Blind Willow, Sleeping Woman
|Blind Willow, Sleeping Woman|
UK 1st edition cover
Mekurayanagi to nemuru onna
|Translator||Philip Gabriel, Jay Rubin|
|Genre||Short story collection|
|Published||2006 (Harvill Secker) (UK)|
|Media type||Print (Hardcover and Paperback)|
The stories contained in the book were written between 1980 and 2005, and published in Japan in various magazines then collections. The contents of this compilation was selected by Murakami and first published in English translation in 2006 (its Japanese counterpart was released later in 2009). Around half the stories were translated by Philip Gabriel with the other half being translated by Jay Rubin. In this collection, the stories alternate between the two translators for the most part.
Murakami considers this to be his first real English-language collection of short stories since The Elephant Vanishes (1993) and considers after the quake (2000) to be more akin to a concept album, as its stories were designed to produce a cumulative effect.
In the introductory notes to the English-language edition of Blind Willow, Sleeping Woman, Murakami declares, "I find writing novels a challenge, writing stories a joy. If writing novels is like planting a forest, then writing short stories is more like planting a garden." This analogy serves to give the reader some idea of what awaits.
Many of the stories in the collection have been published previously in Japanese periodicals (not listed here), then translated in literary magazines (mentioned below), although some have been revised for Blind Willow. The stories are listed below in the order in which they appear in the book.
in English in
|Blind Willow, Sleeping Woman||Harper's|| 1995|
|Birthday Girl||Harper's and Birthday Stories||2002|
|New York Mining Disaster||1980 / 1981|
|Aeroplane: Or, How He Talked to Himself as If Reciting Poetry||The New Yorker|| 1989|
|The Mirror||1981 / 1982,
|A Folklore for My Generation: A Prehistory of Late-Stage Capitalism||The New Yorker||1989|
|Hunting Knife||The New Yorker||1984|
|A Perfect Day for Kangaroos||1981|
|Dabchick||McSweeney's Quarterly Concern||1981|
|Man-Eating Cats||The New Yorker||1991|
|A 'Poor Aunt' Story||The New Yorker||1980|
|The Seventh Man||Granta||1996|
|The Year of Spaghetti||The New Yorker||1981|
|Tony Takitani||The New Yorker||1990|
|The Rise and Fall of Sharpie Cakes||1981 / 1982,
|The Ice Man||The New Yorker||1991|
|Firefly||(later reused within Norwegian Wood)||1983|
|Where I'm Likely to Find It||The New Yorker||2005|
|The Kidney-Shaped Stone That Moves Every Day||2005|
|A Shinagawa Monkey||The New Yorker||2005|
Tony Takitani (トニー滝谷) was adapted into a 2004 Japanese movie directed by Jun Ichikawa.
The final five stories all appeared in the book Tōkyō Kitanshū (Strange Tales From Tokyo), published in Japan in 2005.
- Frank O'Connor International Short Story Award -September, 2006
- Kiriyama Prize -February, 2007 - "Following the announcement of the Prize, Mr. Murakami declined to accept the award for reasons of personal principle."
- Murakami, Haruki (2006). "Introduction to the English edition". Blind Willow, Sleeping Woman.
- Article about Blind willow, Sleeping Woman , retrieved June 1, 2007.
- Murakami, Haruki (2006). "Publishers notes, English edition". Blind Willow, Sleeping Woman.
- "Blind Willow, Sleeping Woman" was first published in 1983 as a different version (whose title didn't bear a comma), then rewritten in 1995 (taking its final title). (See also the story's article ja:めくらやなぎと眠る女 in Japanese.)
- "Crabs" was first published nested within another short story in 1984, then cut out and revised for separate publication in 2003. See also: Daniel Morales (2008), "Murakami Haruki B-Sides", Néojaponisme, May 12, 2008: "Thus begins “Baseball Field” , one of Haruki Murakami's lesser-known short stories. Part of the story was extracted, edited and expanded into “Crabs”, published in Blind Willow, Sleeping Woman, but the entirety has never been published in English. The young man in the story is at a café with Murakami himself. He mailed Murakami one of his short stories (the content of which the real-life Murakami later turned into “Crabs”), and Murakami, charmed by the young man's interesting handwriting and somewhat impressed with the story itself, read all 70 pages and sent him a letter of suggestions. “Baseball Field” tells the story of their subsequent meeting over coffee."
- "Stories 50" (in English, Italian). Leconte Editore. April 2003. p. 2.
- Waseda.jp Archives
- Kiriyama Winners for 2007