|Directed by||Ketan Mehta|
|Produced by||Paresh Mehta|
|Written by||Hriday Lani
|Based on||Bhavni Bhavai (play)
by Dhiruben Patel
|Music by||Gaurang Vyas|
|Edited by||Ramesh Asher|
|Running time||135 minutes|
|Budget||3.5 lakh (equivalent to 38 lakh or US$62,000 in 2014)|
Bhavni Bhavai (Gujarati: ભવની ભવાઈ – The Tale of the Life ) is a 1980 Gujarati film directed by Ketan Mehta, starring Naseeruddin Shah, Om Puri, Smita Patil, Mohan Gokhale, Benjamin Gilani. The film tells the story of untouchability through folklores and Bhavai.
Bhavni bhavai was Ketan Mehta's debut film and received a critical acclaim. Ketan Mehta won the prestigious Nargis Dutt Award for Best Feature Film on National Integration, while Meera Lakhia won National Film Award for Best Production Design at the 28th National Film Awards. The film was also selected for the festival at Museum of Modern Art and received UNESCO Club Human Rights award at Three Continents Festival.
King Chakrasen (Naseeruddin Shah) badly wants an heir, but neither of his two queens can conceive a child. One day Chakrasen smells foul smell at his darbar, upon investigating he is told the place is not cleaned because bhangis are on holiday for a wedding. Angrily, he summons them immediately and orders their flagellation as the punishment. Meanwhile, his spy brings the information that his people are conspiring against the king. On the advice of his prime minister (Benjamin Gilani), he decides to declare a war against the neighbouring state, as a distraction. Unknown to the king, his prime minister is having an affair with his younger queen (Suhasini Mulay). Before the king can declare a war, the neighbouring king decides to attack for the similar reasons. Chakrasen's army wins the war but suffers major brutality. At the same time, the king receives the news that his elder queen is expecting a child. Hearing this news, the jealous young queen and prime minister conspires with the royal astrologer and tells the king that if the king sees the face of the newborn, he will die immediately. Fearing for his life, the king orders to kill the newborn. The soldiers, ordered to kill the child, have a change of heart and instead of killing him, puts him in a wooden box and lets go of him in the river, where one of the bhangis, Malo Bhagat (Om Puri) accidentally finds the box and decides to raise the child with his wife (Dina Pathak) as his own, Jeevo. While in kingdom, the royal astrologer suggests that if the king wants a child, he must build a stepwell and the king agrees to it.
Years pass by, the work on stepwell continues, but they can't find the water. Jeevo (Mohan Gokhale) is grown up, and has fallen in love with gypsy girl, Ujam (Smita Patil). The royal astrologer accidentally discovers that Jeevo is actually son of the king and tells the king that the king must sacrifice Batress Lakshano Purush (A man with thirty two qualities), if he wants water in the stepwell and Jeevo is the only eligible man besides the king himself. The army sets out to capture Jeevo, but he runs away. Rangeelo (jester) finds out the truth and decides to inform the elder queen, but before that, the prime minister captures him and puts him in jail. Jeevo makes a plan with Ujam and tells the king that if he agrees to end untouchability of his caste, only then he'll surrender else he'll kill himself and the king won't be able to complete the sacrifice. After consulting his ministers, Chakrasen reluctantly agrees to demands. On the day of the sacrifice, Rangeelo manages to escape from the prison and tells the king that Jeevo is his own son, to which king is delightful and aborts the execution and the stepwell is suddenly starts filling up with water.
As the story approaches the end, one of the Harijans stops the elderly and tells him not to lure the children with false happy endings and narrates his own alternate ending. In the alternate ending, rangeelo doesn't arrive to tell the truth and sacrifice proceeds as planned, but there is still no water in the stepwell. Unable to bear the shock of their son's death, Jeevo's mother dies and Malo curses the king and commits suicide in the stepwell. Upon Malo's death, stepwell gets over flooded killing king and his ministers with him. The final sequence is interspersed with the footage of violent protests of Indian independence movement.
After gradudating from Film and Television Institute of India, Ketan Mehta was working for a satellite channel. Through his travels in villages, he came across the problems faced by rural population, specifically untouchability. He also came across Dhiruben Patel's play Bhavni Bhavai, which back then was performed as a Bhavai and then decided to turn it into a movie. The film was made on a meager budget of 3.5 lakh (equivalent to 38 lakh or US$62,000 in 2014), with funding from NFDC. Most of the actors, including Naseeruddin Shah, Om Puri and Smita Patil agreed to work without any compensation.
Ketan Mehta filmed the movie with Distancing effect and the use of comic characters, hence the film is dedicated to Bertolt Brecht and Goscinny, the creator of Astérix. The film is also dedicated to the inventor of the Bhavai, Asaita Thakar, who was a Brahmin outcast and lived among the lower caste communities. The Bhavai evolved into one of India's most energetic folk music and dance-dramas. The final sequence of the stepwell and sacrifice was filmed at World Heritage Site, Rani ki vav in Patan, Gujarat.
- Naseeruddin Shah as King Chakrasen
- Smita Patil as Ujam
- Mohan Gokhale as Jeevo
- Om Puri as Malo Bhagat
- Dina Pathak as Bhagat's wife
- Benjamin Gilani as Prime Minister
- Suhasini Mulay as Younger Queen
|Soundtrack album by Gaurang Vyas|
|Genre||Feature film soundtrack|
Bhavni Bhavai songs were composed by Gaurang Vyas and written by Dhiruben Patel.
|1.||"Pachhun Vali Ne Joyun Na"||Dhiruben Patel||Bhupinder Singh||3:39|
|2.||"Hoon Malo No Dikro Jevo"||Dhiruben Patel||Praful Dave, Varsha Bhosle||2:58|
|3.||"Ranglo Aave Raja Ranglo Aave"||Dhiruben Patel||Preeti Sagar, Praful Dave, Nimesh Desai||5:56|
|4.||"Patal Pani Toye Niklya Nai"||Dhiruben Patel||Preeti Sagar||2:30|
The film received a wide critical acclaim, and is considered one of the best Gujarati film of all-time. The film was considered path-breaking for dark humour and satire because most of the film around the time were based on mythology and religious stories. The film was also praised for then-novel technique of breaking the fourth wall.
New York Times described it as "Enhanced by interesting costumes and incisive dialogue, the fable combines comedy and social commentary as it moves through its classic tale." Variety called it "A delightful didactic fable with sharp Brechtian influences that works on practically all levels." Khalid Mohamed of Times of India said, "like a lightening red Bhavni Bhavai, the Gujarati Film is very special – inventive, moving and fine grained – the film is so simple, song filled and entertaining that it is well along its way before you recognise it as a tour do farce it actually is." American film critic J. Hoberman called the movie "the finest film I saw in India" and described it as stunningly photographed and universally accessible. Director Sudhir Mishra has said that Bhavni Bhavai was one of the films which had inspired him to take up filmmaking.
- Aditya Mani Jha (29 April 2013). "Bhavni Bhavai: Folk matters, and how to break the Fourth Wall".
- Banerjee 2013, p. 49.
- "Dhiruben Patel". Muse India. Retrieved November 12, 2011.
- Divyasha Doshi (10 November 2014). "હડકાયો કૂતરો કરડ્યો એટલે હું ફિલ્મ બનાવું છું. - કેતન મહેતા".
- Hiren Dave (4 October 2009). "Bhavni Bhavai (Gujarati) (1980)".
- Jai Arjun. "Dry well, foul smell - on Ketan Mehta's excellent Bhavni Bhavai".
- Eleanor Mannikka. "Bhavni Bhavai (1980)". New York Times.
- "Bhavni Bhavai critics/reviews". Retrieved 20 December 2014.