Bat Out of Hell III: The Monster Is Loose

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Bat Out of Hell III: The Monster is Loose
Cover shows a muscular long-haired, blond man wielding a sword, while a skimpily clad woman lies by fallen pillars.
Studio album by Meat Loaf
Released October 20, 2006 (Ireland)
October 23, 2006 (UK)
October 31, 2006 (US)
Recorded 2005–2006
Genre Hard rock, heavy metal
Length 77:28
Label Mercury (UK)
Virgin (US)
Producer Desmond Child
Meat Loaf chronology
Live with the Melbourne Symphony Orchestra
(2004)
Bat Out of Hell III: The Monster Is Loose
(2006)
Hang Cool Teddy Bear
(2010)

Bat Out of Hell III: The Monster is Loose is the tenth studio album by Meat Loaf, the third and last in the Bat Out of Hell series. It was released in October 2006, 29 years after Bat Out of Hell (1977), and 13 years after Bat Out of Hell II: Back Into Hell (1993).

Produced by Desmond Child, it is the only Bat album not involving Jim Steinman in its production. The album was subject to a legal dispute between Meat Loaf and Steinman, who had registered the phrase "Bat Out of Hell" as a trademark and attempted to prevent the album using the phrase. In the end, seven songs that Steinman wrote for various other projects were included.

As with its predecessors, the album received mixed reviews. A tour, named "Seize the Night tour", followed the release, concentrating upon songs from the Bat albums.[1]

History[edit]

According to a Reuters report, Meat Loaf and Steinman started working on an album in 2001.[2] During the concerts in his Hair of the Dog tour, Meat Loaf made a point to mention that he and Steinman were putting out a new album.

The composer suffered some health setbacks around 2004. Meat Loaf says that "lawyers worked for over a year putting together a contract for Steinman to do Bat Out of Hell III. It was one of the best producer's contracts in the history of the record business." Ultimately, according to the singer, Steinman was not well enough to work on such an intense project and made what he calls the "selfish" decision to go ahead without him. In promotional interviews he said that he did not want to wait a year and a half just to find out that Steinman was still unfit.[3] Describing himself as a "really loyal person," Meat Loaf says that "the decision not to use Steinman has taken its toll on me."[2]

However, in 2006, David Sonenberg, Steinman's manager, said:

Jim's health is excellent. That's not the reason he didn't participate in (Bat III). He had some meaningful health problems about four years ago, but he's been totally healthy the last couple of years. His health in no way impacted on his involvement in the Bat Out of Hell project.[2]

The development problems and confusion over Steinman's involvement is a result of a dispute of the trademark "Bat Out of Hell", which Steinman registered in 1995.[4] Meat Loaf sued Steinman and his manager, in a complaint filed May 28, 2006 in federal District Court in Los Angeles, California, for $50 million and to prevent further use by the writer/producer.[5]

Meat Loaf has stated that he contributed lyrics to "Bat Out of Hell". He had used the phrase extensively for tours, to which Steinman had never objected "until a recent falling out."[4] Steinman and his representatives approached Meat Loaf's labels, Universal and Virgin, asserting trademark ownership and threatening litigation[4] to prevent the album's release.[6] An agreement was reached in Summer 2006. According to Virgin, "the two came to an amicable agreement that ensured that Jim Steinman's music would be a continuing part of the 'Bat Out of Hell' legacy."[7] In promotional interviews, Meat Loaf has played down the dispute with Steinman, pointing out that it was over in three weeks and was purely for the sake of business.

I consider him to be one of my best friends but the real thing is about managers: I think Steinman's manager is the devil and Steinman feels the same way about my manager. So, we had to communicate through managers and he refused to sign some papers that would have allowed for the recording of Bat Out Of Hell III without a hitch. So, really, I didn't sue Jim Steinman. I sued his manager.[6]

Despite the fact that Steinman was not involved in the recording or production, the album does include seven of his songs, five of which are covers of previously released songs. The other two were covers of Steinman's demos intended for musical theater projects, at the time unreleased. The agreement enabled Steinman to work on a musical theatre project based on all of the songs from Bat Out of Hell. Describing the project as "Cirque du Soleil on acid," in September 2007, he expected it to open in London in 2010.[8]

Production[edit]

Meat Loaf had announced that Michael Beinhorn was producing the record, but Desmond Child took the helm. The singer reports that Child would say things that made him think he was sitting next to Steinman.[9] Child began recording sessions by playing Slipknot CDs to get the assembled musicians in the mood.[2] In addition to musicians from his touring band, the Neverland Express, several guest players contributed to the album. Meat Loaf says, "I didn't just want to bring in rock players — I wanted to go to extreme rock people" resulting in an album that "has all the touches of the other two Bats, but it's much more of a rock album."[2] Child says, that one of the most memorable experiences working on the album was working with Brian May, who played on "Bad for Good".[10] The album also featured guest performances by John 5, Steve Vai and John Shanks.

Meat Loaf says that he does not enjoy recording in studios. He compares the process to "going to the dentist and having root canal everyday." Whereas you really have to be flat for people to notice it in a live show, in a studio, every "nuance is under a microscope... and I'm a perfectionist who knows that there's no such thing as perfection but I try to get as close as I can."[3]

Todd Rundgren, who produced the first album and arranged all of the background vocals for Bat II, arranged the background vocals for three tracks. In a promotional interview for the album Rundgren has said "continuity is an important thing."[10] However, in another interview he said that his contribution was considerably less than on some earlier Meat Loaf albums.

And by the time they got it all organized and figured out, there were really only a couple of songs left for me to do anything on. So I came into L.A. for a couple of days and Kasim... came in, as was the routine, and we did maybe three songs... just so that I’d have a few fingerprints on the record. I think someone, maybe Meat Loaf, said that to keep everything covered, I had to be in there somewhere... but not necessarily running the whole thing. So my involvement was pretty much peripheral.[11]

The album features three duets. Norwegian vocalist Marion Raven duets on "It's All Coming Back to Me Now". "What About Love?" features Patti Russo, who has toured with Meat Loaf for over thirteen years. Finally, Jennifer Hudson performs on "The Future Ain't What It Used to Be".

Compositions[edit]

The album opens with the title track. "The Monster Is Loose" is highly influenced by the Gothic style of John 5, who plays the main guitar parts. The song is very heavy and continues Meat Loaf's association with Major League Baseball established with Phil Rizzuto's commentary on "Paradise by the Dashboard Light."[2] "Blind as a Bat", written by Desmond Child, tells about how one is thankful for the love another has given him, even after he has done deeds to suggest that he does not deserve such love.[12]

This clip features the beginning of the final chorus, displaying Raven's harmonies.

Problems playing this file? See media help.

According to Steinman, "It's All Coming Back to Me Now" was inspired by Wuthering Heights, and was an attempt to write "the most passionate, romantic song" he could ever create.[13] In interviews, Meat Loaf has said that, in his mind, the song was always meant to be a duet.[14] Norwegian artist Marion Raven, who had been working on her solo album with Child, was chosen because the timbre of her voice starkly contrasts to Meat Loaf's.[15]

"Bad for Good" was one of the many songs written by Steinman under the inspiration of Peter Pan and lost boys who never grow up.[16] This is reflected in lyrics such as "You know I'm gonna be like this forever/I'm never gonna be what I should." The song was written to appear on the follow-up to Bat Out of Hell, but which Steinman recorded himself. Because of this, Meat Loaf was aware that there is a "core of fans that know that song," so he "had that under the microscope more than any other on the album."[10]

"Cry over Me" is, according to Meat Loaf, a timeless song dealing with relationships of all kinds. In a 2007 interview, he says that it can be about your first or last loves, or dealing with your boss at work. Partially quoting the lyrics, the singer posits that there are times when "you want him to feel exactly like I felt when he said that to me."[3]

The Guardian says "In the Land of the Pig (The Butcher Is King)" is "five Olympian minutes crying out for a full production at Glyndebourne."[17] Guitarist Steve Vai describes it as "very Gothic; almost terrifying."[10] It is about the intense power over subordinates:

Can't you hear the choir now?
Listen to the animals sing.
Can't you hear the slaughterhouse bells?
In the land of the pigs the butcher is king.

"Monstro" is a bombastic orchestral piece layered with chorals that lead into the piano introduction to "Alive." Meat Loaf decided to hire Desmond Child when he revealed that he had written "Alive" especially for the album. The song refers to how the singer has overcome difficult periods in his life.[15]

"What About Love", a piano-based duet with Patti Russo, is a sexually charged song that echoes "Paradise by the Dashboard Light" from the 1977 album. Here, though, the singers are singing about love throughout, not bitterness. The final verse contains the most explicit lyrics about their first sexual encounter.

[Boy:]
I can't forget the feeling of your sweat upon my skin.
And the tremble of your body on the day you let me in...
[Girl:]
On a summernight's surrender with nothing to lose.
You were scared and so was I when I gave myself to you...

"Seize the Night" has a strong orchestral foundation underneath the lead vocals and a choir. A duet with Jennifer Hudson, "The Future Ain't What It Used to Be" is a pessimistic song based upon the myth that Pandora closed her jar before allowing "hope" to escape (the song first appeared on the only album performed by female group Pandora's Box). The lyrics reveal the hopelessness of the past (Were there ever any stars in the sky?) and the future (There's nothing so sad as a tomorrow gone bad).

The final song of the Bat trilogy is a short one written by Steinman. A few lyrics of Cry to Heaven begin rather sweet, but turning rather bitter: (Cry baby cry/Cry, cry to heaven/If that doesn't do it for you/Go ahead and cry like hell.) The two parts are bridged by an instrumental dominated by an Irish flute.

Cover and booklet[edit]

The cover follows the style of the previous two albums called Bat Out of Hell. Julie Bell designed the cover and the artwork that appears alongside the lyrics in the booklet. She also supplied the art for the "It's All Coming Back To Me Now" single. The cover features the biker from the first two covers about to slay the giant bat from the second cover.[18] Like the first two Bat albums, Steinman's songwriting is credited on the cover, this time shared with Desmond Child.

The booklet contains all of the lyrics to the songs, each page featuring a small illustration. The CD liner contains a dedication "For thirty years of friendship and inspiration, Bat Out of Hell III is dedicated to Jim Steinman."

Reception[edit]

Professional ratings
Review scores
Source Rating
Allmusic 2/5 stars link
The Guardian 4/5 stars link
The Independent 2/5 stars link
NeuFutur 6.5/10 stars link
Q 4/5 stars
Rolling Stone 2/5 stars link

The album debuted at #8 on the Billboard 200 and sold about 81,000 copies in its opening week, his best since Bat Out of Hell II: Back Into Hell.[19] However, it slipped to #60 after three weeks. The album also reached #3 in the UK charts, but quickly fell off.

Q gave the album a positive review, calling it "the second-best album to bear the 'Bat' name", and saying that Child did an 'impressive recreation of Steinman's Andrew Lloyd Webber-on-steroids approach', while the album was "overblown, frequently ridiculous and largely devoid of irony." They were unimpressed with the title track, suggesting that 'whoever decided it would be a good idea for Meat Loaf to tackle nu metal... should be tarred and feathered." Q did, however, praise the "operatic" vocals and May's "fabulously hysterical guitar" on the track "Bad for Good".[20] The Village Voice named it as 'Album of the Year This Week', calling it "absurdist, righteous majesty".[21]

Some reviews lamented Steinman's absence. According to Allmusic, "this Bat is quite obviously a patchwork, pieced together from things borrowed and recreated, never quite gelling the way either of the previous Bats did." They criticized "The Monster Is Loose" as a "disarming, a grindingly metallic riff-rocker that sits very uncomfortably next to Steinman's "It's All Coming Back to Me Now", and Child as "a professional who is playing a game without bothering to learn the rules." On the other hand, the review commended Meat Loaf's voice: he sings "his heart out as he valiantly tries to make this Bat a worthy successor to the originals."[22]

Singles and music videos[edit]

"It's All Coming Back to Me Now" was the first song released as a single. It reached number one in Raven's native Norway, and the top ten in both the UK and Germany.[23] "Blind As a Bat" was scheduled to be released in the UK on December 18, but was then put back to February 26, as two CDs.[24] In turn, this single was pulled at the last minute, in favor of "Cry Over Me", which was released on May 7, 2007.[25]

Head and shoulders photo of a short haired, stock man with a frown on his face. A woman is wailing in the background.
Meat Loaf's character mourning that of Marion Raven, in the 2006 video directed by P. R. Brown.

P. R. Brown directed the videos for "It's All Coming Back to Me Now" and "Cry over Me."[3][26] "It's All Coming Back..." is an elaborate production, in which Meat Loaf is being haunted by the memory of his dead lover. Told in flashback, Raven's character crashes her car to avoid a man standing in the road. She sings as an unseen spirit following Meat Loaf. It echoes Steinman's comments that the song is about the "dark side of love" and the "ability to be resurrected by it."[27]

The video for "Cry over Me" had the lowest budget since those for the original album. A simple video, Meat Loaf has said that it only took four hours to film.[3] The music video for "The Monster Is Loose" consists of animation. Its storyline is about a biker who rescues a girl from an enormous bat-like creature.

The videos for "It's All Coming Back to Me Now", "Cry over Me" and "The Monster Is Loose" are included as bonus features on the 3 Bats Live DVD, released in October 2007.

Track listing[edit]

No. Title Writer(s) Length
1. "The Monster Is Loose"   John 5/Desmond Child/Nikki Sixx 7:12
2. "Blind as a Bat"   Child/James Michael 5:51
3. "It's All Coming Back to Me Now" (Duet with Marion Raven) Jim Steinman 6:05
4. "Bad for Good" (Featuring Brian May) Jim Steinman 7:33
5. "Cry Over Me"   Diane Warren 4:40
6. "In the Land of the Pig, the Butcher Is King"   Jim Steinman 5:38
7. "Monstro"   Elena Casals/Child/Holly Knight 1:39
8. "Alive"   Child/Knight/Michael/Andrea Remanda 4:22
9. "If God Could Talk"   Child/Marti Frederiksen 3:46
10. "If It Ain't Broke, Break It"   Jim Steinman 4:50
11. "What About Love?" (Duet with Patti Russo) Child/Frederiksen/John Gregory/Russ Irwin 6:03
12. "Seize the Night"   Jim Steinman 9:46
13. "The Future Ain't What It Used to Be" (Duet with Jennifer Hudson) Jim Steinman 7:54
14. "Cry to Heaven"   Jim Steinman 2:22

All of the Jim Steinman songs were written for other projects. Like Bat II,[28] the album contains two songs ("It's All Coming Back..." and "The Future Ain't What It Used to Be") that originally appeared on Original Sin, Steinman's 1989 concept album with Pandora's Box. Steinman's demo of "In the Land of the Pig, the Butcher Is King" was part of the preparations for the unrealized Batman: The Musical project. Steinman's "Cry to Heaven" demo was intended for the possibility that Steinman would provide songs for a musical based on the film Cry-Baby. Cry-Baby has since been staged, but without any work from Jim Steinman. "Bad for Good" was featured as the title track on Steinman's 1981 album. Some of the songs on the Bad for Good album were once intended to be a Meat Loaf solo album. "Seize the Night" first appeared as "Carpe Noctem" in the German language musical Tanz der Vampire. It was also performed in English in the 2002 Broadway show called Dance of the Vampires, and demos of the song in English became widely available around that time. "If It Ain't Broke, Break It" first appeared in the MTV film Wuthering Heights, and a recording of the song was released on the soundtrack CD for the film.

Alternative releases[edit]

A limited edition was released with an accompanying DVD, containing a short "making of" featurette, the animated trailer, and "The Monster Is Loose" career montage video. The US version also includes a photo gallery and the "It's All Coming Back to Me Now" video.

Best Buy's version of the album came with an exclusive bonus track: a live version of "Testify" (from Couldn't Have Said It Better). This track was originally announced to be on the CD itself, but Best Buy opted to include an insert in the packaging giving customers a code to download the song. Circuit City's version came with an exclusive downloadable track: a live version of "Life Is a Lemon and I Want My Money Back". Target released a "Limited Tour Edition" with a concert ticket pre-sale offer. Wal Mart released the album as part of an exclusive 2-pack with the Meat Loaf Bat Out of Hell Classic Albums DVD.

The version of the album available from Apple's iTunes Store includes two bonus tracks, a live version of "I'd Do Anything for Love", recorded at a concert in Australia, and "Heads Will Roll", sung by Marion Raven from her EP of the same name.

Tour[edit]

Meat Loaf embarked on a 112 date world tour to promote the album. He performed a concert performing some songs from all three Bat Out of Hell albums on October 16 at London's Royal Albert Hall, and performed many of those songs on the rest of his tour as well. He also performed a "Bat on Broadway" performance on November 2, 2006 at New York's Palace Theater, as well as shows in Toronto, Atlantic City, Uncasville, and Mexico City.

Marion Raven joined Meat Loaf for the first leg of his 2007 tour, Seize the Night tour. She was the supporting act, promoting her Set Me Free album. Meat Loaf introduced her on stage at the latter stages of the concerts to duet on "It's All Coming Back to Me Now".[29]

A DVD of the tour was released in October 2007, entitled 3 Bats Live. It also contains a bonus disc featuring the promotional videos and animations from Bat III.

Portions of the tour were captured on film in the Theatrical Documentary Meat Loaf: In Search of Paradise, directed by Bruce David Klein, which was released in 2008.

Certifications[edit]

Country Certification Sales/shipments
Canada Gold[30] 50,000
United States Gold 500,000

Personnel[edit]

The Neverland Express[edit]

Regular Meat Loaf Studio Sidemen[edit]

Session Musicians[edit]

  • Corky James – guitar
  • David Levita – guitar (track 3)
  • Clint Walsh – guitar (track 6)
  • Dan Warner – guitar (tracks 3, 14)
  • Rusty Anderson – guitar (tracks 8, 11-13)
  • Eric Sardinas – electric slide guitar solo (track 10)
  • Matt Rollings – piano, organ (tracks 2, 6, 10, 13)
  • Bettie Ross – pipe organ (tracks 7, 8, 12)
  • Randy Canto (track 10), Doug Emery (track 14), Harry Sommerdahl (tracks 2, 7, 9, 10), Chris Vrenna (track 6) – programming
  • Stephanie Bennett – harp (tracks 6, 14)
  • Eric Rigler – Irish flute (track 14)
  • Gary Grant, Steve Madaio – trumpet (track 10)
  • Tom Saviano – tenor saxophone (track 10)
  • Don Marchese – baritone saxophone (track 10)
  • Victor Indrizzo – drums (tracks 1, 3-5, 9)
  • Lee Levin – percussion (track 14)
  • Graham Phillips – boy soprano (tracks 7, 13, 14)
  • Becky Baeling (track 11), Andreas Carlsson (track 8), Desmond Child, Marti Frederiksen (track 11), Diana Grasselli (tracks 2, 7, 13, 14), John Gregory (tracks 3, 11), Storm Lee, Jeanette Olsson, Jason Paige, Keely Pressly (track 3), Camile Saviola (track 10), Maria Vidal (track 13) – backing vocals
  • Barbara Allen, Vernon Allen, Esther Austin, Bonita Brisco, Cheryl Brown, Sonya Byous, Jessica Jones, Joseph Powell, Sandra Stokes, Roshuan Stovall – gospel choir (tracks 8, 13)

Guest performers[edit]

Orchestra[edit]

  • David Campbell – arranger/conductor on multiple tracks
  • Roberto Cani, Darius Campo, Mario de Leon, Joel Derouin, Bruce Dukov, Armen Garabedian, Berj Garabedian, Endre Granat, Gerardo Hilera, Sharon Jackson, Peter Kent, Songa Lee-Kito, Natalie Legget, Sid Page, Alyssa Park, Michelle Richards, Haim Shitrum, Tereza Stanislav, Sarah Thornblade, Philip Vaiman, Josefina Vergara, John Witenberg, Ken Yerke – violin
  • Denyse Buffum, Brian Dembow, Andrew Duckles, Matt Funes, Marda Todd, Evan Wilson – viola
  • Larry Corbet, Suzi Katayama, Steve Richards, Daniel Smith – cello
  • Nico Abondolo, Michael Valerio – double bass
  • Rick Baptist, Wayne Bergeron, Charles Findley, John Fumo, Jon Lewis – trumpet
  • Steven Holtman, Alan Kaplan, Bill Reichenbach Jr.trombone
  • William Reichenbach, Douglas Tornquist – bass trombone
  • Steven Becknell, Joe Meyer, John Reynolds, Brad Warnaar – French horn
  • Douglas Tornquist – tuba
  • Earle Dumbler – oboe
  • MB Gordy – orchestral percussion

References[edit]

  1. ^ Cohen, Jonathan. "Meat Loaf Awakens The Beast For 'Bat III'". Billboard. Archived from the original on 2007-09-29. Retrieved 2006-09-25. 
  2. ^ a b c d e f Graff, Gary (2006-10-28). "Meat Loaf unleashes "Bat" for third flight". Reuters. Archived from the original on 17 October 2007. Retrieved 2007-09-11. 
  3. ^ a b c d e Meat Loaf (May 2007). Interview with Ruth Langsford & Phillip Schofield. This Morning. ITV1. London.  Missing or empty |title= (help)
  4. ^ a b c Butler, Susan. "Meat Loaf Sues Over 'Bat Out Of Hell'". Billboard. Retrieved 2006-09-25. 
  5. ^ "MEAT LOAF BATTLES FOR BAT OUT OF HELL TRADEMARK". contactmusic.com. 2006-06-06. Retrieved 2006-11-14. 
  6. ^ a b Othman, Zul (2006-10-26). "Man out of hell". ChannelNews Asia. Archived from the original on 16 November 2006. Retrieved 2006-11-14. 
  7. ^ "MEATLOAF REACHES AGREEMENT OVER BAT OUT OF HELL". contactmusic.com. 2006-08-01. Retrieved 2006-11-14. 
  8. ^ Fillo, Maryellen (2007-09-28). "A Bat Out Of Hell Who Whistles". Hartford Courant. Retrieved 2007-09-29. 
  9. ^ Meat Loaf (2006-08-04). Interview with Steve Wright. Steve Wright in the Afternoon. BBC Radio 2. London.  Missing or empty |title= (help)
  10. ^ a b c d The Making of Bat Out of Hell III (DVD). Mercury Records. 2006. 
  11. ^ Harris, Will (2006-12-01). "A Chat with Todd Rundgren". bullz-eye.com. Archived from the original on 26 August 2007. Retrieved 2007-09-11. 
  12. ^ "Blind as a Bat", written by Desmond Child
  13. ^ "Jim Steinman on "It's All Coming Back To Me Now"". JimSteinman.com. Archived from the original on 3 September 2006. Retrieved 2006-09-04. 
  14. ^ Othman, Zul (2006-10-26). "Man out of hell". Channel NewsAsia. Archived from the original on 7 November 2006. Retrieved 2006-10-26. 
  15. ^ a b "Bat Out of Hell III". Liner Notes. 2006-09-11. XM Satellite Radio.
  16. ^ "BBC Rock Hour Special: Jim Steinman; Transcription of BBC Radio Broadcast, 1981". Archived from the original on 14 August 2007. Retrieved 2007-08-28. 
  17. ^ Sullivan, Caroline (2006-10-20). "Meat Loaf, Bat Out of Hell III". The Guardian. Retrieved 2007-09-11. 
  18. ^ Larson, Randall. "New Bat Out Of Hell Album from Meat Loaf". Cinescape. Retrieved 2006-09-24. 
  19. ^ Hasty, Katie (2006-11-08). "'Montana' Zooms By Manilow For Second Week At No. 1". Billboard.com. Archived from the original on 2007-09-29. Retrieved 2007-09-11. 
  20. ^ Q, October 2006
  21. ^ Harvilla, Rob. "Stuff You Need to Know This Week to Avoid Ostracism". The Village Voice. Archived from the original on 16 October 2006. Retrieved 2006-10-12. 
  22. ^ Erlewine, Stephen Thomas. "Bat Out of Hell III: The Monster Is Loose". Allmusic. Retrieved 2006-10-17. 
  23. ^ "Meat Loaf & Marion Raven: It's All Coming Back To Me Now". top40-charts.com. Retrieved 2007-06-13. 
  24. ^ "Blind As A Bat *Multi-Buy* (1xCD1 + CD2)". Townsend Records. Retrieved 2006-11-28. 
  25. ^ Deb (2007-03-24). "Cry Over me Released In The UK May 7th 2007!". The Naked Wire. Retrieved 2007-04-19. 
  26. ^ "Meat Loaf and Marion Raven "It's All Coming Back To Me Now" dir. P.R. Brown". videos.antville.org. Retrieved 2006-08-29. 
  27. ^ Jim Steinman (1989). Jim Steinman Opens Pandora's Box (DVD). Virgin Records. 
  28. ^ "It Just Won't Quit" and "Good Girls Go to Heaven (Bad Girls Go Everywhere)"
  29. ^ "Norwegian singer tours UK with Meat Loaf". norway.org.uk. Archived from the original on 2007-09-27. Retrieved 2007-05-25. 
  30. ^ "CRIA Gold & Platinum certifications for December 2006". cria.ca. Archived from the original on 1 October 2007. Retrieved 2007-10-02. 

External links[edit]