The House of Bones. 1971.
Jean Genet: The Balcony. 1971.
Pierre Lauer: The Suns of Badarane. 1971.
Robert Pinget: The Libera Me Domine. 1972
Raymond Queneau: The Flight of Icarus. 1973.
Yves Klein: Selected Writings. (in part). 1974
Robert Pinget: Recurrent Melody. 1975.
Ludovic Janvier: The Bathing Girl (revision of translation by John Matthew). 1976
Raymond Queneau: The Sunday of Life. 1976.
Sylvia Bourdon: Love is a Feast. 1977.
Tristan Tzara: Seven Dada Manifestoes and Lampisteries. 1977.
Robert Pinget: Passacaglia. 1978.
Roland Topor: Leonardo Was Right. 1978
Herbert Le Porrier: The Doctor From Cordoba. 1979.
Simone Benmussa: The Singular Life of Albert Nobbs. 1979
Robert Pinget: Fable. 1980.
Nathalie Sarraute: It is There and other plays. 1980
Simone Benmussa: 'Appearances' in Gambit No. 35. 1980
Muriel Cerf: 'Blitz-Fortune' in Real Life - Writers from Nine Countries Illuminate the Life of the Modern Woman. 1981
Raymond Queneau: We Always Treat Women Too Well. 1981
Robert Pinget: Between Fantoine and Agapa. 1982.
Robert Pinget: That Voice. 1982.
Nathalie Sarraute: The Use of Speech. 1982
Nathalie Sarraute: Childhood. 1983
Romain Gary: King Solomon. 1983
Michel Tournier: The Fetishist and Other Stories. 1983
Robert Pinget: Someone. 1984.
Henri Guigonnat: Daemon in Lithuania. 1985
Eugène Ionesco: Journeys Among the Dead. 1985
René de Obaldia: Monsieur Klebs and Rosalie in Plays Vol. 4. 1985
Michel Tournier: A Garden at Hammamet. 1986
Robert Pinget: The Apocrypha. 1986.
Pierre Albert-Birot: The First Book of Grabinoulor.1986
Robert Pinget: Abel and Bela.. 1987.
Michel Tournier: 'The Golden Droplet. 1987
Raymond Queneau: Pierrot Mon Ami. 1987.
Robert Pinget: Monsieur Songe with The Harness, Plough. 1988.
Robert Pinget: A Bizarre Will. 1989.
Elisabeth Badinter: The Unopposite Sex [Man/Woman: The One is the Other]. 1989
Raymond Queneau: The Last Days. 1990.
Raymond Queneau: Alfred in Journal of Literary Translation. vol. XXIII. 1990
Liliane Siegel: In the Shadow of Sartre. 1990
Nathalie Sarrraute: You Don't Love Yourself. 1990
Robert Pinget: The Enemy. 1991.
Michel Tournier: Totems. 1991
Michel Tournier: The Midnight Love Feast. 1991
Pascal Quignard: Georges de La Tour. 1991
Jean Genet: The Balcony. 1991
Patrick Modiano: Honeymoon. 1992
Jean Hamburger: The Diary of William Harvey. 1992
Robert Pinget: Be Brave. 1994.
Robert Pinget: Theo, or The New Era. 1994.
Alberto Giacometti: The Dream, The Sphinx and The Death of T. in Grand Street in Space No. 54. 1995
Coline Serrau: Lapin, Laoin. 1995
Jean Rouaud: Of Illustrious Men. 1996
Nathalie Sarraute: Here. 1997
Jean Rouaud: The World, More or Less. 1997
Stefan Themerson: Fragments From Darkness. 1998
Robert Pinget: Traces of Ink. 1998.
Aude Yung-de Prévaud: Jacques & Lotha. 2000
Raymond Queneau: Five Stories: Panic; Dino; At the Edge of the Forest; A Blue Funk; The Trojan Horse. 2000.
Pierre Albert-Birot: 31 Pocket Poems. 2003
Raymond Queneau: Introduction and comments with extracts from Zazie, Pierrot, and The Flight of Icarus, in "Tolling Elves 5" February 2003 to celebrate Queneau's centenary.
Robert Pinget: Trio (Between Fatoine and Agapa, That Voice, Passacaglia). 2005.
publication of script for radio adaptation of Exercises in Style broadcast on 25 December 1959 by the B.B.C. with introduction by Barbara Wright. 2006.
Robert Pinget: Film script: 15 Rue des Lilas. in Renouard & Kelly. 2013
Also various plays, libretti (three by Mozart), artists' manifestos, composers' programme notes, introductions, forewords and postscripts.
Barbara Wright: Translation as Art. edited by Madeleine Renouard and Debra Kelly. Dalkey Archive Press. 2013