Baroque guitar

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The guitar player (c. 1672), by Johannes Vermeer

The Baroque guitar is a guitar from the baroque era (c. 1600–1750), an ancestor of the modern classical guitar. The term is also used for modern instruments made in the same style.

The instrument was smaller than a modern guitar, of lighter construction, and had gut strings. The frets were also usually made of gut, and tied around the neck. A typical instrument had five courses, each consisting of two separate strings although the first (highest sounding) course was often a single string, giving it a total of nine or ten strings.

The conversion of all courses to single strings and the addition of a bass E-string occurred during the era of the early romantic guitar.

Contents

[edit] Tuning

Three different ways of tuning the guitar are well documented in seventeenth century sources as set out in the following table. This includes the names of composers who are associated with each method. Very few sources clearly indicate that one method of stringing rather than another should be used and it may have been up to the player to decide what was appropriate.


Composer Tuning
[Ferdinando Valdambrini] (Italy, 1646/7)

[Gaspar Sanz] (Spain, 1674)

Accord sanz.png
[Francesco Corbetta] (Italy/France/England, 1671)

[Antoine Carre] (France, 1671)

[Robert de Visée] (France, 1682) [1]

[Nicolas Derosier] (Netherlands, 1690)

Accord de visee.png
[Girolamo Montesardo] (Italy, 1606)

[Benedetto Sanseverino] (Italy, 1620)

[Francisco Guerau] (Spain, 1694)

Accord montesardo.png

[edit] Repertoire

[edit] Baroque guitar maker

[edit] Historic baroque guitar makers

The Voboam family, Paris, France.

[edit] Modern baroque guitar makers

  • R.E.Brune
  • Stephen Barber and Sandi Harris
  • Daniel Larson
  • John J van Gool
  • Martin de Witte
  • Jaume Bosser

[edit] Baroque guitarists

[edit] Historic performers

David Ryckaert III (Antwerp 1612–1661) kiran

[edit] Modern performers

[edit] External links

[edit] References

  1. ^ Dans son Livre de guitare dédié au roy Robert de Visée indique « ...il ne faut pas oublier une octave à la quatrième corde, elle y est très nécessaire »

[edit] Bibliography

  • Monica Hall: Baroque guitar stringing : a survey of the evidence (Guildford:The Lute Society, 2010) ISBN 0-905655-40-0
  • Monica Hall : Recovering a lost book of guitar music by Corbetta (In Consort : the journal of the Dolmetsch Foundation, Vol. 61 (2005) ISSN 0268 9111
  • Monica Hall  : The "Guitarra espanola" of Joan Carles Amat (In Early Music, Vol. 6, no. 3, July, 1978)
  • Monica Hall : Dissonance in the guitar music of Francesco Corbetta (In Lute : the journal of the Lute Society, Vol. XLVII (2007) ISBN 978-0905655-75-3
  • Monica Hall : Angiol Bartolotti's Lettere tagliate (In Lute  : the journal of the Lute Society, Vol. XLVII (2007) ISBN 978 0905655 75 3
  • Monica Hall : Tuning instructions for the baroque guitar in Bibliotheque Nationale Res. Vmc Ms. 59, f. 108v (In Lute : the journal of the Lute Society, Vol. XLVII (2007) ISBN 978-0905655-75-3
  • Antoni Pizà: Francesc Guerau i el seu temps (Palma de Mallorca: Govern de les Illes Balears, Conselleria d'Educació i Cultura, Direcció General de Cultura, Institut d'Estudis Baleàrics, 2000) ISBN 84-89868-50-6
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