Blind Idiot God

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For the H. P. Lovecraft character, see Azathoth.
Blind Idiot God
Blind Idiot God 2006.jpg
Blind Idiot God performing live at the Tonic,
New York City on August 9, 2006.
Background information
Also known as B.I.G.
Origin St. Louis, Missouri, United States
Genres Noise rock, post-hardcore, math rock, dub
Years active 1982–1996, 2001–present
Labels SST, Enemy, Avant
Members Will Dahl
Andy Hawkins
Tim Wyskida
Past members Ted Epstein
Gabriel Katz

Blind Idiot God is an instrumental rock trio formed in 1982 in St. Louis, Missouri by guitarist Andy Hawkins, bassist Gabriel Katz and drummer Ted Epstein. The phrase "blind idiot god" comes from horror writer H. P. Lovecraft's description of the god Azathoth. They socialized with the St. Louis hardcore punk scene, including members of Drunks with Guns and Ultraman, and have often collaborated with musicians Bill Laswell and John Zorn.[1] They are currently based in New York City.

Their self-titled debut album, Blind Idiot God, was issued by SST Records in 1987 and was well received critically. Brian Olewnick described it as "an extraordinary debut [...] the three musicians exhibited startling originality and impressive technique both on their instruments and in the depth and style of their compositions".[2] With bassist Bill Laswell handling production duties, Undertow was released in 1988 and was followed by Cyclotron in 1992. Ted Epstein left the band in 1996 and the remaining members put Blind Idiot God on hiatus as they searched for a replacement. In 2001, Blind Idiot God reunited after roughly a decade of inactivity, with Tim Wyskida (of Khanate) replacing Epstein. Gabriel Katz departed in 2012 and was replaced by New York veteran bassist Will Dahl, making Andy Hawkins the only original member still performing in the band. In 2014, Blind Idiot God's new line-up entered the studio with plans on releasing their fourth album, Before Ever After, on Indivisible Records.[3]

History[edit]

Early years (1982–1986)[edit]

Blind Idiot God was formed in 1982 in St. Louis, Missouri when its members were teenagers. Before adopting free jazz and dub influences, they essentially played hardcore punk, with their songs being roughly one minute in length. After failing to find a vocalist that shared their musical aspirations, the band opted to continue as an instrumental outfit.[1] Their first live performance came in September of 1983 at a basement party. After playing the first song of their set, a reggae version of "Hava Nagila", they were interrupted by the police who shut the party down after receiving complaints from the neighbors.[4] After hearing their self-produced cassette demo, Greg Ginn of Black Flag signed them to SST Records, and the band moved to Brooklyn in 1986.

Debut album and critical acclaim (1987–1988)[edit]

The band began searching for a producing who would be willing to work with their mixture of noise, dub and heavy metal. Originally, Hawkins wanted to enlist the aid of British producer Adrian Sherwood, known for his work with numerous reggae groups as well as his contributions to the industrial hip hop ensemble Tackhead.[5] In January of 1987, Blind Idiot God entered B.C. Studios to record with producer Martin Bisi, who they had met through composer Bill Laswell. Their debut album, the eponymously titled Blind Idiot God, was released on SST Records in 1987 and received critical acclaim. While categorized heavy metal and noise rock, the music made use distortion techniques while hinting at free jazz and european classical music influences, with its final three tracks ostensibly belonging to the dub genre.[6] The virtuosity of the band's players was praised in an article for Electronic Musician, which said "Andy Hawkins' guitar dips and swirls, chases its tail, and ultimately screams its existence, while Ted Epstein and Gabriel Katz lend form and substance on bass and drums respectively. At 19, 20, and 21, the trio is young enough to dazzle with potential. Jazz, heavy metal, reggae, art music - B.I.G. has elements of all of these, yet establishes their very own recipe."[7]

Underground success, collaborative work and second album (1988–1992)[edit]

The success of Blind Idiot God's first album coupled with powerful live performances earned them recognition in underground music circles. The band soon began collaborating with avant-garde composer and saxophonist John Zorn. Zorn contacted the band after attending one of their performances at CBGB's and professed his enthusiasm for their work along with his desire to collaborate with the group. The band joined him onstage on numerous occasions to perform improvised music and sometimes worked on pieces Zorn had already composed.[1] The Blind Idiot God's second album Undertow was issued the following year by Enemy Records and produced by Bill Laswell. The style remained similar to what had been represented on the band's debut, with excursions into dub territory interposing bludgeoning noise rock. Noted musical departures included the heavy metal/funk hybrid "Alice in My Fantasies", a George Clinton cover, and "Purged Specimen", a loosely structured free jazz piece that featured John Zorn on alto saxophone.[8] Praising the Blind Idiot God's knack for memorable melodies and rapid tempo-changes combined with Laswell's production, EAR Magazine declared Undertow superior to their debut and "as addictive as a pot of strong coffee."[9]

Third album, separate projects and hiatus (1992–1996)[edit]

Released four years later, the band's 1992 album Cyclotron was seen by some as lackluster due the reliance on idea previously explored and absence of distinct experimentation.[10] They appeared on the 1994 album Sacrifist by Praxis, one of Bill Laswell's musical projects. In 1996, Ted Epstein left the band to pursue other interests. Unwilling to continue without a drummer, the remaining members placed Blind Idiot God on hiatus.[3]

Return and new album (2001–present)[edit]

Drummer Tim Wyskida, known for his work in Khanate, joined in 2001 and Blind Idiot God began work on their fourth studio album. However, setbacks and delays occurred as Gabriel Katz encountered problems with tendinitis and hearing loss. The line-up finally began performing in a live setting in 2006, playing a series of well-received gigs in New York City. In 2012, Gabriel Katz left the band and was replaced by Will Dahl. The band's fourth full length album is set to be released in 2014 and will be titled Before Ever After. Three tracks recorded for the album also appeared in the 2013 HBO documentary Downloaded, a film by Alex Winter detailing the history of Napster.[3]

Musical style[edit]

Though at its core heavy metal, Blind Idiot God's music was informed by punk rock, dub reggae, and classical music composers, notably György Ligeti, Krzysztof Penderecki and Igor Stravinsky. In a 1997 Guitar Player interview, Hawkins explained one reason he drew inspiration from classical music: "When I listen to a lot of metal and hard rock, I think 'Great Intensity! Boring chords!'" The band's music also heavily drew from free jazz, with its members citing Cecil Taylor, Ornette Coleman and John Coltrane as being early musical influences. Former drummer Ted Epstein has also commented on the role funk music plays in his music, saying "something that has been with me since I was 15 or 16 is the idea of funk as a concept, the syncopation and the push/pull thing that exists in funk, embodied in Funkadelic, Grandmaster Flash, Sly and the Family Stone, and The Meters."[1] Comparisons have also been made to Blue Cheer, The Velvet Underground, the Sex Pistols, Glenn Branca and Jimi Hendrix.[11] In reviewing the band's debut, a critic of Electronic Musician noted that "if you took original Hendrix multi-track tapes, wiped the vocals off, and handed them to Scientist, the reggae dub-mixer, the result might sound like B.l.G."[7]

Since its inception, Blind Idiot God's music has been entirely instrumental, with its members stating their unanimous disinterest in adding vocals to their arrangements. Andy Hawkins has explained "when you hear a voice, it usually has such a distinct emotional quality to it. It speaks in a whole different kind of way then the music does, so it just interferes with what we are trying to do musically." However, during the early nineties the band expressed a desire to form a separate project that integrated vocals into their music.[1]

Band members[edit]

Timeline

Discography[edit]

Studio albums
EPs
  • Purged Specimen (Enemy, 1989)
  • Sawtooth (Enemy, 1989)

References[edit]

  1. ^ a b c d e "Blind Idiot God". Option (Sonic Options Network). 30-35: 69-71. 1990. Retrieved September 22, 2014. 
  2. ^ Olewnick, Brian. "Blind Idiot God". Allmusic. Retrieved September 22, 2014. 
  3. ^ a b c "Blind Idiot God - "Before Ever After"". indivisiblemusic.com. 2014. Retrieved September 22, 2014. 
  4. ^ Blush, Steven (2001). American Hardcore: A Tribal History. Feral House. p. 261. Retrieved September 22, 2014. 
  5. ^ Shteamer, Hank (June 2011). "Heavy Metal Bebop: Bill Laswell". heavymetalbebop.com. Retrieved September 22, 2014. 
  6. ^ "Blind Idiot God: Blind Idiot God". The Reggae & African Beat (Bongo Productions) 6–7: 38. 1987. Retrieved September 22, 2014. 
  7. ^ a b "Blind Idiot God, Blind Idiot God". Electronic Musician (Polyphony Publishing Company) 3 (7-12): 104. 1987. Retrieved September 22, 2014. 
  8. ^ Olewnick, Brian. "Undertow". Allmusic. Retrieved September 22, 2014. 
  9. ^ Talman, Jeff (1987). "Blind Idiot God: Undertow/Purged Specimen". EAR (New Wilderness Foundation) 14: 48. Retrieved September 22, 2014. 
  10. ^ Olewnick, Brian. "Cyclotron". Allmusic. Retrieved September 22, 2014. 
  11. ^ Gehr, Richard (2007). "Blind Idiot God". Trouser Press. Retrieved September 22, 2014. 

External links[edit]