Black Twitter is a cultural identity on the Twitter social network focused on issues of interest to the black community, particularly in the United States. Feminista Jones described it in Salon as "a collective of active, primarily African-American Twitter users who have created a virtual community ... [and are] proving adept at bringing about a wide range of sociopolitical changes." A similar Black Twitter community is growing in South Africa. Although Black Twitter has a strong black American user base, other people and groups are able to be a part of this social media circle through commonalities in their thought process and actions online.
According to a 2013 report by the Pew Research Center, 26 percent of African Americans who use the Internet use Twitter, compared to 14 percent of online white, non-Hispanic Americans. In addition, 11 percent of African American Twitter users say they use Twitter at least once a day, versus 3 percent of white users.
André Brock of the University of Iowa dates the first published comments on black Twitter usage to a 2008 piece by blogger Anil Dash, and a 2009 article by Chris Wilson in The Root describing the viral success of Twitter joke memes such as #uknowurblackwhen and #uknowurfromqueens that were primarily aimed at black Twitter users. Brock says the first reference to a Black Twitter community—as "Late Night Black People Twitter" and "Black People Twitter"—occurred in the November 2009 article "What Were Black People Talking About on Twitter Last Night?" by Choire Sicha, co-founder of current-affairs website The Awl. Sicha described it as "huge, organic and ... seemingly seriously nocturnal"—in fact, active around the clock.
Reciprocity and community
An August 2010 article by Farhad Manjoo in Slate, "How Black People Use Twitter," brought the community to wider attention. Manjoo wrote that young black people appeared to use Twitter in a particular way: "They form tighter clusters on the network—they follow one another more readily, they retweet each other more often, and more of their posts are @-replies—posts directed at other users." Manjoo cited Brendan Meeder of Carnegie Mellon University, who argued that the high level of reciprocity between the hundreds of users who initiate hashtags (or "blacktags") leads to a high-density, influential network.
Manjoo's article in Slate drew criticism from American and Africana Studies scholar Kimberly C. Ellis (Twitter user @drgoddess). She concluded that large parts of the article had generalised too much, and published a response to it titled "Why 'They' Don't Understand What Black People Do On Twitter." Pointing out the diversity of black people on Twitter, she said, "[I]t's clear that not only Slate but the rest of mainstream America has no real idea who Black people are, no real clue about our humanity, in general [...]. For us, Twitter is an electronic medium that allows enough flexibility for uninhibited and unfabricated creativity while exhibiting more of the strengths of social media that allow us to build community. [...] Actually, we talk to each other AND we broadcast a message to the world, hence the popularity of the Trending Topics and Twitter usage, yes?" Ellis said that the most appropriate response she had seen to the Slate article was that by Twitter user @InnyVinny, who made the point that "black people are not a monolith" and then presented a wide array of brown Twitter bird drawings on her blogsite in order to express the diverse range of Black Twitter users; the #browntwitterbird hashtag immediately went viral, as users adopted or suggested new Twitter birds.
According to Shani O. Hilton (@shani_o) writing in 2013, the defining characteristic of Black Twitter is that its members "a) are interested in issues of race in the news and pop culture and b) tweet A LOT." She adds that while the community includes thousands of black Twitter users, in fact "not everyone within Black Twitter is black, and not every black person on Twitter is in Black Twitter". She also notes that the viral reach and focus of Black Twitter's hashtags have transformed it from a mere source of entertainment, and object of outside curiosity, to "a cultural force in its own right ... Now, black folks on Twitter aren't just influencing the conversation online, they're creating it."
Apryl Williams and Doris Domoszlai (2013) similarly state, "There is no single identity or set of characteristics that define Black Twitter. Like all cultural groups, Black Twitter is dynamic, containing a variety of viewpoints and identities. We think of Black Twitter as a social construct created by a self-selecting community of users to describe aspects of black American society through their use of the Twitter platform. Not everyone on Black Twitter is black, and not everyone who is black is represented by Black Twitter."
Feminista Jones has argued that Black Twitter's historical cultural roots are the spirituals, or work songs, sung by slaves in the United States, when finding a universal means of communication was essential to survival and grassroots organization.
Several writers see Black Twitter interaction as a form of signifyin', wordplay involving tropes such as irony and hyperbole. André Brock states that the Black Tweeter is the signifier, while the hashtag is signifier, sign and signified, "marking ... the concept to be signified, the cultural context within which the tweet should be understood, and the 'call' awaiting a response." He writes: "Tweet-as-signifyin', then, can be understood as a discursive, public performance of Black identity."
Sarah Florini of UW-Madison also interprets Black Twitter within the context of signifyin'. She writes that race is normally "deeply tied to corporeal signifiers"; in the absence of the body, black users display their racial identities through wordplay and other language that shows knowledge of black culture. Black Twitter has become an important platform for this performance.
Manjoo referred to the hashtags the black community uses as "blacktags," citing Baratunde Thurston, then of The Onion, who argued that blacktags are a version of the dozens. Also an example of signifyin', this is a game popular with African Americans in which participants outdo each other by throwing insults back and forth ("Yo momma so bowlegged, she look like a bite out of a donut," "Yo momma sent her picture to the lonely hearts club, but they sent it back and said, 'We ain't that lonely!'"). According to Thurston, the brevity of tweets and the instant feedback mean Twitter fits well into the African tradition of call and response.
Having been the topic of a 2012 SXSW Interactive panel led by Kimberly Ellis, Black Twitter came to wider public attention in July 2013, when it was credited with having stopped a book deal between a Seattle literary agent and one of the jurors in the trial of George Zimmerman. Zimmerman was controversially acquitted that month of charges stemming from the February 2012 shooting of Trayvon Martin, a black teenager in Florida. Black Twitter's swift response to the juror's proposed book, spearheaded by Twitter user Genie Lauren (@MoreAndAgain), who launched a change.org petition, resulted in coverage on CNN. Zimmerman had only been arrested and charged after a large-scale social media campaign including petitions circulated on Twitter that attracted millions of signatures.
The community was also involved in June 2013 in protesting to companies selling products by Paula Deen, the celebrity chef, after she was accused of racism, reportedly resulting in the loss of millions of dollars' worth of business. A #paulasbestdishes hashtag game started by writer and humorist Tracy Clayton (@brokeymcpoverty) went viral. In August 2013, outrage on Black Twitter over a Harriet Tubman "sex parody" video Russell Simmons had posted on his Def Comedy Jam website persuaded Simmons to remove the video; he apologized for his error in judgment.
The #SolidarityIsForWhiteWomen hashtag was created by black feminist blogger/author Mikki Kendall in response to a highly public Twitter "meltdown" by "male feminist" Hugo Schwyzer, to highlight the belief that mainstream feminism caters to the needs of white women, while the concerns of black feminists are pushed to the side. The hashtag and subsequent conversations have been part of Black Twitter culture. In Kendall's own words: "#SolidarityIsForWhiteWomen started in a moment of frustration. [...] When I launched the hashtag #SolidarityIsForWhiteWomen, I thought it would largely be a discussion between people impacted by the latest bout of problematic behavior from mainstream white feminists. It was intended to be Twitter shorthand for how often feminists of color are told that the racism they experience 'isn't a feminist issue'. The first few tweets reflect the deeply personal impact of such a long-running structural issue."
After Ferguson, Missouri, police officer Daryl Wilson fatally shot unarmed resident Michael Brown, a high school student in Houston, Texas, named Tyler Atkins tweeted an informal photo of himself in casual clothes including a t-shirt and a bandana, and a second photo of himself posing with his prized saxophone. Atkins claimed that if the police shot him down, media would broadcast the photo of him wearing a t-shirt and a bandana and not the photo of him posing with his saxophone. #IfTheyGunnedMeDown spread virally in the course of worldwide social media attention paid to the Ferguson crisis. The hashtag was posted several hundred times in the week's following Atkin's initial use of it.
Jonathan Pitts-Wiley, a former writer for The Root, cautions that Black Twitter is just a slice of contemporary African-American culture. "For people who aren't on the inside," he writes, "it's sort of an inside look at a slice of the black American modes of thought. I want to be particular about that—it's just a slice of it. Unfortunately, it may be a slice that confirms what many people already think they know about black culture."
Daniella Gibbs Leger (@dgibber123), writing in HuffPost Black Voices, said, "Black Twitter is a real thing. It is often hilarious (as with the Paula Deen recipes hashtag); sometimes that humor comes with a bit of a sting (see any hashtag related to Don Lemon)." Referring to the controversy over the Tubman video, she concluded, "1. Don't mess with Black Twitter because it will come for you. 2. If you're about to post a really offensive joke, take 10 minutes and really think about it. 3. There are some really funny and clever people out there on Twitter. And 4. See number 1."
Kenichi Serino writes in The Christian Science Monitor that South Africa is experiencing a similar Black Twitter phenomenon, with black discourse on Twitter becoming increasingly influential. In a country that has 11 official languages, Black Twitter users regularly embed words from Zulu, isiXhosa, and Sesotho in their tweets. Twitter had 1.1 million users in South Africa as of 2011. Tweeting is still a middle-class activity in that country, where just 21 percent have access to the Internet, but according to journalism lecturer Unathi Kondile (@UnathiKondile), blacks have taken to Twitter as "a free online platform where black voices can assert themselves and their views without editors or publishers deciding if their views matter."
- Apryl Williams and Doris Domoszlai. "#BlackTwitter: a networked cultural identity", The Ripple Effect, Harmony Institute, 6 August 2013.
- André Brock, "From the Blackhand Side: Twitter as a Cultural Conversation", Journal of Broadcasting & Electronic Media, 56(4), 12 December 2012 (hereafter Brock 2012).
- Feminista Jones, "Is Twitter the underground railroad of activism?", Salon, 17 July 2013.
- Kenichi Serino, "#RainbowNation: The rise of South Africa's 'black Twitter'", The Christian Science Monitor, 7 March 2013.
- Maeve Duggan, Joanna Brenner, "The Demographics of Social Media Users — 2012", Pew Internet and American Life Project, Pew Research Center, 14 February 2013.
- Choire Sicha, "What Were Black People Talking About on Twitter Last Night?", The Awl, 11 November 2009: "At the risk of getting randomly harshed on by the Internet, I cannot keep quiet about my obsession with Late Night Black People Twitter, an obsession I know some of you other white people share, because it is awesome."
- For Choire Sicha being the first journalist to refer to Black Twitter, see Brock 2012, p. 533: "The initial coining of 'Black Twitter' is commonly attributed to Choire Sicha's (2009) article, 'What Were Black People Talking About on Twitter Last Night'."
- Chris Wilson, "uknowurblack", The Root, 9 September 2009.
- Chase Hoffberger, "The demystification of 'Black Twitter'", The Daily Dot, 9 March 2012.
- Marcia Wade Talbert, "SXSW 2012: The Power of 'Black Twitter'", Black Enterprise, 14 March 2012.
- Kimberly C. Ellis, "Why 'They' Don't Understand What Black People Do On Twitter", drgoddess.com, August 2010.
- Xeni Jardin, "Brown Twitter Bird: a reaction to 'How Black People Use Twitter'", BoingBoing, 14 August 2010.
- InnyVinny, "...oh, Slate...", innyvinny.com, 10 August 2010.
- Brock 2012.
- Farhad Manjoo, "How Black People Use Twitter", Slate, 10 August 2010.
- Shani O. Hilton, "The Secret Power Of Black Twitter", BuzzFeed, 16 July 2013.
- Sarah Florini, "Tweets, Tweeps, and Signifyin’: Communication and Cultural Performance on 'Black Twitter'", Television & New Media, 7 March 2013.
- Cecil Adams, "To African-Americans, what does "signifying" mean?", The Straight Dope, 28 September 1984.
- Kiana Fitzgerald, "Preview – The Bombastic Brilliance of Black Twitter", SXTX state, 26 February 2012.
- Suzanne Choney, It's a black Twitterverse, white people only live in it, Today, 10 March 2012.
- Jamilah Lemieux, "Justice for Trayvon: Black Twitter Kills Juror B37’s Book", Ebony, 16 July 2013.
- Don Lemon, "The Influence of Black Twitter", CNN, 17 July 2013.
- Walter Pacheco, "Trayvon Martin case draws more blacks to Twitter", Orlando Sentinel, 28 March 2012.
- Prachi Gupta, "Paula Deen’s racism goes viral with #PaulasBestDishes", Salon, 19 June 2013.
- Daniella Gibbs Leger, "Don't Mess With Black Twitter", Huffington Post, 22 August 2013.
- "Black Twitter: A virtual community ready to hashtag out a response to cultural issues". washingtonpost.com. Retrieved January 27, 2014.
- Kendall, Mikki. "#SolidarityIsForWhiteWomen: women of color's issue with digital feminism". theguardian.com. Retrieved January 27, 2014.
- Vega, Tanzina (12 August 2014). "Shooting Spurs Hashtag Effort on Stereotypes". News Story (The New York Times Company). Retrieved 1 September 2014.
- Arceneaux, Michael. "The Miseducation of Black Twitter: Why It's Not What You Think", ComplexTech, 20 December 2012.
- Crutchfield, Abby. "#BlackBuzzFeed and the power of 'Black Twitter'", MSN News, 17 July 2013.
- Editorial Staff. "Black Twitter Wikipedia Page Gives The Social Media Force An Official Stamp Of Approval", Huffington Post, 21 August 2013.
- Greenfield, Rebecca. "Why Conservatives Love Black Twitter", The Atlantic Wire, 18 July 2013.
- Opam, Kwame. Black Twitter’s not just a group—it's a movement. Mainstream media often miss that it's about more than the race of whoever's tweeting—it's about a shared mission, Salon, 3 September 2013.