Bernard Krigstein

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Bernard Krigstein self-portrait

Bernard Krigstein (March 22, 1919 – January 8, 1990),[1] was an American illustrator and gallery artist who received acclaim for his innovative and influential approach to comic book art, notably in EC Comics. He was known as Bernie Krigstein, and his artwork usually displayed the signature B. Krigstein.

He was posthumously inducted into the comic book industry's Jack Kirby Hall of Fame in 1992 and the Will Eisner Comic Book Hall of Fame in 2005.

Born in Brooklyn, New York,[1] Krigstein was trained as a classical painter.

Krigstein's best known work in comic books is the short story "Master Race", originally published in the debut issue (April 1955) of EC Comics' Impact. The protagonist is a former Nazi death camp commandant named Reissman who had managed to elude justice until he is spotted ten years later riding a New York subway. This story was remarkable for its subject matter, since the Holocaust was rarely discussed in popular media of the 1950s, as indicated by the controversy that same year surrounding Alain Resnais's Night and Fog (1955).[2]

Bernard Krigstein's "Master Race" (Impact #1 (April 1955).

Krigstein, who sometimes chafed at the limits of the material EC gave him to illustrate, expanded what had been planned for six-pages into an eight-page story. The results were so striking that the company reworked the issue to accommodate the two extra pages.[3] Krigstein had stretched out certain sequences in purely visual terms; repetitive strobe-like drawings mimic the motion of a passing train, and Commandant Reissman's final moment of life is broken down into four individual poses of desperate physical struggle. Art Spiegelman described the effect in The New Yorker: "The two tiers of wordless staccato panels that climax the story... have often been described as 'cinematic', a phrase thoroughly inadequate to the achievement: Krigstein condenses and distends time itself... Reissman's life floats in space like the suspended matter in a lava lamp. The cumulative effect carries an impact—simultaneously visceral and intellectual—that is unique to comics."[4]

Mad[edit]

Krigstein also did humor, such as "From Eternity Back to Here" in Mad #12, "Bringing Back Father" in Mad #17 and "Crash McCool" in Mad #26. His wife, Natalie, wrote romance comics during the genre's peak. They had a daughter, Cora, in 1949.

In the early 1960s, Krigstein left comics in order to draw and paint illustrations for magazines, book jackets (notably, the first edition of Richard Condon's The Manchurian Candidate) and record albums, eventually turning away from commercial assignments in order to focus on fine art. In 1962, he took a position at the High School of Art and Design in Manhattan, where he taught for 20 years.[3]

As he told a 1962 interviewer, "It's what happens between these panels that's so fascinating. Look at all that dramatic action that one never gets a chance to see. It's between these panels that the fascinating stuff takes place. And unless the artist would be permitted to delve into that, the form must remain infantile."[5]

Awards[edit]

He was posthumously inducted into the comic book industry's Jack Kirby Hall of Fame in 1992 and the Will Eisner Comic Book Hall of Fame in 2005.

Greg Sadowski's book B. Krigstein, Vol. 1 won the Harvey Award for Best Biographical, Historical, or Journalistic Presentation in 2003, and was also nominated for the Harvey Special Award for Excellence in Presentation in 2003.[6]

References[edit]

  1. ^ a b Boyd, Robert (February 1990). "Bernie Krigstein Dead at 70". The Comics Journal (Fantagraphics Books) (134): 13–14. 
  2. ^ Cowie, Peter. "Night and Fog: Origins and Controversy". Criterion Collection, 2003.
  3. ^ a b Sadowski, Greg. B. Krigstein, Vol. 1. Fantagraphics Books, 2002.
  4. ^ Spiegelman, Art. "Ballbuster", The New Yorker, July 22, 2002
  5. ^ Benson, John and Stewart, Bhob. Talk with B. Krigstein, 1963.
  6. ^ Harvey Awards, 2003.

Further reading[edit]

External links[edit]