Bisso Na Bisso

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Bisso na Bisso
Origin Paris, Congo, France
Genres hip hop, rumba, Zouk, Soukous
Associated acts Les Neg'Marrons, Ärsenik, 2Bal
Members Passi
G Kill

Bisso Na Bisso (Lingala: Between Us) is a music collective of rappers and singers with origins from Congo Brazzaville formed in 1999. The group consisting of Ben-J (from Les Neg'Marrons), Lino and Calbo (from the group Ärsenik), Doc and G Kill (from 2Bal), Mystik and the only female M'Passi was put together by French rapper Passi.

The group created an album called Racines which means 'Roots' in French. The album contained a fusion of hip hop with African rhythms and sounds like rumba, zouk and soukous giving it a unique and distinctive flavour. The album also featured collaborations with prominent African musicians of the time like Koffi Olomide, Papa Wemba, Ismael Lo, Kassav and Monique Seka.[1]

Many French rappers such as those that comprise the group Bisso Na Bisso, describe their desire to both foster solidarity among Blacks and demonstrate their pride in Africa, while simultaneously acknowledging their roots in an Urban French context. This identity struggle represented in French rap music is further complicated by the fact that black rappers in France struggle to create a presence in the film industry and on television where French Blacks receive little exposure and being white opens doors to many more opportunities. Rappers report their feelings of disconnect from both their homelands and from their present homes where they are unable to adequately use the media to portray the inequality in French society.[2] [1]

Bisso Na Bisso have spent much energy providing humanitarian aid to the Congo and other African countries, including while they are touring.A translated link to an article in Afrik about a Bisso Na Bisso tour

In addition to their humanitarian aide, they have been vocal in their criticism of Africa politics. In 'Dans la peau d'un chef,' they criticize the corruption of the government with lines like 'I pray for the development of my country that is falling into decay/believe me I swear to gorge myself...'[3]

In 1999 they won three Kora Awards in the categories best arrangement, best group and best video clip.


Much of their music entails collaboration with many celebrated artists within the genres of Ndombolo and Soukous (formerly known as Congolese Rumba). These artists include, but are not limit to, Papa Wemba, Lokua Kanza, and Koffi Olomidé. Other collaborations include Franklin Boukaka, a Congolese artist. These collaborations reach deep into the heritage of African descent and call upon a new style that incorporates the French culture with its African roots.[4]


1998: Racines[edit]

Track List
1 Intro (Ata Ozali - Extrait) - (0:49)
2 L'union (5:04)
3 Dans la Peau d'Un Chef (3:40)
4 Après la Guerre (4:18)
5 Bisso Na Bisso (4:08)
6 Africa by Night (4:42)
7 Tata Nzambé (5:08)
8 Amiyo (4:32)
9 Liberté (6:25)
10 Bisso Fri (4:04)
11 L'anmou Pa Méchan (5:09)
12 2e Bureau (5:06)
13 Légendes Africaines (3:47)
14 Bossa Na Bisso (4:40)
15 Le Cul Entre 2 Chaises (4:58)
16 Bisso Na Bisso - Bonus (5:55)

1999: Live 15 Mai 99[edit]

Track List
1 Entrée (:54)
2 Dans la Peau d'un Chef (3:10)
3 2e Bureau (Avec Supplément) (10:32)
4 Amiyo (5:30)
5 C.O.N.G.O. (5:46)
6 Africa by Night (réchauffé) (10:29)
7 Aprés la Guerre (4:32)
8 Bossa Na Bisso (4:33)
9 Bossa (pimentée) (3:54)
10 Chauffé (3:26)
11 Tata Nzambé (5:41)
12 Cul Entre 2 Chaises (4:22)
13 Liberté (6:30)
14 Bisso Na Bisso Live (Dessert)

2009: Africa[edit]

Track List
1 Intro Africa
2 Show ce soir
3 feat. Espoir 2000 - Electrochoc
4 feat. Jocelyne Labylle - Chéri pa douté
5 Racines
6 Champions
7 feat. Christophe Maé - Pas de différence
8 Là bas
9 Tonton
10 feat. Sizzla - Même combat
11 feat. Manu Dibango - Endetté
12 Bon voyage
13 feat. Khaled - Avec le sourire
14 We Are Africa

Music Videos[edit]

  • 2009 : "Show ce soir" (directed by J.G Biggs)


  1. ^ MCM Article (French)
  2. ^ Helenon, Veronique. “Africa on Their Mind: Rap, Blackness, and Citizenship in France.” In The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 151-66. London; Ann Arbor, MI: Pluto Pres
  3. ^ Helenon, Veronique; Basu, Dipannita; Lemelle, Sidney, "Africa on Their Mind: Rap, Blackness, and Citizenship in France.", The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, Ann Arbor, Michigan: Pluto Pres .
  4. ^ Africa on the Mind: Rap, Blackness, and Citizenship in France By Veronique Helenon

External links[edit]