Beavis
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| Beavis | |
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| Beavis watching television. | |
| First appearance | "Frog Baseball" (1992) |
| Last appearance | "Beavis and Butt-head Are Dead" (1997) |
| Created by | Mike Judge |
| Portrayed by | Mike Judge (voice) |
| Information | |
| Aliases | "Cornholio" |
| Gender | Male |
| Age | 15 |
| Date of birth | October 28, 1979 |
| Occupation | Freshman at Highland High School, Fry cook at Burger World |
Beavis is a fictional main character in the animated television series Beavis and Butt-head. He was voiced by the show’s creator, Mike Judge.
Beavis has an underbite and a fixated stare on his face which rarely looks straight at the television viewer, but rather to the side. He is usually seen wearing a Metallica T-shirt, though in merchandising appearances, his shirt displays the slogan "Death Rock," to avoid licensing issues. In the episode "Blood Drive" he is seen wearing a Slayer shirt rather than his normal Metallica one.
He is slightly shorter than his friend Butt-head, although he appears to be the same height when viewed at a distance due to his oversized pompadour-like hairstyle.
Beavis works as a fry cook at a fast food restaurant named Burger World and has revealed that he is a fan of Bon Jovi, much to the disgust of Butt-head, who dislikes the band and its leader Jon Bon Jovi. The episode "The Final Judgment of Beavis" reveals his birth date as October 28, 1979.
Beavis's name was inspired by a friend of Judge's from his college days named Bobby Beavis.[1] During the years of the series' run, Beavis's name was mispronounced by adults as, among other things, Beaver, Beatrice, Paul Lenig, Brevis, Joe, Paul and Travis.
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[edit] Personality
Dan Tobin of The Boston Phoenix described Beavis as "the sidekick and follower" who developed into "more of a loose cannon." [2]
Mike Judge once said in an interview that Beavis "is a zero" when it comes to intelligence;[citation needed] indeed, Beavis is often oblivious to what should be obvious. [1] Generally submissive to Butt-head and willing to tolerate a large amount of physical and verbal abuse, Beavis nonetheless has limits. In Murder Site, Beavis was driven to attack and nearly kill Butt-head, who would not cease calling him "Butt-knocker", a term which Beavis inexplicably resents. Beavis also stood up to Butt-head while they were watching a Rancid video: Butt-head kept talking about it derisively, prompting Beavis to tell Butt-head to shut up. When Butt-head reacted with fury, ordering Beavis never again to tell him to shut up and threatening to kick his ass, Beavis preemptively kicked Butt-head in the testicles, told him to shut up again, and walked out of the room to get something to eat. In another episode, while the duo were watching a Bon Jovi video, Beavis claimed to like one part of the song, causing Butthead to slap him in disgust. After being struck a few times, Beavis kicked Butt-head in the groin and proclaimed "Bon Jovi rules!" (This particular segment is featured in Prank Call, but only the version shown during the Super Bowl special).
In spite of his overt idiocy, Beavis possesses a number of character strengths. He can be inadvertently witty and, when discussing subjects that neither he nor Butt-head understand, he is more likely to guess the actual mechanisms at work. Also, on the rare occasion that a female exhibits interest in one of the duo, it is usually Beavis (as exemplified in the episodes "Vidiots", "Another Friday Night", "Teen Talk", "Christmas Special") who gets the attention; this could be because of Beavis' somewhat childlike temperament, which is less off-putting than Butt-head's crasser, more blatantly sexual approaches. For example, when the two encounter members of the opposite sex, Butt-head will typically lead off with a smug opening line such as, "Hey baby", which invariably flops; Beavis, on the other hand, will usually approach the woman with a less obvious "Hi!" or "Hey, how’s it going?" Easily influenced by Butt-head, however, Beavis will often imitate his friend's cruder pickup lines. Beavis has also shown instances of insight on such topics as the true meaning of Christmas, or in his analysis of a video by Korn. However, in both instances Beavis seems to either be in a trance or possessed, and shortly afterwards displays no recollection of what he just said.
[edit] Recklessness
Beavis has a more volatile, unpredictable nature. His hasty actions usually end in disaster, ranging from getting deported to Mexico ("Vaya Con Cornholio") to severely injuring himself ("Woodshop"). In early episodes such as: "Home Improvement", "Comedians" and "Stewart's House", Beavis displayed signs of being a pyromaniac. Though his obsession with fire remained an obvious trait, as the seasons progressed and network censorship pressures increased his fixation became more of a passing gag.
[edit] Cornholio
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It has been suggested that Great Cornholio be merged into this article or section. (Discuss) |
After consuming large amounts of sugar or caffeine, Beavis sometimes undergoes a radical personality change. He will raise his forearms in a 90-degree angle next to his chest, pull his shirt over his head, and then begin to yell or scream erratically, producing a stream of gibberish and strange noises, his eyes wide. This is an alter-ego named "Cornholio," a normally dormant persona. Cornholio tends to wander aimlessly while reciting “I am the Great Cornholio, I need TP for my bunghole” in an odd foreign accent. Sometimes Beavis will momentarily talk normally before resuming the persona of Cornholio. Once his Cornholio episode is over, Beavis usually has no memory of what happened. In the guise of Cornholio, Beavis becomes a successful beat poet ("Buttniks"), and in the episode "Vaya Con Cornholio" he is deported to Mexico after being picked up at Burger World by an INS agent. The agent and his superior attempt to make sense of the gibberish that is Cornholio, going so far as to look up the definition of "bunghole."
Though the "Cornholio" character was developed in the episode "The Great Cornholio", Beavis first plays the entity as a passing gag in the episode "Generation in Crisis".
[edit] Relationship with Butt-head
Though the closest of confidants, Beavis and Butt-head have a jaded, violent, and at times borderline sadistic relationship. Butt-head often insults and physically abuses Beavis (usually by slapping him). On occasion, Beavis will fight back or stand up for himself ("Madame Blavatsky", "They're Coming to Take Me Away, Huh Huh"). His favorite means of retribution is kicking Butt-head in the "nads". On at least one occasion Beavis has thrown the first punch. In the episode "Canoe" he initiates a fight by smacking Butt-head across the head with a paddle (although Butt-head goaded him into doing it). Butt-head usually knows when Beavis is approaching his breaking point and will back off (as seen when he calls Beavis "Butt-knocker" or insults Metallica one too many times).
Beavis is usually a follower, willingly taking Butt-head's instructions and cooperating in his endeavors. This appears to be a byproduct of Beavis's own general witlessness rather than any fear of Butt-head's abuse — as demonstrated in the alternate reality of It’s a Miserable Life, in which Butt-head had never been born and Beavis was instead the dim but productive friend of Stewart Stevenson.
[edit] Eccentricities
While Butt-head's main interest in life is "chicks", Beavis seems to be more interested in toilet humor and displays of violence. Beavis has a penchant for making off-beat sound effects to suit the occasion. Whenever he sees something that is arousing, he imitates a spring (“Boi-oi-oi-oi-oiiing!!!”) He sometimes blows a raspberry by puckering his lips. He occasionally does impersonations, such as of Principal McVicker (Speech Therapy), motivational speaker Mr. Manners/Mr. Candy ("Manners Suck" and "Candy Sale"), and Woody Woodpecker ("Top O' the Mountain"). During one episode, Beavis conspicuously reveals that he is sometimes prone to getting erections in the company of other men. A special ability of his is speaking backwards, as seen in the episode "Vidiots" while the duo review a music video; however, he forgets how to do so by the end of the video. Beavis also displays a predilection for feces and things related to it, and in a high pitched tone will often enthusiastically utter the word, “poop,” or will say the word "plop" to indicate a bowel movement. He frequently pulls down his pants during music video reviews. He also took Kaopectate once after hearing it is for diarrhea under the misconception he would get diarrhea; he was only soothed by an enormous bowel movement which he saved in his dresser drawer, much to Butt-head's disgust. Beavis sometimes displays examples of the idiot savant when slapped hard by Butt-head or when attempting to pass out by holding his breath and blowing into his thumb. In which cases Beavis starts to make intellectual statements usually regarding the music videos he is viewing.
[edit] Beavis's parents
Beavis's family is occasionally referred to but never seen. An example is when Beavis states: "My mom's a slut... meh heh heh." According to discussion during some music video segments, Beavis’s mother shares her son's peculiar hairstyle, is somewhat plus-sized, and (most significantly) is a slut. While Beavis is conscious of his mother's promiscuity, it doesn’t seem to bother him much, as he often laughs along in agreement whenever Butt-head brings it up (in fact, when Butt-head refers to Beavis's mom as a whore, Beavis nonchalantly says "She's not a whore, she's a slut, she doesn't charge for it".) The irony, however, is lost on Butt-head, whose own mother's promiscuity is implied in Beavis and Butt-head Do America.
In the film Beavis and Butt-head Do America Beavis is reunited with his biological father, who seems to exhibit the same pyromania obsession as Beavis, as well as an overt physical resemblance. He is said to be a drifter and a one-time roadie for rock band Mötley Crüe. However, they remain oblivious of their father-son relationship and part ways before they make the connection.
[edit] Parodies
In the Beavis and Butt-head Do America, at the beginning during the King Kong/Godzilla-like scene, Beavis is called Beaviszilla, however, when he sees Butt-head, he calls him by his real name.
[edit] References
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