Bleak House (2005 TV serial)
|Bleak House (2005)|
|Created by||Charles Dickens|
|Written by||Based upon the novel by
Anna Maxwell Martin
|Country of origin||United Kingdom|
|No. of series||1|
|No. of episodes||15|
|Running time||30 minutes
60 minutes (episode 1)
|Original channel||BBC One|
|Picture format||1080i (16:9)|
|Original run||27 October 2005 – 16 December 2005|
|Preceded by||Bleak House (1985)|
Bleak House is a fifteen-part BBC television drama serial adaptation of Charles Dickens' novel Bleak House, which was originally published in 1852–53. Produced with an all-star cast, the serial was shown on BBC One from October to December 2005, and drew much critical and popular praise. It has been reported that the total cost of the production was in the region of £8 million. It should not be confused with the 1985 TV adaptation.
The adaptation is eight hours in length, and it covers most of the characters and storylines in the novel. Characters from the book who are not present include the wife of Mr Snagsby, the law stationer; the wife and grandson of the money lender Smallweed; the law clerk Tony Jobling; the bankrupt Mr Jellyby; Sir Leicester Dedlock's several cousins; and the Bagnet family, friends of the ex-soldier Mr George. The character of Clamb, clerk to the lawyer Tulkinghorn, was created by the screenwriter as a device for showing Tulkinghorn's motives and deeds without recourse to a narrator.
Most of the storylines are portrayed substantially as they are in the novel, but somewhat abbreviated. The exceptions to this are in large part consequent to the aforementioned cull of minor characters. The plot mechanics around the possession of Lady Dedlock's letters, which involve Tony Jobling and Smallweed Junior in the novel, are considerably altered, as are the mechanics of the reconciliation between Mr George and his mother, which is brought about by Mrs Bagnet in the book. The storyline concerning Mrs Snagsby's paranoid jealousy of her husband is omitted altogether.
Production overview 
The serial was produced in-house by the BBC with some co-production funding from United States PBS broadcaster WGBH. It was shown on BBC One, on Thursdays at 8.00 p.m. and Fridays at 8.30 p.m., following the BBC's most popular programme — EastEnders — in an attempt to attract more viewers, particularly those of a young age. An hour-long episode started the series on Thursday 27 October 2005. Afterwards, episodes were shown twice weekly — aside from there being no episode broadcast on Friday 18 November due to the annual Children in Need charity telethon — and were thirty minutes in length. The serial was designed to air in the format of a soap opera; this was somewhat experimental for the television drama genre, where conventionally they would be an hour long. BBC One showed omnibus editions of each week's episodes on the Sunday following first broadcast.
Though some critics have argued against the series being shown in this format, programme makers and commentators defended their decision by saying that Dickens's writings were long, complex, very popular stories told over a series of small installments, just like a soap-opera and claiming that if he had been alive in 2005 he would have been writing for big signature dramas. Bleak House was indeed originally published in monthly installments, with cliffhangers used to maintain the continuing interest of the readership.
In the United States, the eight hours were broadcast on PBS on Masterpiece Theatre, where they were compressed and slightly edited into six installments. The opening and closing episodes were two hours in length, and the middle four episodes were each a single hour. Most PBS stations showed the first-run for the new week's installment at 9:00 p.m. on Sundays from 22 January to 26 February 2006. Bleak House was rebroadcast on Masterpiece Theatre in 2007. Four installments, two hours each, were shown on most PBS stations from 22 April to 13 May.
The programme is also notable for being one of the first British drama series to be shot and produced in the High Definition Television format, which required the make-up and set design to be much more detailed than previous productions.
It was filmed on location in Hertfordshire, Bedfordshire, and Kent from February 2005 through to July 2005. The exterior of the Dedlock's country house Chesney Wold, was represented by Cobham Hall in Kent, which is a girls' boarding school, and is occasionally open to the public. The exterior of Bleak House was represented by Ingatestone Hall in Essex. Other houses used for interior shots and garden locations include Balls Park in Hertfordshire, Bromham Hall in Bromham, Bedfordshire, and Luton Hoo in Bedfordshire.
Cast and crew 
- Gillian Anderson - Lady Dedlock
- Katie Angelou - Charley Neckett
- Alun Armstrong - Bucket
- Lilo Baur - Hortense
- Di Botcher - Mrs. Woodcourt
- Loo Brealey - Judy
- Charlie Brooks - Jenny
- Anthony Cozens - Usher
- Richard Cant - Mercury
- Warren Clarke - Boythorn
- Pauline Collins - Miss Flite
- Dermot Crowley - Mr. Vholes
- Charles Dance - Mr. Tulkinghorn
- Tim Dantay - Mr. Rouncewell
- Joanna David - Mrs. Badger
- Phil Davis - Smallweed
- Bryan Dick - Prince Turveydrop
- Harry Eden - Jo
- Alastair Galbraith - Mr. Brownlow
- Tom Georgeson - Clamb
- Burn Gorman - Guppy
- Richard Griffiths - Mr. Bayham Badger
- Peter Guinness - Coroner
- Lisa Hammond - Harriet
- Sheila Hancock - Mrs. Guppy
- Richard Harrington - Allan Woodcourt
- Tony Haygarth - Gridley
- Emily Jewell - Servant at London Lodgings
- Matthew Kelly - Old Mr. Turveydrop
- Patrick Kennedy - Richard Carstone
- Denis Lawson - John Jarndyce
- John Lynch - Nemo
- Benedict Martin - Policeman Outside Krook's
- Sean McGinley - Snagsby
- Alistair McGowan - Mr. Kenge
- Anna Maxwell Martin - Esther Summerson
- Carey Mulligan - Ada Clare
- Andrew Osbourne - Dancer
- Nathaniel Parker - Harold Skimpole
- Brian Pettifer - Mr. Growler
- Richard Pettyfer - Constable at Dedlock's
- Natalie Press - Caddy Jellyby
- Robert Pugh - Mr.Chadband
- Anne Reid - Mrs. Rouncewell
- Ian Richardson - Chancellor
- John Sheahan - Fortnum
- Michael Smiley - Phil Squod
- Hugo Speer - Sergeant George
- Sevan Stephan - Mr. Tangle
- Liza Tarbuck - Mrs. Jellyby
- Catherine Tate - Mrs. Chadband
- Roberta Taylor - Mrs. Pardiggle
- Johnny Vegas - Krook
- Timothy West - Sir Leicester Dedlock
- Emma Williams - Rosa
- Written by Andrew Davies.
- Produced by Nigel Stafford-Clark.
- Executive producers: Sally Haynes and Laura Mackie.
- Directed by Justin Chadwick (EastEnders and Spooks) and Susanna White (Teachers).
Previewing the first episode of the serial in the BBC's Radio Times listings magazine in its week of broadcast, critic David Butcher wrote that: "Watching this extraordinary version of Dickens's novel feels less like watching a TV drama and more like sampling a strange other world... it's Gillian Anderson who, despite having only a handful of lines, is at the heart of the drama. It's a magnetic performance (one of many) in a tremendous piece of television."
In the same issue, the magazine — which also devoted its front cover to the programme, a fold-out photograph of the cast posing in modern glamorous dress in the style of a Dynasty-style soap opera cast — contained a preview feature by Christopher Middleton which went behind the scenes of the production. Middleton was equally positive about the adaptation. "The word 'big' doesn't really do it justice," he wrote.
The Radio Times kept up its positive reaction to the series throughout the programme's run. Of episode eight, Butcher again wrote a positive preview. "We're halfway through this mesmerising serial and it shows no sign of letting up," he wrote. "As ever, each frame is composed to perfection, each face lit like an oil painting, and the acting is out of this world. You might want to take the phone off the hook."
For the week of the final episode, the magazine's television editor, Alison Graham, joined in the praise, picking out individual cast members for particular attention. "Anna Maxwell Martin as Esther was a superb heroine, but in years to come it's [Gillian] Anderson's portrayal of a secretly tormented aristocrat that we'll treasure." And of Charles Dance, "As the scheming attorney-at-law, Dance was wolfishly lethal, his hooded eyes and sonorous voice loaded with evil. It's almost enough to make you take against lawyers."
The praise for the serial was not, however, universal. Writing for The Guardian newspaper, Philip Hensher criticised the program sight unseen. Hensher's comments led Andrew Davies to write an open letter to The Guardian in response to Hensher's piece, which appeared in the paper two days after the original article. "I think you know that a film can do a lot more than action and dialogue..."
In terms of viewing figures, Bleak House began with an overnight average audience of 6.6 million for the one-hour opening episode, peaking at 7.2 million and averaging 29% of the total available viewing audience, winning its timeslot. Ratings continued to average around the five to six million mark, with the serial sometimes winning its timeslot but on occasions being beaten into second place by programming on ITV. Bleak House's highest ratings came for the sixth episode on 11 November, which attracted an average of 6.91 million viewers and a 29.5% share of the audience.
On 7 May 2006, Bleak House won the Best Drama Serial category at the British Academy Television Awards, one of the most prestigious industry awards in the UK, with Anna Maxwell Martin taking the Best Actress award ahead of fellow nominee Gillian Anderson.
In July 2006, the adaptation was nominated for 10 Primetime Emmy Awards, including Outstanding Miniseries, Lead Actor in a Miniseries or Movie (Charles Dance), Lead Actress in a Miniseries or Movie (Gillian Anderson), and Supporting Actor in a Miniseries or Movie (Denis Lawson). It won two Emmys, for Makeup and Cinematography.
Previous versions 
The BBC had previously adapted the novel twice, in 1959 (eleven episodes) and 1985 (eight episodes). In the silent film era it was filmed in 1920 and 1922; the later version starred Sybil Thorndike as Lady Dedlock. The BBC also adapted the book for radio.
See also 
- The Passion, a BBC drama by the same producer that uses the same soap-opera format.
- Gordon, Bryony. "I'm too old for romantic leads". The Daily Telegraph. Tuesday 11 October 2005.
- Oliver Marre Some bleak news for the Beeb's new Dickens drama The Independent 27 October 2005
- Ian Wylie BleakEnders Manchester Evening News 18 October 2005
- Butcher, David. "Today's Choices: Thursday 27 October. Bleak House." Radio Times. Volume 327, number 4256, issue dated 22–28 October 2005, page 108.
- Middleton, Christopher. Ibid, page 10.
- Butcher, David. "Today's Choices: Thursday 24 November. Bleak House." Radio Times. Volume 327, number 4206, issue dated 19–25 November 2005, page 114.
- Graham, Alison. "Television: The Bleakies." Radio Times. Volume 327, number 4263, issue dated 10–16 December 2005, page 61.
- Hensher, Philip. "You'll never catch me watching it". The Guardian. Monday 7 November 2005.
- Davies, Andrew. "Open letter to Philip Hensher". The Guardian. Wednesday 9 November 2005.
- Day, Julie. "6.6m flock to Bleak House" (subscription link). MediaGuardian.co.uk. Friday 28 October 2005.
- Wilkes, Neil. "Bleak House rises to 7 million". digitalspy.co.uk. Monday 14 November 2005.
- Tryhorn, Chris. "Trevor says goodbye to 3 million" (subscription link). MediaGuardian.co.uk. Friday 16 December 2005.
- "Filming begins on Andrew Davies' innovative adaptation of Dickens' Bleak House". BBC Press Office. 10 February 2005.
- Bleak House at BBC Programmes
- BBC Bleak House Press Pack
- PBS Masterpiece Theatre Bleak House site
- Bleak House at the Internet Movie Database