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Bice Lazzari

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Bice Lazzari
Self-portrait, 1929
Born(1900-11-15)November 15, 1900
Venice, Italy
DiedNovember 13, 1981(1981-11-13) (aged 80)
Rome, Italy
Resting placeQuero, Italy
NationalityItalian
EducationBenedetto Marcello Conservatory; lecturer at the Academy of Fine Arts
Known forOil painting
SpouseDiego Rosa

Beatrice "Bice" Lazzari (15 November 1900 – 13 November 1981) was an Italian painter.[1]

Early life

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Beatrice Lazzari was born to Lorenzo (Luciano) Lazzari and Francesca Rinaldo. She was the second of three sisters, the youngest of whom, Onorina (Nini), married architect Carlo Scarpa. Beatrice's training took place in Venice, first at the Benedetto Marcello Conservatory[2] and then at the Fine Art Academy.[3][4] She was a lecturer at the Academy of Fine Arts. Her work initially turned to figurative painting. Her first exhibition was in 1924 at the collective-Opera Bevilacqua La Masa.[4] In 1928 she had her first solo exhibition at Gallery Art Workshops in Venice and, the following year, another was held at the Galleria San Moise. The Venetian art scene in the 1930s, animated by the Artistic Circle of Palazzo dei Piombi e dal Caffè on the banks of the Zattere, included Carlo Scarpa, Mario Deluigi and Virgilio Guidi and began a pioneering path and rationalist research. Her renown as a painter was for portraits and landscapes. In the applied arts,[5] the artist made a clean break with the figurative tradition, choosing the abstract and geometric compositions as expressive language.

Roman years 1935-1981

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In 1935 she moved to Rome where she participated in major exhibitions, exhibiting murals and decorative panels, working with the architect Ernesto Lapadula. In 1941 she married the Venetian architect Diego Rosa.[6]

After the Second World War, except for collaborating with the architect Attilio Lapadula on some furniture, she devoted herself exclusively to painting and received numerous awards for her work. Hers was a new direction, even if the vibrations and modulations of lines and colors on the canvas approached Vasily Vasilievich Kandinsky. In the 1950s she participated in the Venice Biennale and the Rome Quadrennial several times, getting various prizes, and had solo exhibitions in numerous galleries. From the late 1950s to 1963, she worked with oil colors to deepen the application of other materials such as glues, sands, paints and later acrylics.[7] In 1964 the artist started again from scratch, giving up the material and color to express herself with the simplest of means: often lines drawn with graphite on a monochrome background.

Legacy

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The Archive Bice Lazzari, which houses an important part of the works, writings, poems and catalog of all its activities, is based in Rome.[8] Lazzari's work was included in the 2021 exhibition Women in Abstraction at the Centre Pompidou.[9] In 2022 the Estorick Collection of Modern Italian Art in London held a retrospective of her work entitled Bice Lazzari: Modernist Pioneer.[10][11][12]

In 2023 her work was included in the exhibition Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970 at the Whitechapel Gallery in London.[13]

Lazzari's work is in National Museum of Women in the Arts[14] and The Phillips Collection in Washington, D.C.[15]

Bibliography

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  • Guido Montana, Bice Lazzari. The values of the sign, Weber Gallery Publishing, Turin 1980
  • Paolo Fossati (eds.), Bice Lazzari. Works 1925-1981, Electa Editrice, Milan 1984
  • Paola Watts, Claudio Strinati (ed.), Bice Lazzari 1900-1981. Works 1921-1981, Multigrafica Editrice, Rome 1987
  • Sergio Cortesini, Bice Lazzari, art as a measure, Gangemi Editore, Roma 2002
  • Flavia Scotton, Renato Miracco (ed.), Bice Lazzari. The abstract emotion, Mazzotta Editions, Milan 2005

References

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  1. ^ "Bice Lazzari". Clara: Database of Women Artists. Retrieved 5 July 2024.
  2. ^ Teodoro, Carlo Federico; Venturi, Lionello; Spadolini, Giovanni; moderna, Pavullo nel Frignano (Italy) Galleria comunale d'arte (July 1, 1991). "Lionello Venturi e l'avanguardia italiana". Artioli – via Google Books.
  3. ^ "Beatrice Lazzari". Advancing Women Artists.
  4. ^ a b "Guggenheim". Archived from the original on 2017-07-09. Retrieved 2019-10-12.
  5. ^ Irene de Guttry, Maria Pia Maino, Mario Quesada, Le arti minori d’autore in Italia dal 1900 al 1930, Bari, Italy: Laterza 1985
  6. ^ Ugolini, Paula (12 January 2018). "Bice Lazzari: 'Like a Piece of Ice in Which a Flame Burns'". Sothebys. Retrieved 5 July 2024.
  7. ^ "Bice Lazzari". AWARE Women artists / Femmes artistes. Retrieved 5 July 2024.
  8. ^ "Archivio Bice Lazzari". Associazione Archivio Bice Lazzari. Retrieved 5 July 2024.
  9. ^ Women in abstraction. London : New York, New York: Thames & Hudson Ltd. ; Thames & Hudson Inc. 2021. p. 170. ISBN 978-0500094372.
  10. ^ "Bice Lazzari: Modernist Pioneer". Estorick Collection. Retrieved 20 April 2023.
  11. ^ Cooke, Rachel (16 January 2022). "Bice Lazzari: Modernist Pioneer review – exquisite, tranquil abstraction that draws you in". The Observer. Retrieved 20 April 2023.
  12. ^ "Bice Lazzari: Modernist Pioneer". Apollo Magazine. 7 January 2022. Retrieved 20 April 2023.
  13. ^ "Bice Lazzari: Signature Line". NMWA. Retrieved 5 July 2024.
  14. ^ "Bice Lazzari". Phillips Collection. Retrieved 20 April 2023.
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