Before the Rain (1994 film)

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Before the Rain
Пред дождот
Beforetherain.jpg
Theatrical release poster
Directed by Milcho Manchevski
Produced by Marc Baschet
Written by Milcho Manchevskii
Starring Katrin Cartlidge
Rade Serbedzija
Music by Anastasia
Cinematography Manuel Teran
Edited by Nicolas Gaster
Distributed by Mikado Film
Release dates 1 September 1994 (premiere at Venice Film Festival)
24 February 1995 (U.S.)
11 August 1995 (UK)
Running time 113 minutes
Country Macedonia
United Kingdom
Language Macedonian
English
Albanian
Box office $763,847

Before the Rain (Macedonian: Пред дождот, Pred doždot) is a 1994 Macedonian film starring Katrin Cartlidge, Rade Šerbedžija, Grégoire Colin, and Labina Mitevska. It was directed and written by Milcho Manchevski. The music was created by the band Anastasia.

The film was nominated for an Academy Award for Best Foreign Language Film and won Golden Lion award at 51st Venice International Film Festival, alongside Vive L'Amour by Tsai Ming-liang.

Cast[edit]

Plot[edit]

The film is divided into three stories, all of which focus on tragic and ill-fated love affairs.

In the first episode, Words, we meet Kiril, a young monk who has taken a vow of silence, who stands up for Zamira, a young Albanian girl who is accused of murder and is on the run from a mob. For her sake, Kiril leaves the monastery and the two of them make their way through the Macedonian landscape, but their romance is heading towards a sudden and brutal end.

Faces is set in bustling and trendy London. Anne, a picture editor, is torn between the love of her husband Nick and the attraction she feels for Aleksandar, a disillusioned war photographer. She is pulled into a series of tragic events by a shoot-out at a nearby restaurant.

The third and final story, Pictures, brings the two previous stories together. It focuses on Aleksandar's return to Macedonia to settle. He learns that the war has divided his home village and that his Albanian neighbours are now seen as enemies. Hana, an Albanian woman he was, and apparently still is, in love with, asks him to take care of her daughter Zamira. While Aleksandar sets out to find the girl, a storm is building on the horizon, and the film returns us to its beginning.

Story notes[edit]

Upon watching the film, the viewer sees that the sequence of sections could have been any of three (Words, Faces, Pictures; Faces, Pictures, Words; or Pictures, Words, Faces). An intended inconsistency becomes apparent. The end of Words shows Zamira gunned down and killed by her family when she tries to escape them. Still photos of the scene are shown in Faces. Suddenly the reappearance of Zamira in Pictures, coupled with the ending, which returns to the beginning, could temporarily hoodwink the viewer that this is the first part of the film. But a close observation of the man lying dead at the beginning of Words shows he is Aleksandar Kirkov, while Zamira is running for her life after having killed one of the Macedonians. Faces, set in London, has a living Aleksandar Kirkov, whose close friend Anne is developing black-and-white pictures of a dead Zamira. The motto of the film was, "The Circle is not Round." The message is written as graffiti on a wall shown in Pictures. The director suggests that in life, people and places may change, but overshadowing scenarios (such as conflicts) go backward and forward in a cycle.[citation needed]

Reception and box office[edit]

The film grossed $763,847 in the US, which is much higher than box office performances of other Macedonian films. It has been praised by critics internationally, earning an 82% "Fresh" rating based on 11 reviews on Rotten Tomatoes[1]. The film critic Roger Ebert described Before the Rain as an "extraordinary film. Work like this is what keeps me going, month after month and film after film ... This is a reminder of the nobility that film can attain."[1]

The film was nominated for an Academy Award. It was also nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics.

The film also won the Golden Lion at the 51st Venice International Film Festival, alongside Vive L'Amour by Tsai Ming-liang.

Awards and nominations[edit]

  • Academy Award Nomination 1995: Best Foreign-Language Film
  • Venice Film Festival 1994: Golden Lion for Best Film
  • Venice 1994: FIPRESCI Prize (International Critics Prize)
  • Venice 1994: The UNICEF Prize 1994
  • Venice 1994: Premio Cinemavenire (Young Viewers' Prize)
  • Venice 1994: Audience Prize
  • Venice 1994: Rolling Venice Award from the City of Venice
  • Venice 1994: Leoncino d'oro, awarded by the Italian students
  • Venice 1994: International Catholic Organization for the Cinema
  • Venice 1994: Kodak Award for Best First Feature
  • Venice 1994: Francesco Pasineti Syndicate Award for Best Actor to Rade Serbedzija
  • Toronto Festival 1994: runner-up in audience vote
  • São Paulo Festival 1994: Audience Award for Best Film
  • Puerto Rico Festival 1994: Jury Award for Best Film
  • Puerto Rico Festival 1994: Audience Award for Best Film
  • Puerto Rico Festival 1994: Best Director
  • Puerto Rico Festival 1994: Best First Film
  • Stockholm Festival 1994: Best Debut Film
  • Mons Festival, Belgium, 1995: Charlot d'or
  • St Petersburg Festival of Festivals 1995: Grand Prix
  • Burgos Festival, Spain, 1995: winner of the single Festival Prize
  • Gorizia Festival of Screenplay, Italy, 1995: Best Screenplay
  • Film Forum, Bratislava, Slovakia, 1995: Best Film
  • Panteleria, Italy, 1995: UNESCO Prize
  • Warsaw Film Fest, 1995: Audience Award
  • Austria, 1995: Catholic Film Commission Prize
  • David di Donatello Special Award to a non-Italian film, Italy, 1995
  • Swedish Film Institute, 1995: Golden Bug for Best Foreign Film
  • Film Critics Association of Turkey 1995: Best Foreign Film
  • Mediterranean Prize for Peace and Tolerance
  • Silver Condor for Best Foreign Film, 1996, Argentina
  • Independent Spirit Award 1995: Best Foreign-Language Film
  • List of Best 1,000 Films Ever Made: The New York Times

Home video releases[edit]

  • 2008 The Criterion Collection, Region 1 DVD (Spine #436), June 24, 2008 — Includes audio commentary by Milcho Manchevski and film scholar Annette Insdorf, an interview with Rade Serbedzija, a short 1993 documentary about the making of the film, and an essay by film scholar Ian Christie[2]

Soundtrack[edit]

The music for the film was written and performed by Anastasia. It was released on a CD in 1994 by Polygram records, and sold thousands of copies worldwide.

References[edit]

External links[edit]