Big in Japan (phrase)

This article is about the phrase. For other uses, see Big in Japan.

Big in Japan was originally a scornful phrase applied to Western rock bands that failed to sell many records in the United States and/or the United Kingdom. During the 1960s and 1970s, Japanese pop culture was not yet considered very cool in the English-speaking world. Thus, though a band might have tens of thousands of Japanese fans, it was not considered truly successful: the band was only big in Japan.^{[citation needed]}

Mr. Big, a notable "Big in Japan" band from the United States. They were one of the two most popular foreign music artists in Japan alongside another "Big in Japan" Bon Jovi, while outside Japan they were generally considered a one-hit wonder with their single To Be With You.

Original usage

For example, Scorpions initially had only mediocre success in Europe and the United States,^{[citation needed]} yet were "Big in Japan", as evidenced by their 1978 tour of the country and the double live album Tokyo Tapes. Another example is The Ventures, a band formed in 1959 and touring Japan each year since 1965, having logged over 2,000 concerts there by 2006. "Being 'Big in Japan' turned into a positive sign of their closeness to the hearts of Japanese people, with the band embedded in national and local rock cultures."

The phrase was used as the name of a UK punk band in 1977-82 (whose name inspired the title of a 1984 hit single by pop band Alphaville) and was the name of the lead track on the Grammy-winning 1999 album Mule Variations by Tom Waits. The mockumentary This is Spinal Tap makes fun of this concept with its ending in which the band gets out of its career slump by performing in Japan.

The phrase began to appear on several major Japanese foreign-rock magazines, especially the Music Life magazine, in the late 1970s, and in most cases, the "big in Japan" artists became popular in Japan because of being featured by Music Life.

In the late 20th, notable "big in Japan" artists included several stadium rock bands from the United States of America, metal artists from Northern European countries such as Norway, Denmark, and especially Sweden and Finland, eurobeat artists from Germany and especially Italy, and UK rock artists literally from the United Kingdom.

Some bands have used their popularity in Japan as a springboard to break into other audiences. Notably, the Illinois power pop group Cheap Trick, which had been known as the "American Beatles" in Japan for their appeal, achieved widespread success with their multi-platinum live album Cheap Trick at Budokan. The band had previously struggled to break into the mainstream American market with their earlier albums. Furthermore, like Cheap Trick, some bands have lost their "big in Japan" titles because of gaining popularity in their respective homelands. The most notable example is Queen, along with Bon Jovi.

Other usage

Bob Sapp

Since foreign music declined in popularity, and the magazine Music Life ceased publication due to low circulation in mid-1990s, there has been no reported case of "big in Japan" in the music industry. However, some people in other industries, most notably Bob Sapp and Takeshi Kaneshiro, have been described as "big in Japan".

Vivian Hsu

Many Thai kickboxers in K-1, most notably Buakaw Por. Pramuk who is also the most popular kickboxer among women in Japan, have been considered "big in Japan", as most of them are successful in K-1 but it is widely believed in Japan that their muay thai accomplishments in Thailand are usually not very good and therefore they are not well-recognized in Thailand.

It has also been used in sports, for instance, to describe Major League Baseball players who joined Japanese clubs at the end of their careers, for example baseballer Daryl Spencer.

"Small in Japan"

The derivative phrase "small in Japan", originally used for AC/DC, has been used since early 1980s. In general, a small-in-Japan artist holds significant popularity in the Western world (in most cases the United States), and visits Japan many times to promote himself/herself, yet is almost unknown and unsuccessful in Japan despite being heavily featured by Japanese music media. Notable small-in-Japan individuals in 2000s included Britney Spears, Beyonce, Rihanna, Alicia Keys, Jennifer Lopez, Eminem, The Jonas Brothers, Amy Winehouse, Linkin Park, Lindsay Lohan, 50 Cent, The Libertines, Jessica Simpson, Connie Talbot, Miley Cyrus and Justin Bieber. On April 26, 2002 when Britney Spears made her 4th appearance on the morning news program Mezamashi TV, the anchorman Shin'ichi Karube introduced her as a "typical small-in-Japan singer who should get more attention",^{[citation needed]} and described her as an "incredibly popular American singer, Aguilera's best competitor, America's young next big thing, whom the program previously introduced but still no one knows in Japan". The singer withdrew from the Japanese market in December 2003.

From the Japanese point of view, the phrase "small in Japan" is also used to describe Japanese celebrities who are unknown, unsuccessful or "forgotten" in Japan but making their ways outside Japan. The phrase has been used to refer to certain musicians such as Dir en Grey, certain actors such as Ken Watanabe, certain professional wrestlers such as Tajiri and Yoshi Tatsu, certain fashion models such as Ai Tominaga and Tao Okamoto, and all the Miss Universe contestants from Japan, most of whom are former unsuccessful fashion models, including Kurara Chibana and Riyo Mori.

In one exceptional case, Digital Arts magazine has used the phrase to describe Xbox 360, a videogame console that was a success all over the world except Japan.

Recent example

As of 2011, Tynisha Keli is widely considered a BIJ person. This young American female singer has established popularity among young Japanese women especially those in their early teens since 2008 when she released her first single I Wish You Loved Me. She has a large popularity for a foreign entertainer in Japan, however is relatively unknown in her home country of the USA. Her songs have even appeared in the mainstream Oricon charts, and she made several collaborations with Japanese singers such as Beni.

See also

• Exceptionalism
• Galápagos syndrome