Benito Quinquela Martín

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Benito Quinquela Martín
BenitoQuinquelaMartin.jpg
Benito Quinquela Martín looks out over the Riachuelo, circa 1960.
Born (1890-03-01)March 1, 1890
La Boca, Buenos Aires
Died January 28, 1977(1977-01-28) (aged 86)
Nationality Argentinian
Field Painting

Benito Quinquela Martín (March 1, 1890 – January 28, 1977) was an Argentine painter born in La Boca, Buenos Aires. Quinquela Martín is considered the port painter-par-excellence and one of the most popular Argentine painters. His paintings of port scenes show the activity, vigor and roughness of the daily life in the port of La Boca.

Early years[edit]

His birthday could not be determined precisely as he was abandoned on March 20, 1890 at an orphanage with a note that stated "This kid has been baptized, and his name is Benito Juan Martín". From his physical appearance, the nuns who found him deduced that he should be around twenty days old; thus March 1 is regarded as his birthday.

Adopted by Manuel and Justina Molina de Chinchella when he was seven years old, he adopted his stepfather's surname (which would later be hispanized as Quinquela).

At the age of 14 he attended a modest night school of drawing in La Boca while working during day on the family's coal-yard. When he became 17 years old he joined the Pezzini Stiatessi Conservatory, where he stayed until 1912.

International Exhibitions[edit]

Quinquela Martín en su estudio (2).jpg

By 1910 he had started appearing small art exhibitions, mainly in and around La Boca. He obtained the second prize on the Salón Nacional (Spanish, "National Exhibition") in 1920. After an exhibition at Mar del Plata in the same year, he was sent as the Argentine representative to an exhibition in Rio de Janeiro, Brazil attended by local personalities including Brazilian president Epitacio Pessoa.

By the 1920s Marcelo T. de Alvear and his wife were very fond of Quinquela Martín's works, and this admiration led to a lasting friendship. In 1922, Quinquela Martín was assigned as chancellor of the Argentine Madrid Consulate in Spain. On April, 1923 he exhibited at the Círculo de Bellas Artes of Madrid. Two of his works were acquired by the institution (Buque en reparación and Efecto de Sol), while another two were acquired by the Museum of Modern Art of Madrid.

In 1925 he set sail for France because—in his own words—"My trip to France is owed to President Alvear, who liked my works and wanted them to be judged by Paris". The Musée du Luxembourg acquired Tormenta en el astillero.

On 1927 he left for New York City, where he put part of his work on display at the Anderson Galleries. Accounts say two paintings were bought by "Mr. Havemeyer", who donated them to the Metropolitan Museum of New York. After this exhibition he made several others under sculptor Georgette Blandi's tutelage. Before returning to Buenos Aires, he was invited to Havana by Conde Ribero to exhibit there.

On 1929, on a trip to Italy, he made an exhibition at the Palazzo delle Esposizioni in Rome. The Museum of Modern Art of Rome acquired several paintings which were chosen by Benito Mussolini during the display. Quinquela Martín made his last trip in 1930, to London, where he exhibited at the Burlington Gallery. Several British museums acquired his paintings, including the Museum of Arts of London, Museum of Birmingham, Sheffield, Swansea, Cardiff, New Zealand and St. James's Palace.

Late life and death[edit]

Back in his homeland, he became a philanthropist and donated several works to La Boca and the city of Buenos Aires. He also bought the lands and donated the money to build a school, a Children's Dental Hospital, a place where women feed-breasted orphan children- a kindergarten nowadays- and a museum, which used to be also his home when he was alive. Of course, the museum was then on the first and second floor and his house on the third. On March 15, 1974, at the age of 84, he married his lifelong secretary, Alejandrina Marta Cerruti. He died on January 28, 1977, in Buenos Aires, of heart complications, and was buried in the La Chacarita Cemetery. He was buried in a coffin painted by him the previous year, stating that "Que quien vivió rodeado de color no puede ser enterrado en una caja lisa", meaning "He who lived surrounded by colors cannot be buried in a flat box." On the cover of the coffin was a painting of the port of La Boca.[1] His wife, being the only heiress, inherited of all his belongings.

Famous works[edit]

Among his most famous works are: Tormenta en el Astillero (Musée du Luxembourg, Paris), Puente de la Boca (St. James's Palace, London) and Crepúsculo en el astillero (Museo de Bellas Artes de la Boca Quinquela Martín, Buenos Aires).