Billie Whitelaw

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Billie Whitelaw
Born Billie Honor Whitelaw
(1932-06-06) 6 June 1932 (age 82)
Coventry, Warwickshire, England
Occupation Actress
Years active 1950–2002, 2007
Spouse(s) Peter Vaughan (1952-1966)
Robert Muller (1967-1998)
(his death)

Billie Honor Whitelaw, CBE (born 6 June 1932) is an English actress. She worked in close collaboration with Irish playwright Samuel Beckett for 25 years and is regarded as one of the foremost interpreters of his works.[1] She is also known for her portrayal of Mrs Baylock, the demonic nanny in The Omen.

Whitelaw was appointed CBE in the 1991 Birthday Honours list.

Early life[edit]

Whitelaw was born in Coventry, Warwickshire, the daughter of Frances Mary (née Williams) and Gerry Whitelaw.[2] She grew up in a working class part of Bradford and later attended Grange Girls' Grammar School in Bradford. At age 11, she began performing as a child actress on radio programmes, including the part of Bunkle, an extrovert prep-schoolboy on Children's Hour from Manchester, and later worked as an assistant stage manager and acted with the repertory company at the Prince's Theatre in Bradford during high school..

Film career[edit]

After training at RADA, Whitelaw made her stage debut at age 18 in London 1950. She made her film debut in The Sleeping Tiger (1954), followed by roles in Carve Her Name With Pride (1958) and Hell Is a City (1960). Whitelaw soon became a regular in British films of the 1950s and early 1960s. In her early film work she specialized in blowsy blondes and secretaries, but her dramatic range began to emerge by the late 1960s. She starred alongside Albert Finney in Charlie Bubbles (1967), a performance which won her a BAFTA award as Best Actress in a Supporting Role. She would win her second BAFTA as the sensuous mother of college student Hayley Mills in the psychological study Twisted Nerve (1969). She continued in film roles including Leo the Last (1970), Start the Revolution Without Me (1970), Gumshoe (1971) and the Alfred Hitchcock thriller Frenzy (1972).

Whitelaw gained international acclaim for her chilling role as Mrs. Baylock, the evil guardian of the demon child Damien in The Omen (1976). Her performance was considered one of the most memorable of the film, winning her the Evening Standard British Film Award for Best Actress.[3] Other films included performing the voice of Aughra in The Dark Crystal, as the hopelessly naive Mrs. Hall in Maurice (1987), one of two sisters, with Joan Plowright, struggling to survive in war-time Liverpool in The Dressmaker (1988), the fiercely domineering and protective mother of psychopathic twin murderers in The Krays (1990), a performance that earned her a BAFTA nomination, as the nurse Grace Poole in Jane Eyre (1996), and the blind laundress in Quills (2000). She returned to film, in a comedy turn, as Joyce Cooper in Hot Fuzz (2007). According to Simon Pegg, his wife accidentally referred to her as "Willie Bitelaw".[4]

In 1970, she was a member of the jury at the 20th Berlin International Film Festival.[5]

Theatre and Beckett[edit]

In 1963, Billie Whitelaw met Irish playwright Samuel Beckett. She and Beckett enjoyed an intense professional relationship until his death in 1989. He wrote many of his more experimental plays especially for her, referring to Whitelaw as "A perfect actress". Whitelaw became Beckett's muse, as he created, reworked and revised each play while she physically, at times to the point of total exhaustion, acted out each movement. Whitelaw remains the foremost interpreter of the man and his work. She gives lectures on the Beckettian technique, and has explained "He used me as a piece of plaster he was moulding until he got just the right shape".[6] They collaborated on Beckett plays such as Play, Eh Joe, Happy Days, Not I, Footfalls and Rockaby for both stage and screen.[1]

From 1964-66, Whitelaw was a member of Britain's National Theatre Company. In 1965, she took the part of Desdemona opposite Laurence Olivier's Othello from Maggie Smith.[7]

Television career[edit]

Whitelaw has also appeared frequently on television and won acclaim for her work. A very early TV appearance was in the first series of the long-running BBC1 police series, Dixon of Dock Green (1955), as Mary Dixon, daughter of George (Jack Warner). She also appeared as a woman who tries to join Robin Hood's outlaw band in an episode of The Adventures of Robin Hood (TV series), The Bride of Robin Hood. She won a BAFTA award as Best Actress for her performance in The Sextet (1972), the BBC adaptation of Thomas Hardy's Wessex Tales (1973), A Tale of Two Cities (1980), A Murder of Quality (1991), Duel of Hearts (1991), Firm Friends (1992-1994) with Madhur Jaffrey, Jane Eyre (1996), Merlin (1998) and A Dinner of Herbs (2000).

Personal life[edit]

Whitelaw was married first to the actor Peter Vaughan (1952–66) and, until his death, to the writer and drama critic Robert Muller, with whom she had a son. Her autobiography, Billie Whitelaw... Who He?, was published by St. Martin's Press (1996). She currently lives in Hampstead, London.

Selected filmography[edit]

References[edit]

  1. ^ a b Billie Whitelaw at New York State Writers Institute, State University of New York
  2. ^ Billie Whitelaw Biography
  3. ^ "Saving Abel's Top 10 Female Villains". DreadCentral. 
  4. ^ Paul Fischer (2007-04-09). "Interview: Edgar Wright for Hot Fuzz". Dark Horizons. Retrieved 2007-05-18. 
  5. ^ "Berlinale 1970: Juries". berlinale.de. Retrieved 2010-03-08. 
  6. ^ New York TImes article An Outsider in His Own Life
  7. ^ Lyn Haill (ed.) Olivier at Work, 1989, p.28

External links[edit]