Birmingham Guild of Handicraft
It began as a loose part of the Birmingham Kyrle Society, then became a more fully formed group within the Kyrle Society in 1890, under the leadership of the silversmith and architect Arthur Stansfield Dixon (1856–1929) and with the lawyer Montague Fordham as first director, in Vittoria Street School for jewellers and silversmiths. In 1895 the Guild set up as an independent workshop and limited company with the guidance of Edward R. Taylor who was an important figure in the history of Birmingham School of Art. William Kenrick local MP and Arts and Crafts enthusiast became a director. The Guild's first address was at Kyrle Hall, Sheep Street, the same studios later being taken over by John Paul Cooper. In 1898 the Guild moved to 44-5 Great Charles Street. The Guild produced furniture and metalware, taking special advantage of the switch to electric lighting and the consequent need for new light fittings. Arthur Dixon was the chief designer and head of metalwork workshop. Other members were Albert Edward Jones and Thomas Birkett. Bernard Sleigh was a teacher at the Guild.
The Guild also produced fine books under the 'Press of the Birmingham Guild of Handicraft, Limited' and a periodical titled The Quest. The Quest began in November 1895 and aimed to appear three times a year, but was short-lived. William Morris was a contributor. Those involved with the Press were Ernest Treglown, Arthur Gaskin, and Charles March Gere. Charles Carr[disambiguation needed] and Mary Newill were book illustrators for the Guild. The Press was still active in 1919, when it published Memorials: The Work of the Architect and Craftsman in the Design and Execution of War Memorials.
The Guild ran a London showroom, headed by Martin Muir, at 7 Newman Street, Oxford Square.
The Guild was modelled on Charles Robert Ashbee's 1888 Guild and School of Handicraft, and it found itself in similar financial difficulties due to high running-costs and lack of money-making ventures. Due to commercial pressures there was a merger with E & R Gittins in 1905 which brought Llewelyn Roberts in to the organisation. In 1919 there was a further merger with Hart, Son & Pearl. The name was still shown until 1950 in directories as "The Birmingham Guild Ltd., Architectural & Decorative Metalworkers", the addresses being Grosvenor Road West and Sherbourne St. B16.
Further reading 
Alan Crawford. By Hammer and Hand: Arts and Crafts Movement in Birmingham (1984).