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|Origin||Wakefield, West Yorkshire, England|
|Past members||Bill Nelson
Be-Bop Deluxe were an English progressive rock band who achieved critical acclaim and moderate commercial success during the mid to late 1970s.
The band's sound emerged as a mixture of glam rock, prog rock and straightforward rock and roll. Science Fiction imagery was common in Bill Nelson's lyrics, along with the more traditional themes of love and the human condition (albeit often hidden beneath Nelson's quirky lyrical and musical metaphors).
Be-Bop Deluxe was founded in Wakefield, West Yorkshire, England, by singer, guitarist and principal songwriter Bill Nelson in 1972. The founding lineup consisted of Nelson, guitarist Ian Parkin, bassist and vocalist Robert Bryan, and drummer Nicholas Chatterton-Dew. They started off playing the West Yorkshire pub scene, with one regular venue being the Staging Post in Whinmoor, Leeds. They never played bebop music, but instead came out of the blues-based British rock scene of the late 1960s. At first they were compared to the more successful David Bowie, but Nelson never tried to copy Bowie, and appears to have disliked comparisons or being pigeon-holed. This artistic restlessness eventually led him to disband Be-Bop Deluxe altogether and pursue less commercial paths of expression.
The initial lineup of the band only lasted for one album, 1974's Axe Victim, and a short tour. Shortly after this, Nelson dissolved the band and reformed the group with a new lineup, which comprised Nelson, bassist Paul Jeffreys, keyboardist Milton Reame-James, and drummer Simon Fox. However, Jeffreys and Reame-James subsequently departed the band, and New Zealand-born bassist-vocalist Charlie Tumahai (formerly of Australian bands Mississippi and Healing Force) joined in late 1974. This lineup recorded the Futurama album, before being joined by supplementary keyboardist Andrew Clark for the subsequent tour. Clark became an official member of the band after the tour, and this lineup existed for all of the band's subsequent albums, and was the last lineup before the band was dissolved again in 1978. Jeffreys was murdered in the bombing of Pan Am Flight 103 over Lockerbie, Scotland.
Nelson was acclaimed as one of the finest guitarists in British rock at the time, and the music confirmed that, with his distinctive tones adorning most tracks. Stylistically, the songs took elements from progressive rock, glam rock (the band had flirted with make-up in the early days) and hard guitar rock. Ships in the Night was their most successful single in the UK and US.
Drastic Plastic, recorded under the influence of punk, New Wave and David Bowie's Berlin albums was a substantial stylistic change from the progressive/guitar rock of the early Be-Bop Deluxe. Eager to embrace the changing musical landscape, Nelson dissolved Be-Bop Deluxe and immediately formed a new band, Bill Nelson's Red Noise, retaining Andy Clark on keyboards, and adding Nelson's brother Ian, who had previously contributed to Be-Bop Deluxe albums, on saxophone.
Bill Nelson planned to reform Be-Bop Deluxe in the nineties with his brother Ian Nelson, but the reunion never materialised. The deaths of Ian Nelson, Ian Parkin, and Charlie Tumahai mean that a future reunion of the band is unlikely.
In 2011 EMI upgraded the Be-Bop Deluxe catalog remastered by Peter Mew featuring all of the band's original albums. EMI and Bill Nelson chose to include all of the band's albums, single edits and b-sides as part of this release with the exception of the Smile independently released single "Teenage Archangel" / "Jets At Dawn" as part of this set. Although Nelson did not supervise the release he gave final approval on the remasters and agreed to provide a disc of rarities to help sell the set if EMI paid him royalties on the release.
Despite their commercial success, Bill Nelson stated that he had never received royalties for the earlier CD release of his back catalog on EMI until the 2011 CD reissue/remaster of his back catalog.
- Bill Nelson - lead guitars, keyboards, vocals (1972–1974, 1974–1978)
- Ian Parkin - rhythm guitars, acoustic guitars, organ (1972–1974; died 1995)
- Robert Bryan - bass, vocals (1972–1974)
- Nicholas Chatterton-Dew - drums, percussion & backing vocals (1972–1974)
- Simon Fox - drums, percussion (1974–1978)
- Paul Jeffreys - bass (1974; died 1988)
- Milton Reame-James - keyboards (1974)
- Charlie Tumahai - bass, backing vocals (1974–1978; died 1995)
- Andrew Clark - keyboards (1975–1978)
- Axe Victim (1974) Harvest
- Futurama (1975) Harvest
- Sunburst Finish (1976) - UK No. 17 Harvest
- Modern Music (September 3, 1976) - UK No. 12 Harvest
- Drastic Plastic (1978) - UK No. 22 AUST #98 Harvest
- Live! In The Air Age (1977) - UK No. 10 Harvest
- Radioland - BBC Radio One Live In Concert (1994) Windsong
- Tramcar to Tomorrow (1998) Hux
- Tremulous Antenna (2002) (Radioland remastered) Hux
- The Best Of and the Rest Of (1978) (double LP; second disc comprises material previously unreleased on LP: Drastic Plastic outtakes plus single A and B sides) Harvest
- Singles A's & B's (1981) Harvest Heritage
- Bop To the Red Noise (1986) (mixture of BBD and Red Noise material) Dojo
- Raiding the Divine Archive (1990) Harvest
- Air Age Anthology (1997) (double CD) EMI
- Very Best Of (1998) EMI-Capitol Special Markets
- Postcards From the Future (2004) Caroline
- Futurist Manifesto (2011) Harvest
- The Practice Of Everyday Life (2011) [Bill Nelson] (eight CD, 40 year career retrospective mixture of BBD, Red Noise and BN solo material) Esoteric Recordings
- "Teenage Archangel" / "Jets at Dawn" (1973) Smile
- "Jet Silver and the Dolls Of Venus" / "Third Floor Heaven" (1974) Harvest
- "Between the Worlds" / "Lights" (1975) (Recalled after only one day of sale) Harvest
- "Maid in Heaven" / "Lights" (1975) Harvest
- "Ships in the Night" / "Crying to the Sky" (1976) - UK No. 23 Harvest
- "Kiss of Light" / "Shine" (1976) Harvest
- "Hot Valves EP" (1976) - UK No. 36 Harvest
- "Japan" / "Futurist Manifesto" (1977) Harvest
- "Panic in the World" / "Blue as a Jewel" (1978) Harvest
- "Electrical Language" / "Surreal Estate" (1978) Harvest