Bhāva

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Bhāva (Sanskrit: bhāva, 'state, condition') is a term in Jyotisha denoting a fixed zodiacal division of the sky from the perspective of an observer. It corresponds to the concept of "house" in Western astrology.[1] A natal chart is called bhāvacakra (Sanskrit: cakra, 'wheel'.)

Overview[edit]

In almost all traditional practice, the twelve houses (bhāva) of an chart have the same boundaries as the twelve signs in the chart; in other words, each sign is a house in the chart. The beginning of each house is the 0th degrees of the sign and the end is the 30th degree of the sign. What varies from chart to chart is the enumeration of these houses, i.e., which sign is the first house, which is the second, and so forth. This is determined by the position of the Lagna (the Ascendant, or the longitudinal point of the zodiac that was rising in the East at birth.) The house in which the Lagna falls is usually the first house of the chart, and the other houses follow it, counter-clockwise, in the sequence of the zodiac. It is possible, however, for the houses to be defined relative to some other factor, such as a planet, a sign, or any other factor.

Each of the twelve houses signifies a region of the concerns of life, and the identity of the sign of that house colors what may be expected from that life.

More than one system to align houses with signs are recognized in Jyotisha. The most common method is described above, a method that Western astrologers call the whole sign house system; another is Sripathi, introduced by Sripati, akin to a Porphyry house system. The modern Krishnamurti Paddhati also incorporates a Placidus house system.

The principle of House Division introduced in Sripathi Bhāva System is described as follows: "In the Sripathi system the 1st house cusp is the Lagna, and the 7th house cusp is the Descendant opposite it, the 10th house cusp is at the MC (Medium Coeli or Madhya Lagna), i.e. Zenith, and the 4th house cusp is at the IC (Imum Coeli or Patala Lagna) i.e. Nadir. The four quarters divided thus should be divided into three equal parts each, and thus we find the 12 house cusps in Sripathi system. To find the Bhava Sandhis (meeting points of houses) we should divide the distance between the house cusps into halves."[2]

The houses[edit]

The names of the 12 houses and the areas of life represented by them are:[3]

  1. Lagna - Nature of Native, Appearance, Health, Character, Purpose of Life, behavior,[4] birth,[5] limbs,[6] head[7]
  2. Dhana - Wealth, Family, Domestic Comforts, Early Education, Inheritance, Speech,[8] moveable asssets[9]
  3. Parakrama - Younger Brothers and Sisters, Communication (Talking, Writing, Business Documents),[10] Intelligence, fine arts[11] Short Journeys, "great prowess (physical and mental)," [12] hands, arms, shoulders [13]
  4. Suhṛda - Mother, Emotions, Education, Home, Property and Land, Surrounding in Old Age, vehicles,[14] the chest[15]
  5. Suta - Children, Lovers, Recreation[16] Devotion,[17] Speculation and Gambling,[18] the belly,[19] accumulated karma[20]
  6. Ripu/Roga - Diseases,[21] Maternal uncle and aunt, Litigation, Servants, Mental Worries, Enemies, Foreigners, small intestine,[22]
  7. Kāma - Spouse, Business Partner, Death,[23] Respect,[24] passion,[25] groin [26]
  8. Mṛtyu - Death & Longevity, Obstacles,[24] Suffering, Sexual organs and sexual attractiveness,[27] Occult, Dowry, Inheritance, Imprisonment, Excretory organs,[28] accidents[29]
  9. Bhāgya - Father, Luck, Higher learning, Philosophy & Religion, Mentor or Guru, Prosperity, Travel, "deeds of virtue"[30]
  10. Karma - Profession, Status & fame, Power, Father, Mother-in-law, Government, Clothes,[31] Commerce,[32] knees[33]
  11. Āya - Friends, Hopes, Earnings, Club or Social Activities, Elder Brothers and Sisters, Daughter/Son-in-law, calves, shins and ankles[34]
  12. Vyaya - Expenses, Sleep (and convalescence), Sexual pleasures,[35] Spirituality, Travel & Pilgrimage, Secret Enemies, Imprisonment, Hospitals, Asylums, Liberation, loss[36] foreign residency,[37] feet[37]

Classifications[edit]

In general houses are classified into four categories:

  • Kendra: the angular houses, that is the first, fourth, seventh and tenth houses. (kendra, from Greek κἐντρα,[38] also describes the relationship between any houses or grahas which are about 90 degrees apart.) These are very strong houses for grahas to occupy.
  • Trikona: the houses forming a triangle within the chart with the first house, about 120 degrees apart from one another, that is the first, fifth and ninth. These are the most auspicious houses. (From Greek τρἰγωνα.[38])
  • Dusthāna: the less fortunate houses which tend to rule unhappy areas. These houses make no clear geometric connection to the Lagna. Dusthanas include the sixth, eighth and twelfth houses.
  • Upachaya: "growth" or "remedial" houses, where malefic planets tend to improve, include the third, sixth, tenth and eleventh houses.

Succedent houses are called pāṇaphara (from Greek ἐπαναφοραἱ), and cadent houses are called āpoklima (Gk. ἀποκλἰματα).[38]

See also[edit]

References[edit]

  1. ^ Monier-Williams, 'an astrological house or lunar mansion'
  2. ^ Place of the Planets http://www.scribd.com/doc/7184535/Astrology-Place-of-the-Planets
  3. ^ the meanings which are not specifically cited apparently derive from a website: http://www.selfrealisation.net/VedicAstrology/Bhavas.htm which is no longer accessible.[unreliable source?] Meanings not confirmed by other sources have been removed.
  4. ^ deFouw p.129.
  5. ^ deFouw p.129; Braha p.37, "birth, early childhood start in life".
  6. ^ Dreyer p.85
  7. ^ Dreyer p.85; deFouw p.129.
  8. ^ Dreyer p.86, "speech, truthfulness, learning"; Braha p.37, "speech, use of foul language, speech defects, orators, poets..." ; deFouw p.131, "ability to speak {...] power and quality of speech"
  9. ^ deFouw p. 131.
  10. ^ deFouw p.133, "especially routine"
  11. ^ Braha p.38, mentions "fine arts, music, dance, drama, theater, musicians, actors, etc."
  12. ^ deFouw p. 133.
  13. ^ Braha p.38; also deFouw p.133.
  14. ^ Dreyer p.87; deFouw p.134, says "conveyances"
  15. ^ deFouw p.134; Braha p.38, says "heart, emotions and passions."
  16. ^ Dreyer p.88, "Creative and pleasurable pursuits."
  17. ^ Dreyer p.88, "Vedic knowledge"
  18. ^ mentioned only by Braha, p.38.
  19. ^ deFouw, p.136, "upper abdomen and the organs therein, including the stomach and liver"; Dreyer p.88, confirms that the belly is found in the 13th century Phaladeepika of Matreswara (English tr. K. Subramanyam, 1981) p. 7.
  20. ^ Dreyer p.88, "previous karma"; Braha p.38, says "poorvapunya--rewards and credit due from last incarnation." DeFouw pp. 142–143, on the other hand, locate "previous good karma" in the ninth house.
  21. ^ deFouw p. 137, "accidents, anxieties, debt, disease." Also ,Dreyer p.88. Also Braha p. 88, says "health, illness, disease."
  22. ^ deFouw p.137.
  23. ^ deFouw p.139.
  24. ^ a b Dreyer p.89.
  25. ^ Dreyer p. 89.
  26. ^ Dreyer p.89, "citing Mantreswara"; also deFouw p.139.
  27. ^ Braha p.39: "sexual strength, reproductive system, venereal diseases", as well as "sexual attractiveness. Dreyer pp. 89–90, says only "sexual organs" as does deFouw pp. 140–141, specifically "external sexual organs."
  28. ^ deFouw, pp. 140–141.
  29. ^ deFouw p.140; also Braha p.39.
  30. ^ Dreyer p.90.
  31. ^ Dreyer p. 90.
  32. ^ Dreyer p.90; also deFouw p.144
  33. ^ Dreyer p.90; also deFouw p.141
  34. ^ deFouw p.141
  35. ^ Braha p.40, "pleasures of the bed (including sexual pleasure)". Also deFoux p.147, "comforts of the bed (like sleep and sex), convalescence"
  36. ^ deFouw p.147, "including bodily vigor"
  37. ^ a b deFouw p.147
  38. ^ a b c Pingree, p.82

Bibliography[edit]

  • Hart deFouw and Robert Svoboda, Light on Life: An Introduction to the Astrology of India, Penguin, 1996
  • Ronnie Gale Dreyer, Vedic Astrology: A Guide to the Fundamentals of Jyotish, Samuel Weiser, York Beach ME, 1997
  • James T. Braha, Ancient Hindu Astrology for the Modern Western Astrologer, Hermetician Press, Hollywood FL, 1986
  • David Pingree, Jyotiḥśāstra, Otto Harrassowitz, Wiesbaden, 1981