|This article does not cite any references or sources. (March 2012)|
|Born||March 19, 1923
Termoli, Molise, Italy
|Died||December 3, 1997|
Benito Jacovitti (March 19, 1923 - December 3, 1997) was an Italian comic artist.
Benito Jacovitti was born in Termoli, Molise. He was still a kid when he started drawing on the pavement of the village's streets. The son of a railwayman, Benito entered Macerata's art school at age 11, graduating to Firenze's art institute five years later. Here he received the nickname lisca di pesce ("fishbone") because of his thin figure, that he will use as his signature during his career.
In 1939 Jacovitti started working for the Florentine satirical magazine Il Brivido and, a year later, he began an almost 30 years long collaboration with Il Vittorioso, a Catholic comic magazine targeted at teenagers and young adults that only published Italian artists. There he created several characters: Pippo, Pertica e Palla, Oreste il guastafeste, Chicchiricchì, Cip l'arcipoliziotto and his nemesis Zagar, Giacinto corsaro dipinto, Jack Mandolino, La signora Carlomagno, adaptations of classic like Ali Baba and Don Quixote, and parodies of famous comics like L'onorevole Tarzan and Il mago Mandrago. During this period, he also contributed cartoons to the satirical weekly Il Travaso delle idee.
Starting from 1949, Jacovitti produced a series of cartoons for school diaries, named I Diari Vitt (short for Vittorioso) and published by A.V.E. These books made him a household name among kids and parents, and he kept producing them until 1980.
Ten years later Jacovitti left Il Giorno to join the glorious Il Corriere dei Piccoli, then the most popular weekly publication for kids, for which he renewed old characters as Cip l'Arcipoliziotto and Zagar, and created new ones as Zorry Kid, Tarallino Tarallà and others.
In 1973 he published the controversial Gionni Peppe on the left-wing oriented magazine Linus, followed in 1981 by Joe Balordo.
Jacovitti's unique artstyle is immediately appealing to both kids and adults: his characters sport huge noses and feet, his pages are chock full of details and all sort of objects and weird creatures born from his untamed creativity (like his salami, often drawn with little legs or smiley faces). While most of his production was geared toward humour and parody, Jacovitti did not shy away from more controversial material like the erotic book Kamasutra and political cartoons.
During his career, Jacovitti created more than 60 characters and produced around 150 books, making him one of the most prolific and original artists in comic book history.