Portrait of Ben Nicholson by Mabel Pryde, circa 1910-1914
|Born||Benjamin Lauder Nicholson
10 April 1894
Eight Bells, Denham, Buckinghamshire, England
|Died||6 February 1982
Hampstead, Greater London, England
|Spouse(s)||Winifred Roberts (1920-1938; divorced)
Barbara Hepworth (1938-1951; divorced)
Felicitas Vogler (1957-1977; divorced)
Background and training
Ben Nicholson was born on 10 April 1894 in Denham, Buckinghamshire, the son of the painters Sir William Nicholson and Mabel Pryde, and brother to the artist Nancy Nicholson, the architect Christopher Nicholson and to Anthony Nicholson. His maternal grandmother Barbara Pryde (née Lauder) was a niece of the famous artist brothers Robert Scott Lauder and James Eckford Lauder. The family moved to London in 1896. Nicholson was educated at Tyttenhangar Lodge Preparatory School, Seaford, at Heddon Court, Hampstead and then as a boarder at Gresham's School, Holt, Norfolk. He trained as an artist in London at the Slade School of Fine Art from 1910–1914, where he was a contemporary of Paul Nash, Stanley Spencer, Mark Gertler, and Edward Wadsworth.
Nicholson was married three times. His first marriage was to the painter Winifred Roberts; it took place on 5 November 1920 at St. Martin-in-the-Fields Church, London. Nicholson and Winifred had three children: a son, Jake, in June 1927; a daughter, Kate (who later also became a painter), in July 1929; and a son, Andrew, in September 1931. They were divorced in 1938. His second marriage was to fellow artist Barbara Hepworth on 17 November 1938 at Hampstead Register Office. Nicholson and Hepworth had triplets, two daughters, Sarah and Rachel, and a son, Simon, in 1934. They were divorced in 1951. The third and final marriage was to Felicitas Vogler, a German photographer. They married in July 1957 and divorced in 1977.
Life and works
His first notable work was following a meeting with the playwright J. M. Barrie on holiday in Rustington, Sussex, in 1904. As a result of this meeting, Barrie used a drawing by Nicholson as the base for a poster for the play Peter Pan; his father William designed some of the sets and costumes.
Nicholson was exempted from World War I military service due to asthma. He travelled to New York in 1917 for an operation on his tonsils, then visited other American cities, returning to Britain in 1918. Before he returned, Nicholson's mother died in July of influenza and his brother Anthony Nicholson was killed in action.
From 1920 to 1933, he was married to the painter Winifred Nicholson and lived in London. After Nicholson's first exhibition of figurative works in London in 1922, his work began to be influenced by Synthetic Cubism, and later by the primitive style of Rousseau. In 1926, he became chair of the Seven and Five Society.
In London, Nicholson met the sculptors Barbara Hepworth (to whom he was married from 1938 to 1951) and Henry Moore. On visits to Paris he met Mondrian, whose work in the neoplastic style was to influence him in an abstract direction, and Picasso, whose cubism would also find its way into his work. His gift, however, was the ability to incorporate these European trends into a new style that was recognizably his own. He first visited St Ives, Cornwall, in 1928 with his fellow painter Christopher Wood, where he met the fisherman and painter, Alfred Wallis. In Paris in 1933 he made his first wood relief, White Relief, which contained only right angles and circles. In 1937 he was one of the editors of Circle, an influential monograph on constructivism. He believed that abstract art should be enjoyed by the general public, as shown by the Nicholson Wall, a mural he created for the garden of Sutton Place in Guildford, Surrey. In 1943 he joined the St. Ives Society of Artists. A retrospective exhibition of his work was shown at the Tate Gallery in London in 1955.
Nicholson married the photographer Felicitas Vogler in 1957 and moved to Castagnola, Switzerland, in 1958. In 1968 he received the British Order of Merit (OM). In 1971 he separated from Vogler and moved to Cambridge. In 1977 they divorced.
Some of Nicholson's works can be seen at the Tate Gallery, Tate St Ives, Kettle's Yard Art Gallery in Cambridge, and The Hepworth Wakefield. An auction record for this artist of $1,650,500 was set at Christie's, New York, for Sept 53 (Balearic), an oil and pencil on canvas, on 1 November 2011. His painting Fiddle and Spanish Guitar, in oil and gravel on masonite, was sold for €3,313,000 by Christie's in Paris on 27 September 2012.
- Sophie Bowness, Nicholson, Benjamin Lauder (1894–1982) Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2010. doi:10.1093/ref:odnb/31498. Accessed 15 April 2013.
- Lot 67: Ben Nicholson (1894-1982), Sept. 53 (Balearic) Christie's sale 2477: Impressionist and Modern Evening Sale, 1 November 2011, New York, Rockefeller Plaza. Accessed 15 April 2013.
- Lot 87: Ben Nicholson (1894-1982), Violon et guitare Christie's sale 3538: Collection Hélène Rochas, 27 September 2012, Paris. Accessed 15 April 2013.
- Herbert Read, Ben Nicholson: Paintings, Reliefs, Drawings. London: Lund Humphries. 2 volumes, 1948, 1956
- John Read (director, narrator), Ben Nicholson: Razor Edge (video cassette). London: Arts Council of Great Britain; Balfour Films, 1985
- Jeremy Lewison, Ben Nicholson, London: Phaidon Press, 1991. ISBN 0714827177
- Jeremy Lewison, Ben Nicholson (Exhibition, 1993-1994: Tate Gallery, London; St. Etienne). London: Tate Gallery, 1993. ISBN 1854371304
- Norbert Lynton, Ben Nicholson. London: Phaidon Press, 1993. ISBN 0-7148-2813-0
- Sarah Jane Checkland, Ben Nicholson: the vicious circles of his life and art. London: John Murray, 2000. ISBN 978-0719554568
|Wikiquote has quotations related to: Ben Nicholson|
- List of works in Museums and Public Art Galleries
- Ben Nicholson at the Tate Collection
- Detailed timeline of life at Britain Unlimited