Bill Graham (promoter)
Bill Graham, circa 1990.
January 8, 1931
|Died||October 25, 1991
Vallejo, California, U.S.
|Years active||1960s–1991; his death|
Bill Graham (January 8, 1931 – October 25, 1991) was an American impresario and rock concert promoter from the 1960s until his death in a helicopter crash. He fled from Germany and, in 1941, from France to escape the Holocaust. At age ten he settled in a foster home in the Bronx, New York. Graham graduated from DeWitt Clinton High School and from City College with a business degree although he claimed he had a degree in journalism.
In the early 1960s, he moved to San Francisco, and, in 1965, began to manage a theater troupe. He organized a benefit concert, then promoted several free concerts. This eventually turned into a profitable full-time career and he assembled a talented staff of one and a half. Graham had a profound influence around the world, sponsoring the musical renaissance of the '60s from the epicenter, San Francisco. Graham made famous the Fillmore, Winterland, and his Family Dog concert halls; these turned out to be a proving grounds for rock bands and acts of the San Francisco Bay Area such as the Grateful Dead, the Jefferson Airplane, Big Brother & the Holding Company with Janis Joplin, the Starship, the Eagles, Country Joe and the Fish, the New Riders of the Purple Sage, Moby Grape, Santana, Frank Zappa, Steve Miller, the Mamas and the Papas, Crosby, Stills, Nash and Young, Deep Purple, Taj Mahal and many more. His foresight, toughness, successes, generosity, popularity and talented staff allowed him to become the top concert promoter in rock music and a multimillionaire.
Graham was born Wolodia Grajonca in Berlin, the youngest son of Frieda (née Sass) and Yankel Grajonca. His family was  a lower-middle-class Jewish family that had emigrated from Russia prior to the rise of Nazism. His father died two days after his son's birth. Graham was given the nickname Wolfgang by his family early in his life. Due to the increasing peril to Jews in Germany, Graham's mother placed her son and his younger sister in an orphanage in Berlin. The orphanage sent them to France in a pre–Holocaust exchange of Jewish children for Christian orphans. Graham's older sisters stayed behind with his mother. After the fall of France, Graham was among a group of Jewish orphans spirited out of France, some of whom finally reached America. But a majority of the children—including Graham's older sister Tolla—did not survive the difficult journey. Graham thus was one of the One Thousand Children (OTC), those mainly Jewish children who managed to flee Hitler and Europe and then come directly to America, but whose parents were forced to stay behind. Nearly all these OTC parents were killed by the Reich. Graham's mother died while imprisoned at Auschwitz. Graham had five sisters, Rita, Evelyn, Sonja, Ester and Tolla, only two of whom survived. Ester moved to the United States and was very close to Graham in his later life. His sister Rita escaped, first to Shanghai and then, after the war, to the United States.
Once in the United States, Graham was raised in a well-to-do foster home in The Bronx in New York City. After being taunted as an immigrant and being called a Nazi because of his German accented English, Graham first worked on his accent, eventually being able to speak in a perfect New York accent. He also changed his name to be more "American." (He found "Graham" in the phone book - it was the closest he could find to his real surname "Grajonca." According to Graham, both "Bill" and "Graham" were meaningless to him). Graham graduated from DeWitt Clinton High School and then obtained a business degree. He was later quoted as describing his training as that of an "efficiency expert."[disambiguation needed]
Graham was drafted into the United States Army in 1951 and served in the Korean War, where he was awarded both the Bronze Star and Purple Heart. Upon his return to the States he worked as a waiter/maître d' in Catskill Mountain resorts in upstate New York during their heyday. He was later quoted as saying his experience as a maître d' and with the poker games he hosted behind the scenes were good training for his eventual career as a promoter. Tito Puente, who played some of these resorts, went on record saying that Graham was avid to learn Spanish from him, but only cared about the curse words. It was during the 1950s that Graham became a champion mambo dancer in the mambo clubs of New York City.
Graham moved from New York to San Francisco in the early 1960s to be closer to his sister Rita. He was invited to attend a free concert in Golden Gate Park where he made contact with the San Francisco Mime Troupe, a radical theater group. He gave up a promising business career to start the free newspaper RAG. His foster parents died and, according to the San Francisco Chronicle at the time, left him and his foster-brother a million dollars each. Graham sponsored several civic minded causes, one example being the Mime Troupe in 1965. After Mime Troupe leader Ronnie Davis was arrested on obscenity charges during an outdoor performance, Graham organized a benefit concert to cover the troupe's legal fees. The concert was a success and Graham saw a business opportunity. Graham sponsored several free concerts in Golden Gate Park, including two Jimi Hendrix concerts. He spent most of his time writing editorials for the RAG. The magazine was used to promote concerts by his vice president, "little" Michael Ludwig to sponsor a renaissance of music in the 1960s, to which Graham was a major contributor.
Graham began promoting more concerts to raise funds for the Mime Troupe and other acts, eventually leaving the troupe to sponsor concerts full-time with his staff: his vice president of Marketing Ludwig did the conception, booking, signing of artists and promotion, Graham's secretary did the paperwork and organizing of events, and Graham was responsible for selection of artistic posters, for which he had a flair, and more importantly he was one of the few "deep pockets" in the Bay Area who would fund the renaissance through musical concerts. Graham provided a vital function of the '60s, promoting concerts which provided a social meeting place to network, where many various ideologies were given a forum, sometimes even on stage, such as peace movements, civil rights, farm workers and others. Most of his shows were performed at rented venues, and Graham saw a need for more permanent locations of his own. Charles Sullivan was a mid-20th-century entrepreneur and businessman in San Francisco who owned the master lease on the Fillmore Auditorium. Graham approached Sullivan to put on the Second Mime Troupe appeals concert at the Fillmore Auditorium on December 10, 1965, using Sullivan's dance hall permit for the show. Graham later secured a contract from Sullivan for the open dates at the Fillmore Auditorium in 1966. Graham later opened Winterland and the Family Dog concert halls. Graham credits Sullivan with giving him his break in the music concert hall business. Charles Sullivan was found murdered on August 2, 1966, south of Market Street in San Francisco. To this day the murder remains unsolved.—Bill Graham, Charles Sullivan, and the Fillmore Auditorium.--
The Fillmore trademark and franchise has defined music promotion in the United States for the last 50 years. It has spawned thousands of jobs and thousands of millionaires. To leave it's provenance a mystery does not serve the historical record. Fortunately for the Fillmore District in San Francisco over the last 10 years from 2003 to 2013 auxiliary writers of the times surrounding the 1960's, and Graham family lawsuits, tell us a truer narrative of the Fillmore phenomena and how the Fillmore's black community was disenfranchised from the asset. Most record keepers of the times had reduced the Fillmore community to a dilapidating slum when in reality it had been a thriving black community from the 1940's till it was criminally dismantled by the redevelopment agency in San Francisco in the 1960's and 70's. The best way to set the historic record straight concerning Charles Sullivan and Bill Graham is to review what Graham left in his own words. Historically the first time Bill Graham mentions Charles Sullivan, in print, is in a article from 1988 "The Historic Fillmore's New Tradition by Keith Moerer" " Bill Graham -- and anyone who's even attended a show at San Francisco Fillmore -- owes a big debt to Charles Sullivan"... "If Mr. Sullivan, Charles, hadn't stood by me and allowed me to use his permit I wouldn't be sitting here."  Although Graham acknowledges Sullivan's part he historically has never revealed how he got the lease to the Fillmore Auditorium and how and when he trademarked the Fillmore brand, which by all historical accounts belonged to Sullivan. Handbill from Graham's first show at the Fillmore Auditorium. "The Mime Troupe is holding another appeal party Friday night, December 10th, at the Fillmore Auditorium" Bill Graham gives a general impression of the Fillmore neighborhood. "The Fillmore Auditorium was located on Fillmore and Geary which was like 125th Street and Lenox Avenue in Harlem"... "In there, Charles Sullivan, a black businessman, had booked a lot of the best R&B acts."... "Charles had put on James Brown and Duke Ellington. At the Fillmore, Bobby Bland and the Temptations" ... "I met Charles Sullivan by appointment the second time I saw the ballroom"... "We needed a dance permit but I didn't have one. Of course he had one because he operated the place. So he allowed us to use his permit and didn't charge me for it."  Ronny Davis states that "Graham... gets very excited about the success of the Fillmore Auditorium Show. He gets a contract with the black guy who owned the Fillmore. He nails it. Closed." At the time in 1966 that's was the prevailing thought on how Graham acquired the Fillmore Auditorium. On pages 150 - 156 of his Autobiography Bill Graham outlines his struggle with City Hall in getting a dance hall permit. According to Graham the neighborhood and the police didn't like a white scene in a black neighborhood and wanted Sullivan to pull his permit. Through schmoozing with the merchants and getting criminologists and sociologists from U.C. Berkeley and U.C. Santa Cruz to give merit to the shows he has a second permit hearing and is denied again. Graham reports that Sullivan came to him sometime in March or April and announces that he has to pull his dance hall permit. The morning of the next day when Graham is returning to move out of his office in the Fillmore Auditorium, Sullivan meets him on the steps. Graham says Sullivan poured out his life story concluding with a pledge of support to Graham to beat City Hall. Graham then states "He was the guy, Charles. He was it. I don't know if I could have ever found another place. Why would I have even tried? That was the place."  Graham is denied by the Board of Permit Appeals who refuse to overrule the first denial. Bill then states "Then on April 21, 1966, a Thursday, the Chronicle ran an editorial called "The Fillmore Auditorium Case." ... "It was a big turning point for me. In more ways than one." Graham was able to secure his permit. Graham then reports "A few months later, Charles Sullivan got himself killed. He had a bad habit of always carrying a roll of money with him. He was proud of his work and proud of the fact that he earned a good living and always carried a roll. The jumped him and stabbed him to death. I went to his funeral in Colma, California. It was small, mostly family. Had that not happened, I think I would have done anything Charles wanted. Just out of gratitude."  After Bill Graham's horrific death Oct 25th 1991 the description of his funeral procession states: "Escorted by motorcycle police, more long black limousines than had ever before been seen at a private funeral in the city of San Francisco formed a phalanx for the procession to the cemetery. Bill was to be buried in Colma, the same small town south of San Francisco filled with graveyards where so many years before Bill himself had gone to the funeral of Charles Sullivan, the black man who stood up for him when the Fillmore Auditorium was on the line."  Tragically we must look at Charles Sullivan's life and accounts regarding his death to juxtapose those facts against Graham's reading of the events of 1966. This is done not to disparage Graham but is simply pointed out to set the record straight on the Fillmore Auditorium. Fortunately we have a wealth of information from which to garner the narrative of Sullivan's life and death. Charles Sullivan was found shot to death at 1:45 the early morning of August 2, 1966 at 5th and Bluxome Streets South of Market in San Francisco. Sullivan had just returned from Los Angeles where he had presented a weekend concert starring soul singer James Brown. The police were undetermined whether it was suicide or homicide. One is left to wonder why Bill Graham would say Charles Sullivan was stabbed to death. Especially since he states a willingness to do anything for Sullivan out of gratitude? Charles Sullivan was laid to rest August 8, 1966. According to the Sun Reporter. "Last respects were paid Charles Sullivan Monday, Aug. 8, when hundreds crowded into Jones Memorial Methodist Church, 1975 Post St. from 11:30 a.m. to view Sullivan for the last time. An enormous crowd had gathered by 1 p.m. to hear the eulogy for a friend."  The funeral announcement is accompanied by photographs of the actual funeral covering two pages where police are stopping traffic to assist the motorcade to the Cemetery in Colma. Graham's description again suggests a peculiar disregard for the truth. It makes one wonder how such blatant misinformation could be accepted as fact is a testament to the racism in 1966 San Francisco. The details of Charles Sullivan's life and his murder can be reviewed on his wikipedia page (Charles Sullivan Promoter). Our concern here is his relationship with Bill Graham and the Fillmore Auditorium. Of note in the articles surrounding Sullivan's murder an interesting fact is pointed out in The Sun Reporter "He took over the Fillmore Auditorium at Geary and Fillmore Sts. and began to present different artists in dances and concerts. some of the greatest names in the entertainment world, like Duke Ellington, Lionel Hampton, Count Basie, Ray Charles and numerous others, have been presented all up and down the Pacific Coast by Sullivan. He always signed these artists for presentations not only in San Francisco, but in Oakland, Los Angeles, San Diego, Portland and Seattle." According to the historical record Sullivan also named the Fillmore Auditorium —The Fillmore Auditorium.--
During Bill Graham's struggle to get his dance hall permit in the spring/summer of 1966 an article appeared in Billboard Magazine July 11, 1966. In this article San Francisco music critic Ralph Gleason in defense of Graham's Fillmore Auditorium scene states that Bill Graham got a three year lease for the Fillmore Auditorium from Charles Sullivan and was still struggling to procure his dance hall permit. A fact never publicly revealed by Graham. Charles Sullivan's last show at the Fillmore Auditorium came a week before his murder, it was on July 26, 1966, The Temptations Dance and Show. Graham must have gotten his permit in mid July 1966 confirming his possession of the Fillmore brand. When and how did Bill Graham take possession of the Fillmore Auditorium lease? The answer would come in 2004. Politics Observations & Arguments 1966 - 2004 by Hendrik Hertzberg (The Penguin Press New York 2004) contains an article "The San Francisco Sound, New music, new subculture." Ironically at the end of the article it states "-Unpublished file for Newsweek, October 28, 1966" This articles contains the only published account where Bill Graham reports how he got the Fillmore Auditorium. In the beginning Hertzberg recounts familiar territory with the Mime Troupe, reducing the Fillmore Auditorium to a run-down ballroom in SF's biggest negro ghetto. After the success of the Fillmore Auditorium Mime Troupe shows Graham parts with the Troupe "He went back to the Fillmore and found that eleven other promoters had already put in bids for it. Graham got forty-one prominent citizens to write letters to the auditorium's owner, a haberdasher named Harry Shifs, and Shifs gave him a three-year lease at five hundred dollars a month."..."The hippie community", says Jerry Garcia, "has turned out to be something the man from Montgomery Street can point to with pride, in a left-handed way, and say 'these are our boys.'"  Later in the article on page 10 Hertzberg states that three weeks after the April 21st San Francisco Chronicle editorial Grahams got his permit. This timeline is disputed by the Billboard Magazine article July 11, 1966 quoting Ralph Gleason's assertion that Graham is still struggling to get his permit. Since this article was posted October 28, 1966 Graham appears to be telling a strange story about the facts regarding the Fillmore in his autobiography. Finally on the same page Graham states "Order is kept by seven private policemen, six male and one female, whom Graham calls "swinging cops who know what's happening." One of the joys of the Fillmore is to watch one of these policemen standing quietly in a corner, rocking back and forth to the music, or joking with a long-haired, bead-wearing hippie. But they do their job  In review, it's October 1966, Charles Sullivan is dead under suspicious circumstances (8/2/1966) Graham has two three year leases, one from Harry Shifs and one from Charles Sullivan, on the property 1805 Geary Street where the Fillmore Auditorium is located, and the police are working for Graham as security at the Fillmore.
--The Fillmore Trademark.--
On October 27, 2010 Bill Graham's sons, (Plaintiffs) Alexander Graham-Sult and David Graham filed a lawsuit  against (Defendant) Nicholas Clainos, the executor of Bill Graham's estate at the time of Graham's death, and trustee of the testamentary trust established for the benefit of Alex and David. (Defendants) Richard Greene and Linda McCall Attorney's associated with Bill Graham and the dissolution of his estate. It contends that Bill Graham's assets, Bill Graham Archives LLC, d/b/a Wolfgang's Vault, and (Defendant) William E. Sagan current owner of Bill Graham Archives LLC, and "the Fillmore" trademark were stolen from his sons. That the Defendants committed diversity fraud against Plaintiffs. His sons lost the case. But the disclosures surrounding the lawsuit tell the rest of the story about the Fillmore Auditorium.
One of the early concerts Graham sponsored, with Chet Helms hired to promote it, featured the Paul Butterfield Blues Band. The concert was an overwhelming success and Graham saw an opportunity with the band. Early the next morning, Graham's secretary called the band's manager, Albert Grossman, and obtained exclusive rights to promote them. Shortly thereafter, Chet Helms arrived at Graham's office, asking how Graham could have cut him out of the deal. Graham pointed out that Helms would not have known about it unless he had tried to do the same thing to Graham. He advised Helms to "get up early" in the future. Later, after several years of promotion, Graham gave vice president Michael Ludwig his own concert hall, the Family Dog. Booked and operated by Michael with his father Michael, quasi-manager of the Grateful Dead at the Family Dog Presents, Monterrey Pop Festival and Altamont Concerts. The hall was located between Balboa and Fulton on La Playa below the Cliffhouse Restaurant. Ludwig wanted to call it Dog, but his father thought Family Dog sounded better with Graham agreeing, stating that "we are all family." The Family Dog Presents was born in 1965. It went on to have many successful shows at various venues before Graham located and opened the Family Dog Concert Hall next to the Great Highway. Later, Helms was hired against both Michaels wishes to promote at the Family Dog Concert Hall but rarely showed up and was released later when the concert hall closed. This more or less ended Chet's music career and promotion days (especially after legal problems from Graham over the Family Dog provenance). Ludwig junior took over again and booked and promoted Graham's concerts at the Fillmore, Winterland and Family Dog Presents shows, again using Graham's free Rag newspaper. He placed popular psychedelic posters inside to promote each upcoming concert. Passing them out by hand, he hitchhiked throughout Berkeley and San Francisco. Although many despised Graham's editorials, most would take it for the poster. This did away with costly radio and newspaper promotions that had previously been used. Ludwig's formula for a successful concert was simple: the band should play their hit or hits first, then the rest of the songs sounded better. Many fans had complained that they had to suffer through all the bad songs until they finally played the one or two hits they had been waiting for. This formula was very popular with the audience and was strongly encouraged backstage at all of Graham's shows by Ludwig. Strangely, Graham rarely showed up to any of his Bill Graham Presents and Family Dog Presents concerts that he sponsored during the 1960s, even though he was often encouraged to.
A charismatic but often difficult personality, Graham produced shows attracting elements of America's now legendary 1960s counterculture such as the Jefferson Airplane, Big Brother & the Holding Company, Country Joe and the Fish, Lawrence Ferlinghetti, the improv group the Committee, the Fugs, Allen Ginsberg, and, a particular favorite of Graham's, the Grateful Dead. He was the manager of the Jefferson Airplane during 1967 and 1968. His staff's amount of resourcefulness, success, popularity, and personal contacts with artists and fans alike was one reason Graham became the top rock concert promoter in the San Francisco Bay Area. Ludwig's employment started in 1965 and ended in 1971. His only payment for the historic work he performed was to be number one on the backstage guest list to every Bill Graham concert he promoted. Graham's secretary was his only actual paid employee. They were responsible for managing Graham's famous venues Fillmore West, Winterland, and the Family Dog (all in San Francisco). Graham's foster-brother started the Fillmore East (in New York City), where, like San Francisco, the best and the up-and-coming acts would come to play. In the early days Graham preferred to work on his editorials in the RAG, and left the concerts to his staff as long as they made money, which they did. Many countless volunteers and specialists contributed to Graham's early success, laying a foundation for his later work. Graham also owned a record label, Fillmore Records, which was in operation from 1969 to circa 1976. Some of the artists who signed with Graham were Rod Stewart, Elvin Bishop and Cold Blood, although of these it seems only Bishop actually issued albums on the Fillmore label.
In New York City, Graham formed a booking agency with his foster-brother called The Millard Agency, which organized the booking of bands for the Filmore East. Because the music venue was the Fillmore east, it seemed obvious to call the booking agency Millard. (Millard Fillmore was the thirteenth president of the United States.) His main music venues were booked by his staff in the Bay Area. They opened certain weekday nights to provide exposure for less well known bands, such as the Grateful Dead and Santana.
By 1971, Graham cited financial reasons and closed the Family Dog, the Fillmore East and West on both coasts, then Winterland claiming a need to "find [himself]". The movie Fillmore and the album Fillmore: The Last Days document the closing of the Fillmore West. Ludwig's last Bill Graham Presents/Family Dog Presents concert was the closing of Graham's final concert hall Winterland, in which the Grateful Dead played. This concert was the climatic symbolic end of the short ten-year renaissance of science, music, the arts, summers of love, positive vibes and good karma. Most of the hippies, musicians and social rights leaders later fled San Francisco which contributed to a fall of San Francisco's tourism and reputation as the center for world culture. Graham retreated to a Greek island, but found the quietude disconcerting and later admitted to being disappointed that no one there knew of him. Graham's historic staff of one and a half went on a sabbatical of their own for a while, with his secretary last seen booking at Shoreline Amphitheater. Both Ludwigs began living on top of Mount Tam, conferring with the Grateful Dead, behind Santana, up the street from Steve Miller, the Eagles and the New Riders of the Purple Sage). Graham later returned to promoting. He began organizing concerts at smaller venues, like the Berkeley Community Theatre on the campus of Berkeley High School. He then reopened the Winterland Arena in San Francisco along with the Fillmore West and promoted shows at the Cow Palace Auditorium in Daly City and other venues.
Graham promoted the West Coast leg of the Rolling Stones American Tour 1972, also known as S.T.P. Tour (for Stones Touring Party Tour), as well as parts of the Rolling Stones 1975 and 1978 tours. He then promoted the entire Rolling Stones American Tour 1981 and Rolling Stones European Tour 1982. When the Stones returned to touring in 1989 with the Steel Wheels Tour, Mick Jagger accepted the offer of Michael Cohl's BCL Group (Ballard Cohl Labatt Group) to buy the concert, sponsorship, merchandising, radio, television and film rights. Steel Wheels became the most financially successful tour in history. Graham later discovered that Cohl had offered only slightly more money. Graham took Jagger's repudiation as a personal defeat, writing "Losing the Stones was like watching my favorite lover become a whore."
In 1973 he promoted the largest outdoor concert at Watkins Glen, New York with the Grateful Dead, the Allman Brothers Band and the Band. Over 600,000 paying ticket-holders were in attendance. He continued promoting stadium-sized concerts at Kezar Stadium in San Francisco with Led Zeppelin in 1973 and started a series of stadium concerts at the Oakland Coliseum Stadium he called Day on the Green (DOG) in 1973 until 1992. Some of these concerts featured acts such as the Grateful Dead and the Who in October 1976, and the Grateful Dead and Bob Dylan in 1987. His first large-scale outdoor benefit concert was for the San Francisco after-school programs, called the SNACK concerts and starred Bob Dylan, with Neil Young, various members of the Grateful Dead and members of The Band.
In the mid-1980s, in conjunction with the city of Mountain View, California, and Apple Inc. cofounder Steve Wozniak, he masterminded the creation of the Shoreline Amphitheatre, which became the premier venue for outdoor concerts in Silicon Valley. Throughout his career, Graham promoted benefit concerts.
Graham would go on to set the standard for well-produced large-scale rock concerts, such as the American portion of Live Aid in JFK Stadium, Philadelphia on July 13, 1985, as well as the 1986 a A Conspiracy of Hope and 1988 Human Rights Now! tours for Amnesty International. In addition, he presented regular Bay Area outdoor concerts at the Oakland Coliseum, referred to as "Days on the Green," He was known to aggressively challenge potential competition.
Graham's later near monopoly business practices went as far as contracts with the University of California Regents to control on-campus entertainment venues, thus preventing ASUC (Associated Students of the University of California) and other student organizations from promoting their own rock concerts in the 1980s. In the 1980s, he teamed up with BASS Tickets which tended to drive small ticket-distribution companies out of business in the Bay Area, creating a de facto monopoly. After the smaller operations failed, the remaining one, Ticketmaster (formerly BASS), raised prices to unprecedented levels. Its only opposition came from a few bands, notably Pearl Jam, who protested that the company's high ticketing fees were unfair to music fans. Such practices were targeted by the California Senate in S.B. 815.
Graham was recognized as an expert promoter who genuinely cared about both the artists and the attendees at his concerts. He was the first to ensure that medical personnel were on site for large shows and he was both a contributor and supporter of the St. Mark's Free Clinic in New York and the Haight-Ashbury Free Clinic, He often used these clinics as medical support at events. He enjoyed putting together groups onstage from different ethnic backgrounds, many of whom were ignored by other promoters. He had an eye for pleasing his audience, while making an effort to educate them in styles of music they would otherwise not have been exposed to. Graham was credited with assisting the early careers of artists like Santana, Eddie Money and the Paul Collins' Beat.
Graham was instrumental in commissioning and marketing psychedelic concert posters by designers such as Stanley Mouse, Alton Kelley, Wes Wilson, Victor Moscoso, and Rick Griffin. Bill Sagan (Former CEO of EBP) of Minnetonka, Minnesota bought the Bill Graham Presents archives and has organized hundreds of millions of dollars' worth of merchandise and video/audio recordings of concerts collected by Graham. Sagan is now selling some of the collection at Wolfgang's Vault, a reference to Graham's childhood nickname.
He was married and divorced, to Bonnie McLean, in the 1960s and they had one child, David. He was also survived by another son, Alex; a stepson, Thomas Sult, and three sisters, Rita Rosen, Esther Chichinsky and Sonia Svobl. He also had several long-term relationships.
Graham's status as a Holocaust survivor came into play in the mid-1980s, during the presidency of Ronald Reagan. When Graham learned that Reagan intended to lay a wreath at the Bitburg World War II Cemetery in Germany where SS soldiers were also buried, he organized protests against the act. During the same month that Reagan visited the cemetery, Graham's office was firebombed by Neo-Nazis. Graham was in France at the time meeting with Bob Geldof to organize the first Live Aid concert. When he was informed of the fire via telephone. He responded by asking immediately, "Was anybody hurt?" It was only after he was told that everyone was okay that he asked, "Is anything left?" Graham eventually led an effort to build a large Menorah which is lit during every Hanukkah in downtown San Francisco as part of the holiday celebrations of a diverse city.
Graham had a lifelong dream to become a character actor, professing a great admiration for Edward G. Robinson. He appeared in Francis Ford Coppola's Apocalypse Now, as a promoter. In 1990, director Barry Levinson and actor Warren Beatty provided an opportunity for him to take a more substantive role by casting him as Charles "Lucky" Luciano in the film Bugsy. During one scene, he is shown in a Latin dance number, a style of dancing Graham had embraced as a teenager in New York. He also appears as a promoter in the 1991 Oliver Stone film, The Doors. He also had a small part in Coppola's 1987 Gardens of Stone playing the part of Don Brubaker as a hippie war protester at a garden party during the Vietnam War who gets into an argument with James Caan's character and is beaten up.
Graham was killed in a helicopter crash near Vallejo, California on October 25, 1991, while returning home from a Huey Lewis and the News concert at the Concord Pavilion. Graham had attended the event to discuss promoting a benefit concert for the victims of the 1991 Oakland firestorm. Once he had obtained the commitment from Huey Lewis to perform, he returned to his helicopter. Flying in severe weather, with rain and gusty winds, the aircraft flew off course and too low to the ground over the tidal marshland north of San Pablo Bay. The Bell Jet Ranger flew directly into a 223-foot high-voltage tower along Hwy 37, which runs between Vallejo, California and Marin County, California. The helicopter burst into flames on impact, killing Graham, pilot Steve Kahn and Graham's girlfriend, Melissa Gold, ex-wife of author Herbert Gold. The charred remains of the helicopter hung grotesquely in the tower for more than a day.
Following his death, his company, Bill Graham Presents (BGP), was taken over by a group of employees. Graham's sons remained a core part of the new management team. The new owners sold the company to SFX Promotions, which in turn sold the company to Clear Channel Entertainment. The BGP staff did not embrace the Clear Channel name, and several members of the Graham staff eventually left the company. Former BGP President/CEO Gregg Perloff and former Senior Vice President Sherry Wasserman left and started their own company, Another Planet Entertainment. Eventually Clear Channel separated itself from concert promotion and formed Live Nation, which is managed by many former Clear Channel executives. Live Nation is now the world's largest concert production/promotion company and is no longer legally affiliated in any way with Clear Channel.
In tribute, the San Francisco Civic Auditorium was renamed the Bill Graham Civic Auditorium. On November 3, 1991, a free concert called "Laughter, Love and Music" was held at Golden Gate Park to honor Graham, Gold and Kahn. An estimated 300,000 people attended to view many of the entertainment acts Graham had supported including Santana, the Grateful Dead, John Fogerty, Robin Williams, Journey (reunited), and Crosby, Stills, Nash & Young (reunited). The video for the song "I'll Get By" from Eddie Money's album Right Here was dedicated to Graham. Graham's images and poster artwork still adorn the office walls at Live Nation's new San Francisco office. With the band Hardline, Neal Schon of Journey composed a piece entitled "31–91" in 1992 in Graham's honor.
|“||A couple of years ago a couple of geniuses put on something called Woodstock Festival. It was a tragedy. Groups recognized that they could go into larger cattle markets, play less time and make more dollars. What they've done is to destroy the rock industry.||”|
- Bill Graham Archives v. Dorling Kindersley, Ltd., 448 F.3d 605 (2d Cir. 2006)
- Glatt, John. Rage & Roll: Bill Graham and the Selling of Rock. Birch Lane Press, 1993. p. 3
- "Bill Graham, Lead Act at Last". Highbeam.com. October 7, 1992. Retrieved June 27, 2011.
- "Newsbank website". Nl.newsbank.com. May 6, 1991. Retrieved June 27, 2011.
- "Bill Graham, Rock Impresario, Dies at 60 in Crash", New York Times obituary
- Graham, Bill; Greenfield, Robert. Bill Graham Presents: My Life Inside Rock and Out, Delta, 1992, p. 37
- Lambert, Bruce (October 27, 1991). "Bill Graham, Rock Impresario, Dies at 60 in Crash". The New York Times. Retrieved April 17, 2008.
- Kipen, David. "Flawed look at career of blacklisted director", San Francisco Chronicle, August 29, 2001. Accessed September 14, 2009. "The American 20th century went to high school at DeWitt Clinton High in the Bronx. Multicultural before there was a name for it – at least a polite one – Clinton nurtured such figures as Bill Graham, James Baldwin, George Cukor, Neil Simon and Abraham Lincoln Polonsky."
- "Latin Music USA", PBS TV, broadcast 2010
- Randie Paige Lewis; Luckydog Arts and Design; www.luckydogarts.com; email@example.com, 831-423-4239. "Bill Graham Bio". Billgrahamfoundation.org. Archived from the original on June 15, 2011. Retrieved June 27, 2011.
- "History San Francisco Mime Troupe". Sfmt.org. Archived from the original on July 21, 2011. Retrieved June 27, 2011.
- "The Fillmore: Timeline". Pbs.org. Retrieved June 27, 2011.
- United States District Court Northern District of California Oakland Division Case No. CV 10-4877 CW
- Harlem of the West www.chroniclebooks.com
- May 20th, 1988/BAM (Bay Area Music)
- Graham, Bill; Greenfield, Robert. Bill Graham Presents: My Life Inside Rock and Out, Delta, 1992, p. 128, 129
- Graham, Bill; Greenfield, Robert. Bill Graham Presents: My Life Inside Rock and Out, Delta, 1992, p. 153
- Graham, Bill; Greenfield, Robert. Bill Graham Presents: My Life Inside Rock and Out, Delta, 1992, p. 154
- Graham, Bill; Greenfield, Robert. Bill Graham Presents: My Life Inside Rock and Out, Delta, 1992, p. 156
- Graham, Bill; Greenfield, Robert. Bill Graham Presents: My Life Inside Rock and Out, Delta, 1992, p. 544
- San Francisco Chronicle Newspaper August 3rd, 1966
- The Sun Reporter, August 13, 1966 - PAGE 27
- The Sun Reporter, August 13, 1966 - pages 8 and 9
- The Sun Reporter, August 13, 1966 - PAGE 9
- Billboard Magazine July 11, 1966
- Politics Observations & Arguments 1966 - 2004 Hendrik Hertzberg, pages 8,9 The Penguin Press New York 2004
- Politics Observations & Arguments 1966 - 2004 Hendrik Hertzberg, page 10 The Penguin Press New York 2004
- "The Paul Butterfield Blues Band Concert". Wolfgangsvault.com. Archived from the original on July 18, 2011. Retrieved June 27, 2011.
- "Fillmore Records". Rock and Roll Map. Retrieved October 2, 2011.
- "Satisfaction: The Life and Times of Michael Cohl". Canadian Broadcasting Corporation. Retrieved June 27, 2011.
- in book Bill Graham Presents
- "California Senate Bill, S.B. 815". Retrieved June 27, 2011.
- Randie Paige Lewis; Luckydog Arts and Design; www.luckydogarts.com; firstname.lastname@example.org, 831-423-4239. "About Bill Graham Memorial Foundation". Billgrahamfoundation.org. Archived from the original on June 15, 2011. Retrieved June 27, 2011.
- "Haight Ashbury Free Clinics: RockMed". Hafci.org. Archived from the original on June 11, 2011. Retrieved June 27, 2011.
- Bill Graham postcards and handbills
- "About Wolfgang's Vault". Wolfgangsvault.com. July 3, 1973. Archived from the original on July 09 2011. Retrieved June 27, 2011.
- Bugsy IMDB
- The Doors IMDB
- Gardens of Stone IMDB
- NTSB Probable Cause report
- Kulczyk, David. (2009). Death In California – The Bizarre, Freakish, and Just Curious Ways People Die in the Golden State. P.141 Craven Street Books. P121 ISBN 978-1-884995-57-6
- "Clear Channel Music Group Splits Bill Graham Presents Into Two Entities". California, Colorado, Idaho, Montana, Oregon, Utah, Washington, Wyoming: Prnewswire.com. Retrieved June 27, 2011.
- Sloan, Paul (November 30, 2007). "Live Nation rocks the music industry". CNN. Archived from the original on June 06 2011. Retrieved June 27, 2011.
- "Laughter, Love and Music". Dead.net. Archived from the original on May 25, 2008. Retrieved April 17, 2008.
- "California Whirls". The Vid. Archived from the original on April 18, 2008. Retrieved April 17, 2008.
- Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 225. CN 5585.
- Bill Graham Presents: My Life Inside Rock And Out, re-published 2004. (By Robert Greenfield and Bill Graham) ISBN 0-306-81349-1
- Rage & Roll: Bill Graham and the Selling of Rock, 1993. (By John Glatt) ISBN 1-55972-205-3
- "Tito Puente: When the Drums are Dreaming", 2007 (By Josephine Powell)
|Wikimedia Commons has media related to Bill Graham (promoter).|
- Bill Graham Foundation
- Bill Graham Civic Auditorium
- Interview with Robert Greenfield
- Concert Archive Draws Digital Suit – December 2006 MP3 Newswire article about the fight over Wolfgang's Vault and the digital rights to the Bill Graham concert legacy.
- Bill Graham's Stairway to Heaven...
- Wolfgangs Vault(live music audio, video and merchandise)