|William D. Gould|
|Birth name||William David Gould|
April 24, 1963 Los Angeles, California
|Origin||San Francisco, California, United States|
|Genres||Alternative metal, funk metal, experimental rock, alternative rock, hardcore punk, death metal, grindcore, noise rock, avant-garde|
|Occupations||Musician, Songwriter, Producer|
|Instruments||Bass guitar, keyboards, Guitar, piano, harmonica|
|Associated acts||Faith No More, Brujeria, Harmful, Fear and the Nervous System, Jello Biafra and the Guantanamo School of Medicine, Fear Factory, Shandi's Addiction, The Animated, The Chickenfuckers, Black Diamond Brigade|
- 1 Biography
- 2 Equipment and style
- 3 Discography
- 4 References
Faith No More
Gould started playing the bass while he was at Loyola High School in Los Angeles with future Faith No More keyboardist Roddy Bottum. His first band during these early years was named "The Animated," a genre-bending new wave outfit that sounded something like a cross between The Buzzcocks, XTC and Michael Jackson. That band also featured future FNM vocalist Chuck Mosley on keyboards, and Mark Stewart (aka Stew) on guitar, of Negro Problem fame. In the early 1980s he moved to San Francisco to begin his studies and got involved with several underground bands. At this time he met drummer Mike Bordin and guitarist Jim Martin. Soon after that Gould formed a band with Bordin, keyboardist Wade Worthington, (Quickly replaced with Roddy Bottum) and guitarist/vocalist Mike 'The Man' Morris named Faith No Man, which eventually became Faith No More once Morris was out of the band.
In the mid-nineties Gould began to work as producer and in 1997 he co-produced Faith No More's last record Album of the Year with the former Swans drummer Roli Mosimann. Since then, he has become the CEO of Koolarrow Records and worked on various projects as a producer or guest musician.
In February 2009, it was announced that Faith No More would reform for a tour and possibly recording.
In the 1990s Gould was in the original line-up of the Mexican grindcore band Brujeria. He was also involved in several supergroups, such as Shandi's Addiction (with Maynard Keenan, Brad Wilk and Tom Morello) as well as Black Diamond Brigade (with Norwegian rock musicians Euroboy, Torgny Amdam, Tarjei Strøm and Sigurd Wongraven). Furthermore, he played with Wayne Kramer and Fear Factory, and produced CMX's Vainajala album. His guest appearances include recordings for Romanian band Coma, and the production of "Living Targets" by German group Beatsteaks, Slovenia's Elvis Jackson,and the album "7" for the German rock band Harmful, in which he also toured with them the whole year 2007 as guitar player.
During the same year, Gould joined as bassist in Jello Biafra's new band The Axis Of Evildoers along with Ralph Spight (Victim's Family) on guitar, and Jon Weiss on drums. They made their debut at Jello Biafra's 50th-birthday celebration June 16 and 17, 2008 at the Great American Music Hall in San Francisco. The band has since been renamed Jello Biafra and the Guantanamo School of Medicine and an album Audacity of Hype was released on October 20, 2009.
In 2011, he released an experimental album called "The Talking Book", a collaboration between himself and sound artist Jared Blum, known for his various projects on the Gigante Sound label. In 2012, he collaborated with Charles Hayward of This Heat and Mads Heldtberg on a project and release entitled House of Hayduk.
He recently contributed in the production of the soundtrack for the documentary "The Sequential Art" , by Norwegian director Espen J. Jörgensen, coming in 2011.
Since 1999, Gould has run an independent record label Koolarrow Records that has specialized in international acts and challenging artists such as Seattle's Kultur Shock, Brujeria, Hog Molly (featuring Tad Doyle), Bosnian's Dubioza Kolektiv, San Francisco's La Plebe, German rock band Harmful, Alexander Hacke (of Einsturzende Neubauten), Como Asesinar a Felipes from Chile, former Danish experimental outfit Durefursog, and Mexican Dubwiser.
Equipment and style
For most of Faith No More's career, he used a Zon bass, but started with an Aria in Faith No More's early days. In the music video for Evidence, he can be seen with a Fender Jazz. He began with Peavey amplifiers, and has used them his entire career. He is known for employing a wide variety of playing styles.
As a band member
Faith No Man
- 1982: "Quiet in Heaven/Song of Liberty"
Faith No More
- 1985: We Care a Lot
- 1987: Introduce Yourself
- 1989: The Real Thing
- 1992: Angel Dust
- 1995: King for a Day... Fool for a Lifetime
- 1997: Album of the Year
Fear And The Nervous System
Jello Biafra and the Guantanamo School of Medicine
- 2009: Audacity of Hype
- 2011: Enhanced Methods of Questioning (EP)
- 2007: Seven
As a featured musician
- 2005: Fear Factory – Transgression, "Echo of my Scream", "Supernova"
- 2006: Coma – Nerostitele, "Mai Presus De Cuvinte"
- 2006: Jeff Walker und Die Fluffers - Welcome to Carcass Cuntry
- 2012: Angertea - Nr. 4: Songs Exhaled, "No Computation"
- 1995 "Engove" – instrumental remix of "Caffeine", originally by Faith No More. Appeared on Metallurgy, Vol. 1
- 1997 "Pristina (Billy Gould Mix)", appeared on Last Cup of Sorrow single.
- 1998 "Du riechst so gut", remix is however credited to Faith No More
As a producer
- 1997 Naive — Post Alcoholic Anxieties
- 1998 CMX — Vainajala
- 2001 The Beatsteaks —"Living Targets"
- 2001 Kultur Shock —"FUCC the INS"
- 2007 Harmful -"7"
- 2009 Elvis Jackson — Against the Gravity
||This biographical article needs additional citations for verification. (April 2010)|