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|Bhadrakālī (Good Kali, Mahamaya Kali)|
|Sanskrit Transliteration||भद्र कालि|
|Tamil script||பத்ர காளி|
|Mantra||oṁ glauṁ bhadrakālyai namaḥ|
Bhadrakālī (Sanskrit: भद्रकाली, Tamil: பத்ரகாளி, Telugu: భద్రకాళి, Malayalam: ഭദ്രകാളി, Kannada: ಭದ್ರಕಾಳಿ), (literally "Good Kali,") is a form of the Hindu goddess Kali popular in Southern India. She is one of the fierce forms of the Great Goddess (Devi) mentioned in the Devi Mahatmyam. Bhadrakali is the popular form of Devi worshipped in Kerala as Sri Bhadrakali and Kariam Kali Murti Devi. In Kerala she is seen as the auspicious and fortunate form of Kali who protects the good. It is believed that Bhadrakāli was a local deity that was assimilated into the mainstream Hinduism, particularly into Shaiva mythology. She is represented with three eyes, and four, twelve or eighteen hands. She carries a number of weapons, with flames flowing from her head, and a small tusk protruding from her mouth. Her worship is also associated with the Tantric tradition of the Matrikas as well as the tradition of the ten Mahavidyas and falls under the broader umbrella of Shaktism.
In Sanskrit, Bhadra means good. A major religious interpretation of this name is that Bhadra comes from 'Bha' and 'dra', The letter 'Bha' means 'delusion' or 'Maya' in Devanagiri and 'dra' is used as a superlative i.e. meaning 'the most/the greatest e.t.c' which makes the meaning of Bhadra as Maha Maya. The Sanskrit word 'Bhadra Kali' therefore can be translated to Hindi as 'Mahamaya Kali'.
According to Tantra Rahasya, she arose from the North (Uttaramnaya) face (Amnayas) of Shiva, which is blue in color and with three eyes.
There are at least two traditional versions regarding the origins of Bhadrakali. The one popular in Kerala is of her divine birth as the daughter of Shiva to liberate the world from the demon Daruka. The other is associated with Daksha and the legend of the Daksha Yaga from the Shaivite tradition. Daksha organized a religious feast and he invited all the Gods, Goddesses and princes to attend. But he didn't invite his son-in law Shiva and his daughter Sati because he didn't approve of Sati marrying Shiva. Sati learned about this and asked Shiva to go with her. Shiva refused, so Sati decided to attend nevertheless, escorted by Shiva's troops. When she got to the ritual, Daksha got very angry upon seeing her. He yelled at her, Sati tried to make him understand but it was no use. Daksha kept on yelling, Sati got very angry and took the form of the Great Goddesss Mahadevi. Everyone was terrified as she introduced herself as the supreme power (Adi Shakti) to Daksha and cursed him and all the Gods, princes and Goddesses to be killed by Shiva. Finally, she gave up her life by committing suicide by burning herself on the sacred pyre, therefore destroying Daksha's sacrifice. A very angry and grief-stricken Shiva heard of Sati's death and he began a terrible dance of destruction. Later, Shiva pulled two locks of hair from his head and they fell upon the ground. From one arose Virabhadra, Shiva's destructive and terrible incarnation, having eight hands holding weapons and a dark complexion. From the second lock sprung Bhadrakali, Devi's violent and fierce incarnation, having eighteen hands holding a number of weapons and a dark complexion. (In other versions of the myth, both Bhadrakali and Virabhadra spring from Shiva's third eye when he is at his most furious). Shiva ordered them to wreak havoc, and in the end, the evildoers were destroyed. In some myths, Virabhadra and Bhadrakali are husband and wife; in others they are depicted as sister and brother.
Various traditions and forms of worship
According to her Keralan devotees, the events described in the Markandeya Purana associated with Bhadrakali (her slaying of the demon Daruka to liberate the universe from the evil) took place in Kerala, near Madayi in the Kannur District. Bhadrakali temples in Kerala commemorate this event during traditional festivals and Bhadrakali is worshipped as the daughter of Lord Shiva, from whose third eye she sprung to defeat the demon. According to the Markandeya Purana, her worship purifies the devotee and grants liberation from the cycle of birth and death. She is seen to protect the honour of women and to bestow all spiritual knowledge. In Kerala, she called Virabhadra her "brother" and refused to be treated by him when she was attacked by the deity Vasoorimala, who had marked her face with smallpox. She said that a brother must not touch the face of his sister. Thus, mild pockmarks are sometimes visible on her face in some Keralan depictions of her.
Among the people of the neighboring states, especially in Tamil Nadu, this form of Shakti is known as 'Malayala Bhagavathy' or 'Malayala Bhadrakali', who provides protection to her devotees irrespective of caste and religion.
In Tamil Nadu, Karnataka, Andhra Pradesh and the Southern Travancore area of Kerala, especially in the city of Thiruvananthapuram, the Tamil, Kannada and Telugu speaking communities worship a form of Mahakali as 'Ujjaini Mahakali', and they consider Emperor Vikramaditya as their first teacher in this spiritual tradition as having established the tradition in the South.
In other parts of India, the Tantric name 'Kali' or 'Mahakali' is generally more popular as the consort of Shiva in his form of Rudra or Mahakala, and Bhadrakali is identified as Durga's daughter who helped her during the battle with Raktabija. Other sources state that she is the sister of Virabhadra, who was himself born of the wrath of Shiva as Rudra, and that she is the consort of a form of Mahakala or Bhairava. The deeply Tantric-influenced traditions mostly consider 'Kali' as the consort of Shiva.
Martial arts and Bhadrakali
It is believed Bhadrakali protects the practitioners of Kalarippayattu, a traditional martial arts form. In Malabar, it is believed that all the victories of Thacholi Othenan and other martial artists were due to the blessings of Bhadrakali of the Lokanarkavu Temple, also known as 'The Shaolin Temple of Malayalees'. Most traditional villages in Kerala have their own Kalari, the ancient martial arts schools and local temples dedicated to Bhadrakali associated with them. Among Tamils, Bhadrakali is equally important as the patron deity of traditional martial arts and a guardian of all law abiding citizens.
Family deity of martial communities
Some communities, like the Kodavas and Nairs, worship this deity as family deity. They worship certain weapons at their temples which they believe to be the weapons used by the goddess. Bhadrakali is also the tutelary deity of the Nadar community of Tamil Nadu.
MULLUTHARA DEVI TEMPLE (SREE BHADRA KALI DEVI & KARIAM KALI MOORTHI DEVI MULLUTHARA SREE BHADRA - KARIAM KALI MOORTHI TEMPLE,ADOOR,MALAMEKKARA,PATHANAMTHITTA
Mullutharayil kalari was Re- Organised as Mulluthara Sree Bhadra- Kariam Kali moorthi Temple(Mullutharadevitemple) after its Pura Prathishta in the past ie....600 yers before, the kala Kalarippyattu(Martial Art) were on - going under the leader ship of the Kalari Assan.They ware workshiping sree Kariam kalimoorthi as their Kula Dheyam.There after Sree Bhadrakali was appeared in front of the Kalari Assan and asked him to allows her to site insupport to the Kariam Kali Moorthi in Mullutharayil Kalari and allowed them Assan.The Devotees are workshping these two Gods along with others as their Desha Devads............
Kalidasa and Vikramaditya
According to legends, the famous Indian Sanskrit poet Kalidasa became what he was thanks to the divine will of Bhadrakali. Another legend states that the emperor Vikramaditya and his brother Bhatti were also ardent devotees of Bhadrakali, whose blessings resulted in all the success showered upon them. Vikramaditya also helped to establish small wayside Bhadrakali temples and prayer centers for pilgrims in many parts of Southern India, especially in Tamil Nadu. The devotional traditions focused around these small temples exist even today.
Folk Art ritual of Kerala and Bhadrakali
Kerala has a tradition of folk artist rituals and dances associated with worship of Devi in the form of Bhadrakali. These rituals are performed in places of worship called Kavu (roughly translated as grove) or in small temples. Besides the general welfare of the village, these rituals aim at warding off of such calamities like smallpox and other epidemic diseases. The ritual themes generally revolve around the triumph of Bhadrakali over the demon Daruka and other evil characters.
The dance forms are:
Famous Bhadrakali temples
- Warangal Bhadrakali Temple in Warangal, Andhra Pradesh. Bhadrakali (Maha Kali Mata) was the principal deity of the Hindu Kakatiya kingdom of Warangal (Oragallu or Ekashilanagaram) that ruled most of Andhra Pradesh during that period. Rituals and animal (and human, by some accounts) sacrifices on a large scale were performed to invoke the blessings of Goddess Bhadrakali before the Kakatiya warriors went off for battle. As per the writings on the temple wall this temple is believed to be constructed by the King Pulakesi II of Chalukya dynasty around 625 A.D
- Thiruvarkadu Bhagavaty Temple in Payangadi, Kannur, Kerala is the first and foremost Bhadrakali Temple at a place believed to be the fortress of Darukasura. Bhadrakali beheaded Daruka here. The Shakteya Sampradaya pooja is well known here. It is done by Bhattarakas (Pdiraras) who are migrant priests from Kashmir and Bengal. The idol of Bhadrakali is around 6 feet tall and is portrayed in the form of slaying Daruka. Tiruvarkattu Bahagavaty Temple is famous for the removal of black magic.
- Kodungallur Bhagavathy Temple, Thrissur, Kerala; is one of the oldest temple in India built during the Sangam age. Mahodayapuram (Kodungallur) was the capital of the Chera Empire which ruled Kerala. Shri Bhadrakali in her fierce form is worshipped along with Mahadevar and Saptamathrukkal.
- Thirumandhamkunnu Temple at Angadippuram, Kerala; A famous temple of Shri Bhadrakali, for marriage and child.
- Kalarivathukkal Bhagavathy Temple, Kannur, Kerala; the fierce form of Bhadrakali, as the mother of the martial art Kalaripayattu. Theyyam the folk dance in Malabar starts with the permission of the Chirakkal Raja and the final theyyam in entire Kerala is in Kalarivathukkal Temple. The rituals are in Sakteya method.
- Chettikulangara Devi Temple, near Mavelikkara, Kerala
- Panayannarkavu, near Mavelikkara, Kerala
- Pattupurakkavu Bhagavathi temple, Pandalam
- Sarkaradevi Temple, in Thiruvananthapuram
- Malayalappuzha Devi Temple, in Pathanamthitta
- Paramekkavu Bagavathi Temple in Thrissur.
- Pisharikavu,Koyilandi, Kozhikode,
- Vellayani Devi Temple, Trivandrum, Kerala.
- A temple of Bhadrakali is found at a place called Bajna at a distance of 36 km from Ratlam city in Malwa region. This Bhadrakali temple is of the period of Parmara rulers and known as Garhkhankhai mataji. This temple is situated in dense forested area of the valley at the sangam of Karan river and Mahi river. Raja Bhoj constructed this temple. This place is also recognized as shaktipitha in India. The excavations at this site has produced rare idols of Shiva in yoga pose, Lakshmi, Gajasursanhar, Surya and Nataraja. The world famous 'Tripurasundari ma' temple at a distance of 60 km from this place is situated at village Talwada in Banswara district in Rajasthan. An inscription of 1540 AD found here reveals that this temple was constructed prior to the rule of Kanishka. Some people[who?] believe it to be constructed before 3rd century AD. There was a very ancient place here known as 'Garhpoli' which is called as 'Umarai' at present. Excavations in 1982 at this place have produced idols of Shiva with Parvati on his thigh. Ganesha and Kartikeya are seated on both sides.
- Pathirakali Amman Temple, Trincomalee, is on Konesar Road, near Swami Rock (Konamalai), home of Koneswaram temple
- Mulluthara Devi Temple,Sree Bhadra kali & Kariam Kali Moorthi deviis Adoor,Malamekkara,Pathanamthitta,Kerala
- "A Practical Sanskrit Dictionary". Dsal.uchicago.edu. 2002-06-01. Retrieved 2012-02-23.
- the Horse-worship of the Prajapati Daksha The Mahabharata translated by Kisari Mohan Ganguli (1883 -1896], Book 12: Santi Parva: Mokshadharma Parva: Section CCLXXXIV. p. 317. “I am known by the name of Virabhadra’’ and I have sprung from the wrath of Rudra. This lady (who is my companion), and who is called Bhadrakali, hath sprung from the wrath of the goddess.”
- Vishnu Purana SACRIFICE OF DAKSHA (From the Vayu Purana.) The Vishnu Purana, translated by Horace Hayman Wilson, 1840. p. 62, "In former times, Daksha commenced a holy sacrifice on the side of Himaván, at the sacred spot Gangadwara, frequented by the Rishis. The gods, desirous of assisting at this solemn rite, came, with Indra at their head, to Mahadeva, and intimated their purpose; and having received his permission, departed in their splendid chariots to Gangadwára, as tradition reports.” 62:2 The Linga (Purana) is more precise, calling it Kanakhala, which is the village still called Kankhal, near Haridwar. p. 68 I am called Virabhadra, the issue of the wrath of Rudra. Bhadrakálí also, who has sprung from the anger of Devi…
- Shakti and Shâkta by Arthur Avalon (Sir John Woodroffe), , Chapter Six Shakti and Shakta. “4) The face in the North is blue in color and with three eyes. By this face, I revealed the Devis, Dakshinakalika, Mahakali, Guhyakah, Smashanakalika, Bhadrakali, Ekajata, Ugratara, Taritni, Katyayani, Chhinnamasta, Nilasarasvati, Durga, Jayadurga, Navadurga, Vashuli, Dhumavati, Vishalakshi, Gauri, Bagalamukhi, Pratyangira, Matangi, Mahishamardini, their rites and Mantras.”
- Maha Kshethrangalude Munnil, D. C. Books, Kerala
- Markandeya Purana
- Robert L. Hardgrave (1969). The Nadars of Tamilnad: The Political Culture of a Community in Change. University of California Press. p. 38. ISBN 81-7304-701-4.
- Ujjaini Mahakali Ammanin Varalaru, Mahatmyam
- Amit Nigam: Ratlam ki Tripura sundari, Democratic World, 28 December 2006
|Wikimedia Commons has media related to Bhadrakali.|
- Dictionary of Hindu Lore and Legend (ISBN 0-500-51088-1) by Anna Dallapiccola
- Maha Kshethrangalude Munnil, D. C. Books, Kerala