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|Born||Seattle, Washington, United States|
|Spouse(s)||Michelle Shocked (1992-2004)|
Bart Bull is an American writer, reporter, author, columnist, and critic.
Bull was the editor of Sounds, a free monthly Phoenix-based music newspaper, in the mid-1970s, West Coast Editor of Spin from 1985 to 1988, West Coast editor of Vogue, West Coast editor and a founder of Details. He co-founded Browbeat, first American xerox-punk fanzine, with David Wiley in early summer 1977. He managed The Consumers (1977), an obscure but increasingly acclaimed early American punk band from Phoenix, Arizona. He has written for publications including the Washington Post, Arizona Republic, New York Times, Harper's Bazaar, The Village Voice, The Face, and GQ.
From the earliest days of his work, Bull chronicled subcultures, with pioneering reporting on skateboarding, cockfighting, lowriders, punk, cowboy and rodeo culture, hiphop, heavy metal and others. Throughout his reporting career, he has covered issues that would typically be considered "metro desk" stories, while presenting them in a manner more typical of magazine feature writing.
A list of the individuals Bull has profiled include Muddy Waters, John Lee Hooker, Al Green, Buck Owens, James Stewart, Walter Matthau, Ian Dury, David Lynch, Bruce Springsteen, Bill Graham, Tracey Ullman, Tobe Hooper, Buckminster Fuller, Tom Waits, William S. Burroughs, Sun Ra, Prince, Clifton Chenier, Ofra Haza, Steve Miller, Jackson Browne, John Fogerty, Steve Martin, Elvis Costello, Richard Farnsworth, Dwight Yoakam, Joe Ely, Joan Baez, Peter Tosh, Laura Dern, Jeff Beck, Frank Zappa, Michael Jackson, Ed "Big Daddy" Roth, Allen Ginsberg, Amiri Baraka, Carlos Santana, and Patti Smith. He edited and introduced Clarence "Gatemouth" Brown's memoir, All About Me, working to preserve the visionary musician's self-created spellings and syntax.
He was married to singer-songwriter Michelle Shocked from 1992 to 2004, after a three-year engagement. During this period, he organized her departure from Mercury/London/Polygram/Phonogram records worldwide, while overseeing and re-organizing her publishing, recording, touring, and media career. This eventually led to a notable use of the Thirteenth Amendment to the United States Constitution (the so-called "Anti-Slavery Amendment") to secure her release from contracts, and ownership of all artistic materials, and the founding of a pioneering artist-owned multi-faceted music business operation.
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